V. Audio & Video // FEB 8th

This week we will dip our toes into the wondrous world of music video production! For this we will work with the NLE (non linear editor) Davinci Resolve by Blackmagic Design 📷🎬📽. 

Since Version 17 is still in Beta-Phase, I highly recommend using Version 16. It is always nice to test new functions, but Beta-Software is often still quite buggy. In my case, definitely too buggy to do professional work with (and I already tested Version 17, I needed several re-installs to have it work only to find that I need to re-install again).

Please use this thread if you have any questions concerning the workbook or general questions concerning Audio and Video!


Click here to access Session 5: Audio & Video // Feb 8th (Live!)

Find the other sessions here: Part 1 | Part 2 | Part 3 | Part 4 



Download the second workbook here


Please keep in mind that video production often puts high demands on your computer, so you might find it very slow or nearly impossible to work with DaVinci if you have outdated or not so powerful  hardware. 

Minimum system requirements for macOS

  • Mac 10.14.6 Mojave
  • 16 GB of system memory. 32 GB when using Fusion
  • Blackmagic Design Desktop Video 10.4.1 or later
  • Integrated GPU or discrete GPU with at least 2GB of VRAM.
  • GPU which supports Metal or OpenCL 1.2.

Minimum system requirements for Windows

  • Windows 10 Update
  • 16 GB of system memory. 32 GB when using Fusion
  • Blackmagic Design Desktop Video 10.4.1 or later
  • Integrated GPU or discrete GPU with at least 2GB of VRAM
  • GPU which supports OpenCL 1.2 or CUDA 11
  • NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
  • A minimum NVIDIA driver version of 451.82 is recommended.

Minimum system requirements for Linux

  • CentOS 7.3
  • 32 GB of system memory
  • Blackmagic Design Desktop Video 10.4.1 or later
  • Discrete GPU with at least 2GB of VRAM
  • GPU which supports OpenCL 1.2 or CUDA 11
  • NVIDIA/AMD Driver version – As required by your GPU
  • A minimum NVIDIA driver version of 450.51.06 is recommended.

 

I will post the answers to the questionnaire on Feb 17th! 

After the live stream, submit your assignments by replying to this thread!

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  • Here's the timestamps (approx.):
    4:30 - Recap of previous workshops
    7:00 - iZotope Elements
    9:20 - FIR filter
    12:45 - Recap of critical listening workshop & room notes
    24:10 - Final Cut Pro X as an alternative to Davinci Resolve
    26:55 - Reaper for simple video editing
    29:12 - Non-linear editor definition
    29:42 - Where is the Gonimeter?
    31:10 - iMovie (a non-linear editor)
    32:32 - Audio / Video editing (Martins Reaper Project)
    33:18 - The AT 3031 mics
    37:45 - Sample Rate
    40:27 - Recording graduate labels
    42:05 - The Clap
    45:00 - Recording in 192 khz.
    48:00 - Export recording in WAV format.
    50:20 - Exporting in AIFF format.
    53:00 - Recording with smartphone and Zoom H6
    54:19 - Advantage of small diaphram vs large diaphram condenser microphone.
    56:55 - What strings do you prefer for recording?
    58:17 - Panning a guitar quartet.
    1:00:00 - Davinci Resolve.
    1:10:50 - Auto Sync Audio.
    1:20:45 - Manually lining up audio and video.
    1:23:50 - Inserting a marker to create a sync.
    1:25:40 - Editing capabilities of Davinci.
    1:29:00 - Audio fade in.
    1:31:00 - The blade tool.
    1:33:00 - Working with different angles.
    1:38:26 - Davinci crashed - rebuilding project.
    1:49:25 - Question with choir of 26 voices.
    1:50:34 - Do we record the video with finished audio track in our ears?
    1:56:22 - Inserting titles.
    2:01:50 - Exporting the project.
    2:07:41 - If audio track includes bits from takes at varying speeds, can video be resynched?
    2:09:35 - Importing video file into Reaper + 3-Point edit.
    2:21:20 - Could you show how to create the title on a black background before the video starts?

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      Philip Awesome, I pinned that post, thank you so much!

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    • Philip thank you so much !❤️

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  • We will be hosting another Excerpt Masterclass with Rene Izquierdo on Feb 20th, this is the perfect opportunity to put your newly acquired skills to good use! 🎉🎧 Of course editing that recording would defy the purpose of that masterclass, but you can use all of the other techniques we've looked at and create a video so that you can get tailor-made advice by Rene!

