Week 4: Music from Latin America!
Welcome to the Main Thread for the last week of the "Music from Latin America" challenge!
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream! (<- click)
Your submissions are absolutely fantastic, keep them coming!
↓ Happy Sharing! ↓
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Late in the challenge, but I am just curious how many of you are familiar with the Preludios epigramaticos, by Leo Brouwer. There are six of them, here the first one:
” Desde el alba quiso ser alba, toda eres madre” a poem by Miguel Hernandez, from the “Poemas de Amor”, to be precise.
I am still working on Brouwer’s “danza characteristica” and also the “danza del Altiplano”, not able too choose, so both still “travail a faire”…
these six preludes are so ‘zen’, and very nice to play. Listening back to this recording I realize that I should be able to make more contrast in loudness and tone color. Worked on that, but I don’t hear what I expected….
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I liked the mixed posts, with more than one video! In this one, I'll post three pieces.
ZAMBA DEL VIENTO
This is an homage to Atahualpa Yupanqui, a great composer and guitarist, but essentially, a great human. This Zamba is not from Atahualpa, is Argentinian folklore, but he masterfully recorded it. I was in a hurry to learn this piece and record it to this challenge because - for me - is impossible to talk about Latin American music without him.
BACHIANINHA Nº 1 - PAULINHO NOGUEIRA
I played this piece in the last dress rehearsal. I love this piece, I've been playing her for a long time.
SE ELA PERGUNTAR - DILERMANDO REIS
Brazilian serenade music, a lovely piece from Dilermando Reis. My father made me play this for him many times, and I still play for him - wherever he is - with love and gratitude.
Maybe tomorrow I'll post some more music from my lovely continent. Thank you all for listening!
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Brouwer - Estudios Sencillos Nos 9 and 10
Well, it's the last day, so I'll post these last two studies. I have not touched the new ones (#11-20) at all.
These last two estudios are more difficult than the previous eight, and my execution is not too clean. In number 9. doing those slurs while also making the adjacent string ring out is so difficult, especially at tempo. In number 10, I used rest stroke a lot, and my rest stroke is not too good.
It has been a pleasure learning and sharing some Latin American music with all of you. I'm afraid I will not be able to attend the Watch Party live, but I will watch it later. Many thanks to all of you who posted such great music, and offered me support and advice for my music.