Group 2
Mastering the art of subtle timing flexibility is crucial for delivering performances that are as expressive and speech-like as possible, captivating your audience's attention. Have you ever marveled at how the fluid manipulation of timing by your favorite performers adds depth and expressiveness to their music? If you aspire to imbue your musical expressions with similar vitality, or if you aim to perfect and evolve your ability to produce seamless legato, this course is tailored for you. We will introduce techniques designed to equip you with the skills necessary for integrating these practices into your own rehearsal routines with pieces beyond the scope of this course.
Course Highlights:
Dynamic Timing Flexibility: Delve into the nuances of timing flexibility to achieve a more expressive and speech-like performance. Discover the secrets behind the captivating, ever-changing stretch of time that adds color and expression to music, drawing listeners into your sonic world.
Legato Mastery: Explore the techniques to perfect your legato playing, ensuring seamless transitions and a fluid, singing quality in your music. This segment focuses on cultivating the ability to convey your musical ideas with the same vitality and expressiveness as your favorite performers.
Technique Enhancement: Engage in specialized exercises designed to improve your timing flexibility and legato execution. These practices are crafted to help you integrate these skills into your personal practice routine, allowing for continual growth and refinement.
Customized Feedback: Benefit from personalized feedback tailored to your unique musical journey. This course offers the opportunity to receive direct guidance and strategies from an expert, enabling you to overcome challenges and achieve your musical goals.
Collaborative Learning Community: Join a network of like-minded musicians and enthusiasts. This course fosters a nurturing environment for sharing insights, experiences, and encouragement, building a community of learners dedicated to musical excellence.
Enroll now and unlock the potential of your guitar playing like never before!
Timeline:
- Sign-Up : NOW until March 17th
- Course Period: March 18th until March 28th
- Optional check-In via Zoom: March 23rd, 10 am PST
Assignments Week 1
Note:
- Try to experiment with different tempos (bigger, smaller, etc.).
- Always listen to yourself. If what you were playing was gradually becoming clear or audible, keep at it.
- For exercises 4-7, it is important that you emphasize the melody and make the accompaniment quieter.
- In exercises 6-7, you can use appoyando to bring out the melody.
- Please send me videos of exercises 1, 2, and 3, and choose only one from 4-5 and one from 6-7.
Videos
Exercise one: https://youtu.be/GDYyqiyhuws
Exercise two: https://youtu.be/hgux2nOkEaM
Exercise three: https://youtu.be/SFDvk4CHsaI
Exercise four: https://youtu.be/gbNV-ZEJv5c
Exercise five: https://youtu.be/h9Kfdnhmm54
Exercise six: https://youtu.be/-yHXgqAruYs
Exercise seven: https://youtu.be/OShYqOe6fyo
Scores
Improve_your_time_flexibility_and_legato
Assignments Week Two
First exercise: https://youtu.be/B53r9aRax44
Second exercise: https://youtu.be/CIWz9DZQFQ4
Third exercise: https://youtu.be/CGEyEbwx6UQ
Fourth exercise: https://youtu.be/XAdOVEPx5Lc
Fifth exercise: https://youtu.be/dm9dW9WTXLU
Scores
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Thank you Borbola, for these exercises. I did not know what to expect. This will be a challenging and interesting journey. I am surprised to see how much you modified Carcassi Op 60 No3. Although we can recognize the piece, i wonder why you chose to modify it that way. There must be a good reason. I believe i will select exercise 5 instead which is closer to the original score starting in measure 9 where you converted the sixteenth notes to eight notes and got rid of the repeating notes.. I will carefully practice and update with videos later this week.
thanks
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There as been a typo in the scores, here's the new version:
Improve_your_time_flexibility_and_legato -
Hi Borbala, I've watched the exercises even though I haven't enrolled into the course. Been busy with other stuff.
But I have a question for you, and I'd love if fellow members offer their views. How do I use rubato and legato while being in rhythm? All pieces have time signatures, but how and when do we use some freedom to experiment within certain technical parameters.
For example, I'm enamored with pieces like Julia Florida and Villa Lobos Prelude no 1. And I've heard them in so many different versions.
There are two things, that really scare me in classical guitar. First, being out of rhythm. Second, not being faithful to the composer.
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Hello Borbola! Thank you for this intensive program. These are the fine details that make such a difference... and they are a challenge to execute consistently. I've read through the exercises and here is a playlist of my videos.
https://youtube.com/playlist?list=PLy1W4cBgg4p2XIvegUld3lSky8vYV64Se&si=Qzl869GNvijhje-9
Best regards,
Michael
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Hi Borbala Seres I'm glad to participate in this TWI with you and I apologize for being late with my submission. Here's a quick «montage» of the requested exercises (that need more practice ), I did 3 takes of each and took the one that seemed the more valuable (or less terrible!). I'm also testing out a different setup than usual to ease sharing this kind of videos (the microphone needs a better position), and it looks like I got a buzz on the third fret due to extreme temperature changes we have here !