Release Review: Łukasz Kuropaczewski's Practice Principles
Dear tonebuddies,
We’re thrilled to announce the release of our debut course with Łukasz Kuropaczewski! 🎉 We’d love to hear your thoughts on it!
Click here to get to the lesson: https://app.tonebase.co/guitar/home?tbModal=courseModal&tbModalSlug=lukasz-kuropaczewski-practice-principles
- What did you enjoy most about the course?
- Is there anything we could improve, whether in content or the recording?
- Were there any aspects or topics you felt were missing?
- Is the one-pager and the edition helpful for you?
Your feedback is invaluable to us as we strive to make each course better than the last.
If you enjoyed this release, we’re excited to let you know that more is on the way! We’re currently in post-production for two more courses with Łukasz: a Guitar Technique Booster and the Catalan Folk Songs by Miguel Llobet. Stay tuned!
Thank you for being part of our community and for helping us grow. We can't wait to hear your thoughts!
Best,
Martin
28 replies
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This is the best thing on Tonebase. Thank you!
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This is a brilliant course. I have now watched it several times and I'm using the method daily. I've already noticed the level of focus that's necessary to really get results - for example in noticing and learning the nuances of what the wrist and arm need to do.
The recording and content are very well presented and clear and the one-pager is very useful
I look forward to more from Łukasz
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Maybe I’m a little late for this topic, but I’ve been using this method since its release, I’ve noticed some benefits that changed my life:
1) After practicing with preparation, it becomes so much easier to play without preparation if I want, and most importantly: In a concert, when my hands are shaking, I can deliberately “prepare more” and automatically feel more secure.
2) As I try to move slowly, it’s a great moment to find fingerings, of course I check if it works a tempo, but if it works when MOVING slowly, it usually works at performance tempo (for me).
3) The piece becomes even, there are no tricky passages anymore.
4) I had more success increasing the metronome by big jumps, rather than by little increments as I’ve done all my life.