    Post your recordings along with a score in the following forum thread:

    Rene Izquierdo: Workshop + Excerpt Masterclass VOL.2! (Feb 20) (← click here!)

    (Of course it's perfectly fine to make a quick smartphone recording as long as your performance comes across. But since this is the "tonebase Academy Recording Course" Forum, as your instructor I'd like to see many of your wonderful  submissions there, just make sure to post them in the dedicated forum thread I've linked above 🧙‍♂️)

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  • You can get my Reaper Project, wavs and video footage by following this Google Drive Link! 

    https://drive.google.com/drive/folders/1cXXVSSq7xNlRBxFGuy5vL3Y2aa-u0qWh?usp=sharing

    I transcoded the footage from RAW to H.264, so it should work on any system (since H.264 is a standard codec), but the compression is a little heavier in terms of computing than a RAW file (which is just HUUUGE in terms of file size).

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  • Hi Martin, so here I am with my video-audio product. Actually I am not that fast. The reason I can submit now is that I did the recording of a video and audio already last week and I already editted the audio in Reaper and used it to submit to lesson number 3 (All about Dynamics). Yesterday I processed the raw video and sync to the edited audio files to result in this video here. I was using HitFilm Express instead of Davinca Resolve though. :) 

    https://www.youtube.com/watch?v=MbAfds_c3cI&feature=youtu.be

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      Khiem Nguyen Wow, this is super awesome! A clean and crisp audio makes such a difference in  a production like that, the quality increases instantly! Love it!

      I have the feeling that between 0:35-1:20 you are sometimes slighly out of sync, did you happen to make some edits there? Afterwards everything seems fine again, so you probably did clean insert cuts! To monitor your edits it's best to import your video files into Reaper and check them while editing! 

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    • martin Hi Martin, thank you for your nice feedback. I am afraid that not only between 0:35-1:20, but also the whole clip is slightly out of sync, because I manually synchronized the video and audio and did not do the sync perfectly. The audio is slightlly in advance compared to the video ^_^ For my next video, I will try to have a perfect sync between the video and the audio :)

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  • With Davinci Resolve, I tried two hours to put the titles, in the end I went back to Imovie😂

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      Giuseppe Gasparini DaVinci can get a little bit overwhelming, that is true! Show us your result once you are finished! 🙌🧙‍♂️

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  • martin  Hello Martin, thank you so much for your workshop. It will take me a long time to understand everything step by step. Also I am working at the moment with "Open broadcast software" and  "I-Movie" .... this is really a challenge and makes also much fun. 

    Your workshop motivated me to start recording again 😎

    Best Regards 

    Olli

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      Olli That sounds wonderful, your recordings got definitely better each time, I look forward to many more!!

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  • Sorry Martin.  Looks like I submitted a zip file instead of the WAV.  Please let me know if this is the right one and you can play it.  Thanks!

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  • Hello,

    My video was almost ready before the last workshop, and I published it on Youtube few days ago. It was a playback, because the green screen needs the right light which my recording room doesn't have (and I am always nervous in front of the camera and always make mistakes). Mixing was done on Ableton, and I used Wondershare Filmora for video editing. Synchronizing the music with the video was very difficult, because I did not think of applausing or something distinguishable. It was a little crazy because I had to drag the video and listen until they matched. İf I knew Davinci Resolve before, it would be much more easier, so thanks for the tips. I will use that app in my next videos. After sync process, I cut some clips from the movie and matched with the suitable parts of the music. I also made an anime avatar for myself and put it on the intro. I used Adobe After Effects for intro and some other parts.  

    The piece is from the movie of Miyazaki, Laputa Castle in the Sky. It is the guitar arrangement of the main theme, composed by Joe Hisaishi. 

     

    https://youtu.be/273DpSCBcd0

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      Gokce Turkmendag PUUUAAAAAAH, THIS IS AWESOME!!! This is quite a workflow you've established there, you even included keying and After Effects, that's pretty impressive, although I think you can solve the beginning with something like Premiere Pro as well (just because After Effects is such a beast to work with). Really impressive, and having watched all movies from Studio Ghibli (my gf is Japanese), I can say that this is a wonder rendition! Did you make the transcription yourself?

