Week 4: Tango Tempest
Welcome to the Main Thread for the fourth week of "Song and Dance" practice challenge!
Choose a piece that is inspired or transcribed from a song or a dance. It could be a lively south-american danza, a passionate tango, a serene romantic lied, or a poignant aria transcribed for the guitar. You're welcome to explore pieces from unfamiliar composers or challenge yourself with a complex work.
Commit to daily practice and share your journey with the community. Aim to practice every day and upload at least two videos each week to illustrate your progress. This will not only help you stay committed and encouraged but will also allow you to share your musical voyage with our tonebase family.
Share your favorite piece or recording that embodies the theme of "Song and Dance." Your submission will serve as an inspiration to others and create a vibrant pool of potential pieces for other members to delve into.
↓ Happy Sharing! ↓
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Pietro Paulo Borrono – Pescatore che va cantando
This is a piece of early Italian Renaissance music, published in 1536. Borrono (c. 1490-1563), was a contemporary of Francesco da Milano. The title means “Fisherman who goes singing” and so I offer it in this challenge as part of the “song” category (why not?). I really like the way it plays around with what we would now call major and minor tonality.
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The very first song I committed to doing for this challenge was Gaspar Sanz's Canarios.
So, I thought I'd better be a man of my word and post a recording of it.
I don't know why, but I have found this song to be extremely challenging. I don't know if it's because I'm getting old and my mind just doesn't work like it did or just what, but in any case, here's where I'm at with it.
It's a bit slow, but that's the only way I can get through it for now. I clammed pretty good during the best part of the song, so I repeated it and I think did it justice the second time around.