Leo Brouwer's Estudios Sencillios!

Welcome to our next Study Group — a collaborative, peer-led dive into a beautiful piece of music over the course of two weeks.

This time, we’re diving into the methodical riches of Brouwer’s Estudios Sencillos 1–10!

This is not a course or a class — it’s a space for mutual exploration, discussion, and shared progress. I’ll be learning the piece alongside you (again — it’s been a while!), and I’m excited to discover new things together.


🗓️ What to expect:
Over the next two weeks, we’ll focus on:

  • 🎯 Fingerings and technique

  • 🎯 Methodical background

  • 🎯 Interpretation and expressive choices

  • 🎯 Your own questions and perspectives!

We’ll also meet for two live Zoom sessions to share progress, chat about challenges, and nerd out over all things Brouwer.


✅ How to participate:

  1. Sign up through the Forum

  2. Grab your score of the Estudios Sencillos

  3. Introduce yourself below!

  4. Join the prompts and discussion

  5. Share your thoughts, ideas, or a clip of your playing


📅 Live Zoom Calls:


🗓️ Dates: July 28th – August 8th


📫 Sign-Up

 

421 replies

null
    • Nijwm_Bwiswmuthiary
    • 2 wk ago
    • Reported - view

    Last second submission of No.1 etude. Sorry for the clumsy editing at the start of the video. Still a work in progress. I don't know if I was able to bring out the dynamic contrasts. The higher notes are kinda scratchy (will need to trim and polish the nails, I guess). the B part, middle section also needs work. 

    For fingerings, I've mostly used Brouwer's notated ones. I've tried to use LH preparation by planting fingers in advance, like 2 and 4 together. I need to be surer if I'm getting legato in the bass lines. But here it is.

    P.S.  I'm shielding my ears from the noise of the guitar so that it doesn't make me nervous while recording and not as feedback, haha.

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 2 wk ago
      • Reported - view

       Jane, I think my last comment to Nijwn (up here) may apply to you as well. How do you feel about it?

      • Ron.3
      • 2 wk ago
      • Reported - view

       Great work Nijwm - I've also been working through Rene's tutorial - it's very informative 

      • Nijwm_Bwiswmuthiary
      • 2 wk ago
      • Reported - view

       Thanks for the feedback, Ariel. Yeah, that protruding wrist has been a problem with me. Most of my problem is with my LH, especially things like coordination with the RH, questionable hand and wrist position. Back when I was young and in awe of rock musicians playing guitar solos at lightning speed, I wondered how they did it. Obviously, two different musical worlds, but I think my I could never do what they did because of my LH. LH has been my weakest point, like a non-starter. But I'm working on it, with the hand position and wrist position. 

      • Nijwm_Bwiswmuthiary
      • 2 wk ago
      • Reported - view

       Yeah, that lesson is really good. He breaks down everything in detail with the fingerings, dynamics and musical aspects.

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 2 wk ago
      • Reported - view

       I think it's got to do with the guitar position. Not the left hand. Check out the video i sent to you by private message! Let me know what you think, either here or privately! Kuddos on your work!

      • Jane_Anderson
      • 2 wk ago
      • Reported - view

       Ariel, thanks for sharing that comment. The left wrist position is something that I try to be aware of exactly for the reasons you mention. I will work more diligently on that by checking in more often on the left wrist position. Also, I should practice with a mirror (or Quicktime window) and record myself more often to monitor this.

      • BLaflamme
      • 2 wk ago
      • Reported - view

       Nice work Nijwm, it flows pretty well, and that's also very good if you hear the noise, it means you're aware of it! As for left hand preparation, be aware when it produces unwanted notes as on bar 7 where you plant 1 (F) and 3 (C) at the same time, but F must only be heard on the up of the third beat of the bar, that's because you let the open E ringing then we hear the F when you press it in advance for the preparation, but you're doing it right just before without preparation... maybe it's not a good solution for this passage? Keep the good work!!

      • Nijwm_Bwiswmuthiary
      • 2 wk ago
      • Reported - view

       Thank you for the feedback, Blaise. Yeah, I will be careful with that section.

      • Nijwm_Bwiswmuthiary
      • 2 wk ago
      • Reported - view

       I haven't been able to find the video you sent me privately. Anyway, it's possible that it's got to do with my guitar position. Some players like Alexandra Wittingham hold the guitar at a more acute angle so that the neck is higher.

      I haven't tried that position. I use a footstool at highest setting and the guitar neck passes through the arm-shoulder joint. Footstool has it's problems of course and I haven't tried other supports like guitarlift.

      Playing at upper positions on the neck requires momentary bending of the wrist and raising the elbow, especially on some chord shapes like the B7 chord in HVL's etude no.1. Would I be wrong in assuming that? Perhaps I'm overdoing it or should I keep them down and focus on a straighter arm and wrist. What are your thoughts. Thanks for the advice.