      I would be interested in the original wav-file, I think there is either a phase issue or your are lacking a lot of high end information on the left channel, somehow the phantom image seems off-centered without, but only in a certain frequency range! This is especially problematic when low and high-frequency information is detached from one another as we usually perceive low frequencies as mono and high frequencies as highly directional. This is caused by the the sheer wave length of low frequencies and an evolutionary development: We didn't really NEED to know from where low frequencies aka earthquakes, , landslides mammoths or other beasts were coming from, we just needed to know to get the hell out of here or seek shelter as fast as possible 🐅🐘⛈ 

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    • martin Thank you for watching and your comments. I recorded Castle in the Sky with a mono cardioid mic, and used equalizer, reverb and stereomaker effect. Stereomaker may have caused the phase issue.
      This is not my only anime music project, I also recorded Merry Go Around of Life from Howl's Moving Castle, and Lilium from Elfen Lied. Video recordings of the other two are ready, I am still working on them to publish. 
      For Castle in the Sky, I combined the transcriptions of Tsuyoshi Otai and Gavin Libotte and added little modifications myself. I used the transcription of Gavin Libotte for Merry Go Around of Life. Lilium is my transcription. 
      I am also loading the raw version of Merry Go Around and Lilium. I still have difficulties for mastering Merry Go Around, I think the mic was too close when recording.

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    • Gokce Turkmendag that's wonderful Gokce. I've been working with similar ideas and green screens but I struggle with my computer as it's not powerful enough. I'm hoping to upgrade soon so I should be able to do more in the future. Yours is very impressive!

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    • martin Lilium has a little hard drive noise, I hope nobody hears 🙉🤫

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    • Derek thank you, and I hope you will do it. I started with my old notebook, but it was impossible to render those large files. Now I use a much stronger desktop, it is not very powerful but enough. You must be very patient when waiting for the render process 🙂

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      Gokce Turkmendag wonderful! Noise levels are still within usual range, so I wouldn't bother too much! If you decide to use a FIR filter, I would go only for a couple db of noise reduction, otherwise the filtering might get audible in the transients!

      I'd recommend to ditch stereorizer effect and add spaciousness via reverb (or only use it very subtly, I like to use them at the end of my mastering chain with only a 5-10% increase of stereo width), it's probably too distracting of you overdo that effect. I might work better if you have  lot of instruments, but again: since the stereoizer has no way of telling which frequencies belong to wihch instrument, it will cause mislocation (means that you can hear frequencies of the same instrument coming from entirely different directions).
      Anyway, I love that you have an overall theme for your productions, it's great to have a portfolio that grows and gets better and better over time! 

      We still would be very happy if you decide to record something for the next Excerpt Masterclass with René Izquierdo!

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    • martin thank you so much for the tips. I have already sent my recording for Mircea's class for tomorrow's session, but there is a piece I have been working on for a month and have some questions. I will record an excerpt and send it as soon as possible.

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      Gokce Turkmendag Awesome 🙌🙌🙌

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  • I am confused... was there a problem with my submission in this thread? It is no longer here. Pray tell if I made some kind of mistake. 

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      Debbie Dear Debbie, this is wonderful, thank you for that submission! Your performance is beautifully captured, we can hear a lot of details of your performance. The subtle use of reverb definitely helped with the "small room" ambiance. I'd personally go for a bigger room size (not necessarily more reverb). Have you taken a look at "Nimbus" by Izotope/Exponential Audio which is currently on sale via Plugin Boutique? It's an awesome versatile algorithmic reverb for 200$, at the moment you can get if or approx. 30$.

      And have you considered recording something for the upcoming Excerpt Masterclass with Rene Izquierdo on Feb 20th? I think a lot of viewers can benefit from the quality of your recording AND your performance when you decide to share your recording along with the score that in the dedicated forum!

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    • martin thanks Martin! Is that reverb plug in compatible with Logic?
       

      And thank you for the suggestion to submit this to Rene’s Masterclass. I’ve been toying around with the idea of doing something but was waiting until I finished the recording course 😁 I think I can do a better job on this piece though. I just powered through it for the Sor challenge but it lacks finesse so I might re-record it. My pride would hate to be corrected for something I know I should and could have done differently. But I know it would be hugely beneficial for myself and hopefully others. 

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      Debbie Oh, right, you are using logic right now! Then you should use the space designer, it as an awesome convolution reverb that gets shipped with logic!

       

      We all look forward to yuor submission!!! And don't worry, we all feel the same: when I record something I usually find after some days ten different things I might want to change! But this is perfectly normal, sometimes we just need to let things happen and go :)

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      martin But to answer your question: Nimbus is compatible with Logic and it is still a great plugin, especially with a deal like that (you would need a so-called iLok-Account, this is a standard requierement for a lot of payed plugins, though. This ensures that only you can use a certain piece of software, iLok-Accounts are free)!

