Week 4: Serenade Showcase

GREETINGS, ESTEEMED TONEBUDDIES!

Are you ready to embark on a musical journey through the enchanting realm of Villa-Lobos and his South-American roots? With the new release of Douglas Lora's Preludes this Friday and the whole Suite Populare Bresilienne with Fabio Zanon in the making, we are thrilled to present the revamped "Villa-Lobos Voyage Extravaganza," an extraordinary experience celebrating the works of Villa-Lobos and composers influenced by his heritage. Over the next four weeks, dive into captivating compositions, exploring the rich tapestry of sounds and rhythms.

WHEN 📆

  • Challenge Start: Official Kick-Off on July 30th
  • Challenge Duration: July 30th - August 30th
  • Watch Party of Selected Submissions: September 9th

HOW TO BEGIN 🚀

  1. Select a Piece:

    • Choose a mesmerizing piece from Villa-Lobos or a composer connected to his South-American heritage. Options include soulful Villa-Lobos compositions, rhythmic Brazilian-inspired works, or pieces by other artists inspired by South-American musical traditions. 🎼 
  2. Practice and Share:

    • Commit to regular practice and share your progress with the community. Aim for daily practice and upload at least two videos per week to showcase your musical voyage. This keeps you motivated and allows you to share your artistic journey with our tonebase family. 🎥
  3. Submit Your Performance:

    • Share your favorite performance or recording that captures the spirit of the "Villa-Lobos Voyage Challenge." Your submission will inspire others and create a vibrant collection of potential pieces for fellow members to explore. 🎧

The heart of this challenge lies in exploring the rich cultural heritage of Villa-Lobos and his musical influences. So, pick a piece that intrigues you and embrace this journey with enthusiasm and curiosity. Together, let's celebrate the captivating sounds of Villa-Lobos and his Brazilian roots. Get ready to practice, learn, and immerse yourself in the Villa-Lobos Voyage Challenge! 🎸🎼🌟

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    • Jack Stewart
    • Retired
    • Jack_Stewart
    • 2 wk ago
    • Reported - view

    VL Etude #5 Better .... but....

    This is somewhat better, I think. Most of the rough spots have been ironed out (or at least glossed over), however there are still some annoying glitches. 

    Some ongoing problems I have yet to resolve:

    I have not been able to separate the voices when the bass is prominent but the upper ostinato should be very soft. mm 5-6, 12-13, 31-33. and the repeated upper note mm 37 - 40.

    Eliminating the 'squeakies' mm 17 - 20

    navigating the E ½ dim7  (?) at the end of m 48 (to the f# dim (?) in mm 49.

    Overall I still need to get a better sense of phrasing.

    I just saw that Martin is going to make me practice this some more.😩

    I think Tilman Hoppstock is my preferred interpretation of this piece.

    Like 4
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Dale Needles Thanks Dale. I have been putting more time into this piece and hope to get a better recording now that I have an extra week.

      Like
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Barney Thanks Barney. Thanks for your observations. I agree with your comments. I believe I was suffering from 'mission creep'. I was playing this piece slower with better results and I think I started playing faster insisting that it should be the same. I have been focussing on the rough spots with slow focussed practice and hope to record a cleaner version this week.

      Like
    • Jack Stewart
    • Retired
    • Jack_Stewart
    • 2 wk ago
    • Reported - view

    VL Etude #5    yet again

    This is better. My voice separation is better but still needs improvement. Squeakies are still there - that's a hard one to get. Hopefully as I get more settled in playing this piece I will be able to concentrate on that. The chord shift at mm 48 to 49 is better but still not real clean.

    Barney I thought I was playing this slower but I think it is still too fast for my current abilities.

    I will probably have to live with this piece for a while before I can get the phrasing as I would like. I might make one more recording later this week with new strings but I am not sure that will happen.

    Like 5
      • Barney
      • Barney
      • 2 wk ago
      • Reported - view

      Jack Stewart This is definitely better, Jack!  Relax and enjoy it...it sounds great.  If you change the strings,  you may have frustration with tuning  instability if you are rushing to record.

      Like
    • Jack Stewart Sounding really good.  I agree this flows a little smoother than the previous version, although I must say, I like the tempo better in the previous.  This is such a great study that I think you can live with it for some time, and it will only grow on you and get even better.  I also think that this pairs well with the Brouwer Apunta that you play.  

      Like
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Barney Thanks Barney. I am taking a day off from working on it. If I can get a good performance at a bit faster tempo I'll post that, otherwise this will be my last post for this challenge.

      Like
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Dale Needles Thanks Dale. I agree that this sounds better a bit faster. However, I still don't have the consistent control at a faster tempo. If I achieve that over the next couple of days I'll post a revision, otherwise this will conclude my efforts for this challenge.

      Like
    • Jack Stewart wonderful Jack. I so much enjoyed this interpretation, You have great control. It sounds very solid and and energetic. I used to play this study more soft and smooth, almost like a children’s song (motivated by the C major key and the simple melody in the opening section). But I’m totally  convinced by the energy in your playing.

      The chord changes and polyphonic passages are extremely complicated and the whole piece demands so much agility and strength especially in the left hand,. You managed all of that! Very well done. 

      Like
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 10 days ago
      • Reported - view

      joosje Thanks Joosjie. I think the first time I learned this (about a year ago) I played it pretty straight forward, pretty drab. I then heard Tilman Hoppstock's version and was blown away by what he did with it. The was my model for what I am trying to do here, though I am very far away from achieving that goal. I have gotten a bit better at separating the voices but I am not very consistent. But then ... that 's why we practice.