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 2 wk ago
      • Reported - view
      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 13 days ago
      • Reported - view

       that's great! working in front of a mirror and recording works great. Another thing you can do if you are worried about this is to attach two scotch tape strips loosely on the top and bottom of your palm, extending to your arm after the wrist (and checking your wrist is straight). It's not to keep the wrist straight but to be mindful about the sensation of it being straight. When you bend it one or the other of the strips will pull softly from your skin and you while know. I have never done this myself. But a doctor working on musicians injuries here in Buenos Aires does it and I always thought it was interesting as a way to form a feeling of what straight means. 

      • Nijwm_Bwiswmuthiary
      • 13 days ago
      • Reported - view

       Hi, I've watched the video. Very good demonstration. Thanks for that. One of the things I liked was how you said that the neck should be a little towards the body and not tilted outwards. I tried that and it does puts my wrist in a more natural position and my palm facing me as you advised.

      I reexamined my position and noticed that the neck is perhaps a couple of degrees lower than the standard 45 degree angle. I'd like it to be higher. Unfortunately, the footstool, even at its highest setting doesn't help me. I put a folded towel on top of my left thigh and it raised the angle, but wish I had a permanent solution to that.

      • magmasystems
      • 13 days ago
      • Reported - view

       I just commented on your old video. I want to repeat my statement about how valuable your videos are. Maybe you can consider created an unlisted YouTube playlist that has a compilation of all of your videos?

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 13 days ago
      • Reported - view

       Thanks so much again, Marc! it warms my heart, really! I had never thought of that, it's a great idea. I'll do it. I have many things I whish I could do. I have masterclasse online Tonebase like on many pieces and technique but they are all in spanish. I should have them translated to english but I have two young kids (8 and 4) and my regular teaching and rarely time to spare on that. But the list is easy to compile. I'll share the link. Thanks for your idea and again, very much appreciate your feedback!

      • magmasystems
      • 13 days ago
      • Reported - view

       As a New York City school kid, I was forced to take 7 years of Spanish classes, but I have forgotten almost everything because I never get a chance to use it! However, it did help me a lot when I went to Brazil :-)

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 12 days ago
      • Reported - view

         By the way, I'm looking into #9 to see if i can find something that might help you solve those passages easy peasy, as Martin says. What happend with yresterday's LiveStream, did you get any answer? 

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 12 days ago
      • Reported - view

       Things you learn as a kid stay in a weird way. You should come to Argentina, though... :-)

      Here's the link to a list of all the videos I have posted on Tonebase: https://www.youtube.com/playlist?list=PLzqqQHtstAAOM3rMZgtr-K56P04o93WEZ

    • LIVE
    • martin.3
    • 2 wk ago
    • Reported - view

      don’t forget our Zoom Check-In in about 10min!

    • George_Aubrey
    • 2 wk ago
    • Reported - view

    Hi Martin,

    Thanks for hosting the call.  Good discussions.  Enjoy the weekend.

    • don.2
    • 2 wk ago
    • Reported - view

    I missed the zoom call. 

    I'm on Etude 2 and 3 now. 2 is really a challenge to play it legato and even. 3 I'm now slowly working my speed up. Right now practicing planting my right hand fingers.

    https://www.youtube.com/watch?v=WuWb_0drv84

      • Ron.3
      • 2 wk ago
      • Reported - view

       Nice work Don. I know these are titled "simple" but I'm finding there's so much depth to explore in each one! 

      • Nijwm_Bwiswmuthiary
      • 2 wk ago
      • Reported - view

       Very nice, Don. #3 is a difficult one for me, as I'm always unsure about the evenness in sound between I and M.

      • don.2
      • 13 days ago
      • Reported - view

      It is not simple at all 😂

    • Mark_Janka
    • 2 wk ago
    • Reported - view

    I'm plugging along on V, but it will be a while until I have anything post-worthy. I rate myself as around a Level 7 on the tonebase scale-- I came to classical guitar playing during the pandemic after being a sort of folky player. I'm learning to better read sheet music; the rhythms are still hard for me to read, so I often rely on recordings to better "feel" the rhythms. 

    I chose V because I thought is was cool rhythmically, yet had a familiar "Landslide" pattern for the first 4 bars. (At least I could get started on a familiar foot!)

    I thought I'd share this YouTube video with the group-- in case anyone else is looking into V, as I found it to be a rendition of V that helped me to "get under" bars 5-9, which were mystifying me for a bit as I tried to read it off the page. I also really like the pace and the dynamics of this player's interpretation; that is, for my ears, this interpretation is expressive in a way I dig (in my limited investigation)-- even if it is just meant for students. 

      • Barney
      • 13 days ago
      • Reported - view

      Great playing Mark!  Wonderful tone, dynamics, and color.  thanks for sharing!

Content aside

  • 13 Likes
  • 9 days agoLast active
  • 421Replies
  • 624Views
  • 29 Following