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  • Hi Martin,

     

    Firstly, thank you so much for the recording course.  Some went a bit over my head I'm afraid, but as a total beginner, you presented a huge amount of help in getting started with recording.

     

    I've been playing guitar for only 2 years or so, so please forgive the mistakes in the submitted performance.  I used fairly low end mikes (Tonor TC20 XLR condenser), face on about 4 feet in front of guitar, a Scarlett 2i2 interface, no compression, minimal eq alteration, and some reverb).

    Video synch was done in Hitfilm Express.

     

    One question - I noted that as I moved audio file from reaper to Hitfilm, the "ceiling" on the gain levels seemed to change, with the soundtrack going into the red zone in the new programme.  I had to reduce the levels in Hitfilm, and though there was no distortion audible there, once the file was rendered it seems ( to my untrained ear ) to have some clipping around the 1:10 - 1:20 mark.  Is it a normal problem to have this gain difference as files are transported to different programmes?

     

    Anyway, thanks for listening, and again for the course.

     

    Colin

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      Colin O'Regan Hi Colin! Wonderful sound! Next time I'd recommend to go for a more narrow mic placement, I have a the feeling that there is missing a little bit pf panorama image in the center of your soundscape, but the overall sound you captured is wonderful!

      Usually Reaper shouldn't add any more gain during the export process, take a close look of your metering and see if it already clips during playback! Sometimes the reverb can cause trouble, depending on the way you set it up you need to reduce the "Dry" signal to -inf (if you have it on a separate track). Can you attach a screenshot of your mixer and open all of the plugins?

      BTW, I love that you implemented multiple camera angles!!!

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    • martin Hi Martin,  thanks so much for your comments.  Here's the screenshot of the track in Reaper.  I'm not sure where I made the mistakes.  As I mentioned, the track didn't seem to have level issues until it was processing in Hitfilm Express, and after lowering the levels there it also seemed fine to me, until it was played in Youtube....  If you can spot what I did wrong from the screenshot, that would be great.  Thanks again .. C

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      Colin O'Regan Hmmm, the settings look correct, so I don't think it's a Reaper issue. I have never used Hitfilm Express, so I don't know what kind of processing is going on there. Can you send me the audio file from Reaper and maybe export only the audio from Hitfilm as well (there is probably an option to export it as a .wav?)

      It's a little odd that the distortion occurs in a part of the song that doesn't seem to be dynamically intense.... We'll need to dig deeper!

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    • Colin O'Regan well done Colin. That's a nice recording. Funny how we both chose pieces by Tatiana Stachak.

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    • martin  Hi Martin.  While I have attached the Reaper audio file below, together with the Hitfilm audio output file (called Editor). I'm not sure if this is in a form you can read, but I can't find another way to export it from the project files. I really appreciate you taking the time for this - many thanks again.  C

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    • Derek Thank you Derek - yes I was struck by that when enjoying your video also.  This is a piece in the Trinity College London Grade 5 book, which I am trying to achieve on my own as I don't have access to my teacher since our first lockdown last March.  It looked straightforward on the score........Boy, was that a mistake.

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    • Colin O'Regan hi Colin. The piece I played is in the list of additional pieces for grade 5 I think. It was included in the Trinity grade 5 book for the previous syllabus. I hesitate (and I'm not qualified) to give any advice but I think it might be wise to try to get some advice from a teacher (maybe via zoom) before entering the exam. I thought your performance sounded really good but a good teacher would really prepare you for all of the different aspects of the exam and make sure you get the highest mark possible. Good luck with it :-)

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      Colin O'Regan 

      There is definitely something going what I don't understand 🤯 First of all, you have peaks in the 20khz range, that looks like some regular electrical buzz which are always exactly 1.638s apart, very strange! But they don't seem to cause the peaks, because the Reaper output is well below that with -11db.

       The output by hitfilm on the other hand seems to normalized, but it is only sample peak normalized. This can cause some issues with so called intersample peaks, I am pretty sure that this is happening there. To avoid this, you need a true peak limiter and have hitfilm not do anything with your audio. You need to check if somewhere within your video software is a normalizer (maybe a checkbox during export?) which is causing trouble. I'd do the normalization within Reaper, as it is a dedicated DAW it's probably safer. But just to be safe, this is exactly the reason why we normalize at around -0.1db!

