Bach’s Prelude in D minor, BWV 999

Welcome to our very first Study Group — a collaborative, peer-led dive into a beautiful piece of music over the course of two weeks.

We’re kicking things off with Bach’s Prelude in D minor, BWV 999!

This is not a course or a class — it’s a space for mutual exploration, discussion, and shared progress. I’ll be learning the piece alongside you (again — it’s been a while!), and I’m excited to discover new things together.

🗓️ What to expect:

Between June 9th-20th, we’ll focus on:

🎯 Fingerings and technique

🎯 Harmonic structure and phrasing

🎯 Interpretation and expressive choices

🎯 Your own questions and perspectives!

We’ll also meet for two live Zoom sessions to share progress, chat about challenges, and nerd out over all things Bach.

✅ How to participate:

  1. Sign-Up here!
  2. Grab your score of BWV 999
  3. Introduce yourself below!
  4. Join the prompts and discussion!
  5. Share your thoughts, ideas, or a clip of your playing!

📅 Zoom Call #1 – June 13th, 9am PST

📅 Zoom Call #2 – June 20th, 9am PST

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  • @martin, Hi Martin, I just rewatched the livestream on this piece that you'd recorded in the past. I highly recommend it to everyone, if you haven't seen it yet. Can you tell me which book was it that you referred to when you were talking about the mood of the piece and the historical context? The page extract mentioned rhetorical performance.

    I've been trying to get hold of materials related to historical understanding of composers, their profiles or biographies to get a better historical appreciation of their music and the eras they lived in. Any suggestions from dear members of the community is welcome and appreciated.

    Like 1
    • Blaise Laflamme Watching him play it in the original key of Cmin made the Dmin feel an inferiority complex 😀. Cmin is so much more sombre and moody and much more suited to the piece, I think. But I don't enjoy retuning the guitar. So, I'll probably stick to Dmin at the moment🙂

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  • I was not planning to participate in this due to an issue I have in my right hand. For the last couple of years, there have been certain basic right hand movements that have become nearly impossible for me. One of them is any repeated right hand arpeggio that includes the i finger. Whenever that occurs in a piece (and there are many, of course), I lack precision in the index finger, often missing the string completely, and most vexingly, my thumb begins to curl inward involuntarily toward my palm. I figured this issue would make playing this Bach prelude impossible.

    Yesterday, however, I thought I would try to find a solution that keeps the i finger out of the arpeggio pattern. I discovered that I am able to play the repeated figure using this pattern: ppma-mpam-pmpm. It is not the most efficient pattern to use, with the repeated thumb at the beginning and the necessity of a slight shift of the hand in the middle of the second beat. At a fairly slow tempo, however, it does seem doable for me.

    One thing this pattern does seem to rule out for me is any stopping of bass notes with the thumb (like on beat two of every measure). I tried many times to achieve that, but it just seems impossible, at least for me.

    So, here is my first recording of the prelude using this new pattern. My goal by the end of the study group is to get the pattern more secure so I can speed it up a little bit. I'd also like to memorize the prelude, which is think is achievable since most of the harmonic movements are so clear.

    Like 4
    • Eric Phillips That's so beautiful, Eric. I could really feel the gloomy melancholic nature of this prelude, in a beautiful way. About the rest, well, if we're being very pedantic, perhaps that's important, I don't know. What do I know about such nuances anyways. But what sounds great to my ears is what's important and, you sounded great.

      Really sorry about your right hand. Hope you find a solution for that. You're such an ever present and valuable member of the community. I'm so glad you joined inspite of the issue your facing with your hand.

      Like 1
      • Ronnull
      • Ron.3
      • 2 days ago
      • Reported - view

      Eric Phillips I agree with everything Nijwm said - that was beautiful. I really hope you find a solution for your right hand.

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      • Gunter
      • Gunter
      • yesterday
      • Reported - view

      Eric Phillips I also fully agree - your playing is beautiful. I personally also prefer the moderate tempo. 

      To me it is impressive that you found a way to get around your right hand limitations and are now able to play an arpeggio pattern in an unusual but effective way. 

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    • Nijwm Bwiswmuthiary Ron Gunter Thank you, guys! Like I said, I want to make it more secure so I can speed it up a bit, and make it more expressive. I appreciate your kind words and encouragement.

      Like 1
      • David Krupka
      • Amateur guitarist/lutenist
      • David_Krupka
      • yesterday
      • Reported - view

      Nicely played, Eric! Your particular solution to the right fingering seems to work perfectly - or so at least is the impression for the listener. As for those 'missing' quarter-note rests, I think they are best omitted anyways.

      Like 1
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