Group 2
Mastering the art of subtle timing flexibility is crucial for delivering performances that are as expressive and speech-like as possible, captivating your audience's attention. Have you ever marveled at how the fluid manipulation of timing by your favorite performers adds depth and expressiveness to their music? If you aspire to imbue your musical expressions with similar vitality, or if you aim to perfect and evolve your ability to produce seamless legato, this course is tailored for you. We will introduce techniques designed to equip you with the skills necessary for integrating these practices into your own rehearsal routines with pieces beyond the scope of this course.
Course Highlights:
Dynamic Timing Flexibility: Delve into the nuances of timing flexibility to achieve a more expressive and speech-like performance. Discover the secrets behind the captivating, ever-changing stretch of time that adds color and expression to music, drawing listeners into your sonic world.
Legato Mastery: Explore the techniques to perfect your legato playing, ensuring seamless transitions and a fluid, singing quality in your music. This segment focuses on cultivating the ability to convey your musical ideas with the same vitality and expressiveness as your favorite performers.
Technique Enhancement: Engage in specialized exercises designed to improve your timing flexibility and legato execution. These practices are crafted to help you integrate these skills into your personal practice routine, allowing for continual growth and refinement.
Customized Feedback: Benefit from personalized feedback tailored to your unique musical journey. This course offers the opportunity to receive direct guidance and strategies from an expert, enabling you to overcome challenges and achieve your musical goals.
Collaborative Learning Community: Join a network of like-minded musicians and enthusiasts. This course fosters a nurturing environment for sharing insights, experiences, and encouragement, building a community of learners dedicated to musical excellence.
Enroll now and unlock the potential of your guitar playing like never before!
Timeline:
- Sign-Up : NOW until March 17th
- Course Period: March 18th until March 28th
- Optional check-In via Zoom: March 23rd, 10 am PST
Assignments Week 1
Note:
- Try to experiment with different tempos (bigger, smaller, etc.).
- Always listen to yourself. If what you were playing was gradually becoming clear or audible, keep at it.
- For exercises 4-7, it is important that you emphasize the melody and make the accompaniment quieter.
- In exercises 6-7, you can use appoyando to bring out the melody.
- Please send me videos of exercises 1, 2, and 3, and choose only one from 4-5 and one from 6-7.
Videos
Exercise one: https://youtu.be/GDYyqiyhuws
Exercise two: https://youtu.be/hgux2nOkEaM
Exercise three: https://youtu.be/SFDvk4CHsaI
Exercise four: https://youtu.be/gbNV-ZEJv5c
Exercise five: https://youtu.be/h9Kfdnhmm54
Exercise six: https://youtu.be/-yHXgqAruYs
Exercise seven: https://youtu.be/OShYqOe6fyo
Scores
Improve_your_time_flexibility_and_legato
Assignments Week Two
First exercise: https://youtu.be/B53r9aRax44
Second exercise: https://youtu.be/CIWz9DZQFQ4
Third exercise: https://youtu.be/CGEyEbwx6UQ
Fourth exercise: https://youtu.be/XAdOVEPx5Lc
Fifth exercise: https://youtu.be/dm9dW9WTXLU
Scores
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Nijwm Bwiswmuthiary Michel Giroux
Hi Everyone!
There was some questions about rubato playing, so I made a video about this topic. I hope it will answer everyones questions.
https://youtu.be/QORKJGqUVT0 -
Hello Borbála,
thank you for all the advices for the first 3 exercises. I really appreciate that you take the time to share your knowledge with us, review and critique our playing during this workshop. I took notes of your recommendations and i already started to apply your suggestions. Sorry for the late submission of the other half. There is simply not enough hours in a day... I am trying to save some time to practice but my professional and family life takes precedence at the moment. I will be retiring later this year or next (i haven't decided yet) and at that time, i will be able to devote more time to refine my playing and continue the study of harmony.
Here is my take on exercises 5, 6 and 7. I have practiced while recording myself and i selected the ones that i liked most.
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https://us06web.zoom.us/rec/share/v95EUPuY5OFH-d_0DjAwjhP-xjo4GBtwHw46ji_NewZYTJ5Li6N_emYbTsHorjnt.czQSr3qOnu08Ij-O
Here is the link to the Zoom Check-In!
edit: the Recording of the Check-in! -
Hi Borbála and all colleagues! Hope you're all okay. Despite I've been recovering from a injury in my right hand due to incorrect technique, and playing and going back in shape has been and still is quite laborious, I'll do my best to record for tomorrow a couple of the exercises you've sent. Alike, I've decided to return with this course and participate a little once again here in Tonebase after a long pause, so I won't miss the chance to post at least 2 videos tomorrow. Thanks a lot for your insights on this topic!
Best Regards!
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Hello Borbala
Thank you very much for the very detailed comments and advice in the first video, which will of course be very useful to me.
For the second video, I decided to zoom in on the right hand. I'm trying to make crescendos but the forte is not convincing and in the end I have the impression that everything is at the same sound level.
Otherwise, I see this short piece more in one go, so maybe you can hear that in my video.
Thanks again for your involvement in these two weeks, it's so essential to think about making music at last.Olivier
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Here´s a little video executing exercises 2 and 6 from the first week. I chose them because they were the ones I could handle better. I'm aware of many of the technical isues present in my right hand, and of course, they limit me to perform better these excerpts. Did a regular try in these videos and could do waaay better, but I won´t discard them due to my current technical state. Of course, any suggestion on this topic is well recieved, and even surely suggestions and observations that could help to enhance my legato and rubato. I'm sorry that I didn't send earlier the videos and more exercises, this were the ones I got to feel confortable so far. Alike, thanks for these 2 weeks, Borbála!
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Happy to see there’s such a lot of activity in these 2w intensive!
I finally post my first exercises. Sorry to be so late., but here are my attempts on accelerando-ritardando, and legato playing. Not yet the Carcassi and Sor studies. I was quite busy practicing Carcassi for the Carcassi challenge. And had to practice for my lessons (Barrios- also quite a challenge for rubato playing.)
The practice for the second week is very useful, and pleasant as well. I hope to record my progress on the Tarrega piece tomorrow.