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    • martin Thanks so much Martin, I'll check that out when I'm doing my next recording, as I can't see anything in this project in Hitfilm that would affect the audio track that way. Now I just have to practice another piece to make it worth recording!!

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      Colin O'Regan Awesome!

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  • Hi Martin

     

    This is a video I've just done. My laptop is very old (will be upgrading to a new desktop soon) and not powerful enough to run Da Vinci Resolve. The only software I've found that works is an old version of Premier Elements (V9) and a product I found last year called Videopad (an Australian product) which is free but I've upgraded to the paid version (about £60) as it includes the green screen and other effects. Even with that it's taken me part of yesterday and all of today to process the video on my laptop (multiple crashes) as I had to layer everything up in multiple edits rather than just processing it in one pass. The video was done on my phone and the audio also recorded on the laptop and then edited in reaper before being synchronised with the video in Videopad. I had to do a couple of little cuts in the audio (and video) within Videopad as there were a couple of longish pauses in the recording where I had to think what came next so I tried to shorten them. There are a few things I would have liked to tidy up but I don't really get a good preview of the output before rendering it and I ran out of time (and patience).

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      Derek It is amazing how a lot of you guys put so much effort into special effects, maybe I should do a live stream only on green screens and other special effects 😅 

      Yes, video editing takes a lot of processing power from a machine! I used to work on laptops until more and more video work came in (every audio product nowadays needs accompanying videos as well), so I needed to upgrade to a non-mobile powerhouse (because the same specifications I have now would just be too expensive as a laptop. And since I do all my professional editing at home anyway ...).

      The audio has remarkably low noise levels for being recorded on a laptop mic, did you apply some noise filtering after the edit?

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    • martin hi Martin. No the audio was recorded into Reaper on my laptop (condenser mic and behringer audio interface). I processed it in Reaper (noise removal, little  bit of eq and reverb then normalised). It was then synced with the audio from the phone in videopad and then I removed the phone audio track. I have in the past recorded directly into the phone using the condenser mic and a preamp plugged into headphone/mic socket but not on this video

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      Derek Awesome, well done!

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  • Hi Martin. Hope you don't mind but this is a recording I did for the Sor Opus 35 challenge. I recorded the audio and video on my phone. I used my Apex large diaphragm condenser mic into a Behringer tube preamp (mainly to get the phantom power but also to set the gain) into the mic/headphone jack on the phone. I then added eq and reverb in Cakewalk by Bandlab (reverb was a preset called 'Segovia'). Cakewalk allows me to edit the audio in the video and resave the audio and video as an MP4. I couldn't figure out how to do that in Reaper. That way I didn't have to sync the edited audio. I then added the title in Videopad. Also somehow there was a click in the audio so I zoomed in with Videopad and just removed that tiny section - you may hear where it was done

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      Derek wonderful! Ultimately, I just wanted to show you workflows and approaches! What tool you will choose in the end is totally up to, and you applied the techniques wonderfully! And what could go wrong with a reverb preset called "Segovia"? 🎉
      It seems to me that the levels a little bit low, you could try to bring them up with a limiter or by normalizing. The click you were referring to was probably at 0:19-0:21?
      it would be great if you would consider recording something for the next Excerpt Masterclass with René Izqierdo as well!

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    • martin Hi Martin thank you very much for looking at this. You're correct about the normalising. I tried to find out how to do it in Cakewalk but couldn't figure it out. I was going to edit the audio within Reaper to do it but then I would have had to sync the audio and video again. I shall look into using the limiter or try to find a solution on the web. Thank you again  and thank you for these workshops they have been really useful. Derek

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      Derek Easiest way to normalize would be to use a limiter that ships with cakewalk! But there are different pricing options for Cakewalk and they come with different plugins. There must be a plugin search dialogue box somehere, if you look for a limiter there is surely one to be found (I think they're called adaptive limiter or concrete limiter there). You can go back to our livestream "All About Dynamics"where we talk about the general approach of normalizing and limiting, the workflow should be somewhat the same in Cakewalk 🧙‍♂️💪

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  • Hi  martin , Still planning to do some video editing! 🙂 I've been awfully busy with my work so very limited time unfortunately.

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  • Hi Martin,

    I'm starting to work on video using a Canon 80D camera.  The lighting in the small room is not ideal.  Can you recommend  a good  lighting solution/kit that is reasonably priced?

