Week 3: Rhythm Everywhere!
Welcome to the Main Thread for the third week of the "Music from Latin America" challenge!
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Do you struggle with complicated rhythms?
↓ Happy Sharing! ↓
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Continuing with my journey through Abel Carlevaro's compositions, here are two very different pieces which draw upon traditional Uruguayan music. The first is entitled Estilo "Campo Arado." This is an early unpublished work, most likely written for one of his students. The title translates to the "Style of a Plowed Field." The second post is a milonga based on the traditional milonga rhythm. It is titled "Milonga para Ling" and was written in 1998 for his student Dr. Ling. It is published by Chanterelle Publishers. The background photo that I used for these two posts was taken in 1983 in San Francisco and includes Carlevaro, his wife Vani, my younger self, and my daughter. One of the great honors that I had was to host Maestro Carlevaro and Vani in my home during his visits to San Francisco.
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Barrios – Medallón Antiguo (Apr 18 update)
I'm now playing through the entire piece, including the C section in B major. That is definitely the most difficult section for me to play legato, but it is slowly getting there. Once I feel comfortable with it all under my fingers, I will focus on adding more musicality.
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Well I missed week 2, been away to Filey on the North East coast of the UK - the other side of the North Sea and slightly further north than Heligoland where I think Martin has been. I was hoping to take my guitar but couldn't fit it in so not had much chance to practice.
Here is a rough recording of Maria Louisa by Julio Sagreras. I haven't quite memorised the second section yet as you can probably tell. It's a fairly simple piece but I like it.