      I am glad to hear from you. I hope you are doing well.

      Like
  • Posting another practice session on Prelude No 1. 
    I've been working on reducing the squeaks, and that's hard!

    I need to re-learn  how to move my hand on the freetboard while lifting / placing the fingers perfectly perpendicularly to avoid the squeaks.  Then how to keep the legatos and the melody fluid ? 
    I watched the recent lesson from Łukasz Kuropaczewski, "Practice Principles" and I am trying to apply his method of practicing slowly, with pauses , repeat 5 times each bar or difficult passage.  

    For the recording I played with the filter on my cellphone,  I thought that a retro look will be a good match for this piece :) .  The sound and image are out of sync though, they are perfect on my phone, but when auto-uploaded to google photos are out of sync.  

    Like 3
    • Calin Lupa Very nicely played, Calin. Loved the tone colour, sounds warm and mellow. HVL pieces are very squeak prone, especially at fast sections (at least for amateur players like me). I didn't perceive any issue in audio-video sync, it looks and sounds fine to me.

      Like 1
      • Barney
      • Barney
      • 2 wk ago
      • Reported - view

      Calin Lupa Very beautiful performance, Calin!  Nice expression --dynamics, color, rubato, etc.  I really enjoyed it.

      Like 1
    • Calin Lupa Very well played! This Prelude really flows under your fingers and you have such a great tone for it.  Congrats!

      Like 1
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Calin Lupa This was excellent, Cailin. You have made a lot of improvement. Great work.

      Like 1
      • Calin Lupa
      • Calin_Lupa
      • 12 days ago
      • Reported - view

      Thank you  Barney Dale Needles Jack Stewart Nijwm Bwiswmuthiary   for your kind comments, I fell like this is one of the pieces that I can work on for a lifetime to polish and change, as my techniques and understanding of the piece evolve...   :)  

      Like
  • Hi, everyone, hope everyone's well. This is my 4th attempt to play this piece with some minor improvements but also some major issues. I tried a higher tempo than previous attempts but ended up losing control over some sections (like the scale passage with slurs), plus the usual culprits like squeaks, missing notes. I did try to bring more dynamic variation, not entirely successfully. I'm also still trying to work out the harmonic balance as I think I couldn't bring out the higher notes properly. By the way, Dale Needles , I have done repeats on the diminished chords section :) this time.

    Like 2
      • Barney
      • Barney
      • 2 wk ago
      • Reported - view

      Nijwm Bwiswmuthiary Excellent Nijwm!  Best performance so far..

      Just a suggestion about the harmonics at the very end of the piece--  I believe the sequence of harmonics should be played more quickly, if you can ;( try to start the sequence more quickly and "gradually" slow down the harmonics till the end.)  Also, the very last harmonic of the piece should not have that long space between it and the previous note.

      You are now in a refining stage, so you can concentrate on more details.  Try to listen to some recordings of artists you like for ideas for interpretation.  Great job!

      Like
    • Nijwm Bwiswmuthiary I agree with Barney, excellent performance and you really showed great progress with this great Study.  You really have a strong command of the arpeggio, just remember to relax a little as you descend down the fret board with those diminished chords.  That may help you with those shifts.  In any case, I am very impressed with the work you have done on this Study and it will serve you well into the future.  

      Like
      • Jack Stewart
      • Retired
      • Jack_Stewart
      • 2 wk ago
      • Reported - view

      Nijwm Bwiswmuthiary That was great, Nijwm. What an improvement! you have such a relaxed command of the technique and a good interpretative sense. Your performance works wonderfully.

      Like
    • Barney Thank you Barney, you're all so kind. I'm kind of aware of the harmonics section, although tbh, I have been neglecting those sections a bit as they were slowing me down for the challenge. But I'm slowly trying to build up the tempo for that sequence. Thanks for the suggestions, I really appreciate it.

      Like
    • Dale Needles Thank you Dale. Yeah, I'm still learning relaxation while building stamina at the same time. I tend to tense up and it's noticeable in my playing sometimes. Is it good technique that allows you to relax more or, is it relaxation that helps in playing with good technique, I wonder. I guess it's both ways.

      Like
    • Jack Stewart Thank you very much, Jack.

      Like
  • Here is my latest version of the Finale from Carlevaro's guitar sonata, Cronomias.  I think I improved on it but still need to speed up the tempo a little.  This is also a piece that takes time to mature and develop under one's fingers, so I hope to continue to work on the entire sonata over the next year so I can play the complete 15-minute piece from memory.  In any case, I do plan to combine all the posts of the three movements into one continuous post on the Carlevaro Discussion Forum before the end of the month. 

    Like 3
      • Barney
      • Barney
      • 2 wk ago
      • Reported - view

      Dale Needles Amazing Dale!  This piece is hard enough to play with reading.  How would you even approach trying to memorize it?  It usually helps me if there is a "singable" melody... but I can't hear it for this .  Is the trick through repetition-measure by measure to establish muscle memory?

      Excellent performance.  Bravo!!!👏👏

      Like
    • Barney Thanks, Barney.  As far as memorizing, I break it down into phrases and memorize them phrase by phrase.  As you get into a modern piece like this, there are patterns that emerge which helps in memorization. In the past, I had memorized the first two movements, but have let them go a little and will need to revisit. As for the Finale, I have parts memorized and will continue working on it. However, I am going on an 8-week trip to Portugal and Spain, departing October 9th, so I will need to put off memorizing the whole piece until next year.  

      Like
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