    Thanks, Barney

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      Barney Hi Barry! For my live streams I use a quite inexpensive LED panel by Neewer which is lighting the wall so that I get a very diffuse and soft light on my face (that's a general trick when you have a small light source: bounce it via a big surface onto your subject!)!Aputure released some budget lights that look great! This light together with their new Light Dome SE will render in a very professional look similar to this recording I did with similar equipment (though slightly more expensive than one single LED Panel by Neewer).

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  • Hi Martin,

    Thanks for the lighting information!  I changing the camera aperture to 1.8, which seemed to help  and may be good enough.  But if not, I have your suggestions for lighting options.  I appreciate your expertise.

    The recording you did here is awesome!  The video and audio is wonderful.  (Is that the natural ambiance of that space,a s there is plenty of reverb?).   The subject was quite interesting on many levels-- the history of the music and Segovia, as well as the Hauser-- fascinating!

    I can certainly understand why you are hired for these recordings-- the results speak for themselves.  thanks for sharing it!!

    Best,

    Barney

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      Barney Hi Barney! Yes, you can control the amount of light with three options in you camera: the aperture (the opening of the iris of your lens), the shutter speed (the amount of time light is hitting your sensor until the next frame) and the ISO (the digital sensitivity of your sensor).

      Thank you for your kind words! We added no artificial reverb, as we wanted to accentuate the phenomenal sound of the guitar within the great acoustics of the church! We plan to release another video on April 2nd with music by Rebay!

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  • Awesome!  Will you be able to notify us with a link to watch your next video?

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      Barney I can share it in our Recording Discussion Club Forum 🤓🧙‍♂️

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  • Hi Martin,

    I recently sent you an Email question about Davinci, and would appreciate when you have time to take a look.  Thanks.

    Best,  Barney

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      Barney Hi Barney, considering your questions about trimming in the timeline of Davinci Resolve:
       

      You have several options to trim the beginning or the of a clip.

       

      Using the Selection Mode with Shortcut a

      1.  Make sure that you are in the "Edit"-Page by navigating to Workspace - Switch to Page - Edit. That way your mouse will be able to do actual edits in the timeline!
      2. Now on your timeline, hover your mouse (in the normal Selection Tool, Shortcut "a") over the beginning of a clip until the mouse changes its appearance (as shown in the in attached clip "Trimming the beginning") the the clip in, this will shorten the beginning!

      Using the Blade Tool with Shortcut b

      1. This is pretty self-explanatory, you simply click at the position where you want to split the clip with the Blade Tool (shortcut "b"). Then you select one of the clips and delete it (right click on the Clip and select "Cut")

      Your next question was about deleting the area between some clips in the timeline. This is called a "Ripple Edit".

      1. Left-click on the space between two clips. This will highlight the area in grey
      2. Right-click and select "Ripple Delete". This will delete the space and move all the clips up the timeline (see attached clip "Ripple Delete").

      Let me know if that helps. If you have further questions, please use the "Reply" button to this post 🧙‍♂️

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  • Thanks for sending this info!!  I will try this when I do the next  video attempt.

    What about trimming the ending of the video:  that is , when I stop playing the guitar, the footage where I get up to turn off the audio and video equipment.  This needs to be deleted as well.  What is the best approach to handle this?

    You are awesome, and I appreciate your help!  (Maybe I'll soon earn the "Recording Academy Graduate" tag.  Ha Ha!)

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      • MartinTeam
      • LIVE
      • martin.3
      • 1 yr ago
      • Reported - view

      Barney oh, did we forget to give you the tag? 🤯😱  You definitely earned it with your continuous interest in the topic!

      Trimming the ending can be accomplished the same way! Either hover with the Selection Tool (a) over the right edge of the clip, then click and drag or use the Blade Tool (b) to split the clip and cut the rest away as mentioned before!

      Like
  • Thanks Martin!  I will try your suggestions.  No, never got the tag..I thought it was because I did not get the video part down solid at that point.... No problem, you taught is well, and I keep improving my process with your great guidance!!

    Like
  • I was late to the party and just finished watching the whole recording course. Just wanted to say thank you to Martin and Tonebase, this course is really great!

    Like 1
      • MartinTeam
      • LIVE
      • martin.3
      • 4 mths ago
      • 1
      • Reported - view

      Wai Ng thank you so much! We will do several refreshes within the next weeks, so look out for these if you are interested in this topic!

      Like 1
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