Week 3: Music is Music!
Welcome to the Main Thread for the last week of the transcription challenge! This is the place for the Week 3 Submissions!
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- Watch the kickoff livestream for help with the first section!
If you want to describe your process (optional), feel free to use the following template.
- Things you found easy:
- Things you found difficult:
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ā Reply below with your Progress Update and Questions! ā
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As I previously posted, I have been working on two arrangements of Astor Piazzolla's pieces from his Tango Opera, Maria de Buenos Aires. The first piece was Alevare which I posted last week and the second is Poema Valseado (Poetic Waltz). Poema Valseado tells the story of Maria wandering through the streets of Buenos Aires as she falls deeper into the dark side. Here is the final stanza of Poema Valseado from the libretto by Horacio Ferrer.
"I am Maria from Buenos Aires
Maria from Buenos Aires, I'm my city!
Maria tango, Maria of the slums
Maria night, Maria fatal passion,
Maria of the love of Buenos Aires
It's me!
Again, the arrangement was done by Agustin Carlevaro, who arranged at least 20 Astor Piazzolla pieces for solo guitar. The challenge in playing this piece is to capture the dark poetic nature of the music by playing it very legato while trying to minimize left hand string noise.
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Finally did a recording of the first half of Dyens Revoir Paris. Definitely a long way to go before it sounds good. Hard- getting all the fingering in my brain so that I can play it with swing. Iām trying to make the melody stand out like a smooth voice after hearing the very French original. The introduction section has some tricky fingering, so itās hard to get it to sound smooth- Iāve left out a couple of less important notes on some of the chords so that the fingering works better.
Easy- having such a strong rhythm actually dictates how itās played. So a big bonus once Iāve got that sorted. -
Merry Christmas Mr Lawrence
This is a beautiful piece composed by Ryuichi Sakamoto and arranged to guitar by Hirokasu Sato. It was for the 1983 movie by the same name.
As I expected, I think this will take till this Christmas to get this into shape. Still a lot of mistakes, especially when shifting position from higher frets to lower fret and the fast passage.
I have been working on it average 30 mins daily for last 3.5 weeks and I'm quite happy with the progress. It is a really fun piece to work on and am glad that there is this challenge otherwise I'll never even start this.