Week 1: "Villa-Lobos Vibe"
Welcome to the Main Thread for the first week of "Villa-Lobos Voyage" practice challenge!
Select a mesmerizing piece from Villa-Lobos or a composer connected to his Brazilian heritage. Whether it's a soulful Villa-Lobos composition, a rhythmic Brazilian-inspired work, or a piece by another artist inspired by the Brazilian musical tradition, the choice is yours!
Commit to regular practice and share your progress with the community. Strive to practice daily and upload at least two videos per week to showcase your musical voyage. This not only keeps you motivated but also allows you to share your artistic journey with our tonebase family.
Share your favorite performance or recording that captures the spirit of the "Villa-Lobos-Voyage Challenge." Your submission will inspire others and create a vibrant collection of potential pieces for fellow members to explore.
↓ Happy Sharing! ↓
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Work in progress
Didn’t have the courage /energy yet, to record the whole prelude. This B section takes a lot of time. I worked on it with intervals, to prevent stress. I keep struggling with the part in 12th position sliding back to 2nd.
Within the time frame of this challenge it won’t be ready, but I will post updates. Two positive results of this week’s slow and intermittent practice: it’s memorized and I can play this section now several times in a row without feeling any fatigue or pain in my LH. But then, at times the RH gets tensed….. sorry for this noisy stuff. (Turn volume down) -
HVL Prelude 2 (Aug 9)
Here is another update. I have one video for each section.
- The A section continues to get a little more familiar each time.
- For the B section, I thought it might be good to practice with a metronome (which I do not do often enough), just so I can track my progress. A couple days ago, I started at 60, and this morning, I could do it fairly well at 80. For this video, the anxiety of recording seemed to hold me back, so I lowered the tempo to 77. I like that I have made progress. However, when I hear this section played at 140-150 by many professionals, I feel a little overwhelmed. Maybe 100-110 will be the best I can do. We'll see!
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Today I went back to the gavota to record it . Crazy how much more stress it gives to record the whole piece, even if the separate parts are (more or less) in control. Towards the end this growing worry that some stupid mistake the last part might spoil it all. (I still don’t have the software&skills to copy/paste between takes.)
so, this is one take, and, what’s more, the first! Not perfect yet but pretty flowing. Pity that the stress made me play more timidly than when I play for my self, okay that’s the whole thing about recording and performing…. And I am much more aware now of what to work on, technically and musically.