Week 3 - The Empire Strikes Back ⚔️

Hello tonebuddies! 🎶

A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸

This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.

This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.


🌟 The Challenge

Revisit a composition you started but never finished — and this time, see it through. It might be:

  • 🎯 A piece you abandoned because it felt too hard
  • 🎯 Something you got halfway through before a new obsession took over
  • 🎯 A passage or section you never quite nailed
  • 🎯 A piece you learned years ago but never polished or performed

Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.


📅 Challenge Dates

Start: May 4
End: June 12
Watch Party: June 12


🎥 How to Participate

  1. Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
  2. Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
  3. Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
  4. Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.

Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.


🎬 Watch Party — June 12

The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉


💡 Need a Little Help from a Jedi Master?

If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.


May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️

85 replies

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    • Retired
    • Andre_Bernier
    • 2 days ago
    • Reported - view

    Here is another piece that I worked on and off for quite a while. After watching  videos, I just dust off this Vals from Bartolome Calatuyud. 

      • BLaflamme
      • Yesterday
      • Reported - view

       Well... only your ears can tell you if the position is right, as there are too many variables. I would say not closer but probably a bit lower, maybe equal or below the sound hole, and more to your right (left of the video screen)... best would be if you can use a pair of headphones and just move with your guitar and find the spot, the sound is a bit muddy, maybe  because of the type of microphone, is it an SM7B?

      • Dale_Needles
      • Yesterday
      • Reported - view

       Nice playing on this beautiful little vals. I actually like your clear tone which as you may have noticed is what I strive to achieve in my playing. However, I agree with Joojse that it is good to add some contrast when repeating a phrase. That can be done with changing timbre or volume or both. 

      • Steve_Price
      • Yesterday
      • Reported - view

       That sounds really good, Andre. It flows very well. Such a melancholic tune. 

      • Ron.3
      • Yesterday
      • Reported - view

       Well played Andre - your playing is secure and flows very well.

      • Retired
      • Andre_Bernier
      • Yesterday
      • Reported - view

       Thanks Blaise for the suggestion. I will try with headphones and see if I can find a better position.

      My microphone is a Maono PD200X Series. I don't think it ia a top of the line but it is definitively better than my phone microphone.

      • Retired
      • Andre_Bernier
      • Yesterday
      • Reported - view

            

      Thanks all for your good words and suggestions.

      • BLaflamme
      • Yesterday
      • Reported - view

       Ok I don't know this microphone, but if it's similar to a SM7B it's more geared towards voice so placement could be a bit different than for a small pencil, maybe this is why you get more bass in your sound... anyways you already sound great!

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       Great work, Andre - probably your best performance yet! I do agree with Blaise about the placement of the mic, which to my ear sounds a bit 'remote', but I'm absolutely no expert on this.

      • Retired
      • Jim_king
      • Yesterday
      • Reported - view

       Great work Andre.  Sounds like you have this piece solidly in your repertoire.

      As for the sound, let me offer my two cents worth, not that I know much about the electronics part, but I believe you have said that you add reverb to your recordings.  Could it be too much reverb?

      • Retired
      • Andre_Bernier
      • 3 hrs ago
      • Reported - view

       Thanks a lot for your comments. I intend to make some experimentations with the microphone. With some luck, I could probably improve a bit the sound.

      • Retired
      • Andre_Bernier
      • 3 hrs ago
      • Reported - view

       Thanks and yes, I probably love too much the reverb tool on Bandlab 😂

    • Eric
    • Yesterday
    • Reported - view

    Standchen May 22

    Another inch or two closer ...

      • joosje
      • Yesterday
      • Reported - view

       beautiful, beautiful! This is so lovely. I hear all the voices, and the melody comes out in such a lyrical way, in upper voice, bass, or middle register. And the mood changes work really well. 

      • Steve_Price
      • Yesterday
      • Reported - view

       I really enjoyed that take, Eric. That middle section sounds a lot cleaner, and it's really fun to hear the interplay of the lines. Congrats on this so far. 

      • Retired
      • Jack_Stewart
      • Yesterday
      • Reported - view

      Wow! that was so good, Eric. Once again your tone and phrasing are exemplary. 

      I remember playing this back in my early days of my TB presence.  There were several sections that I remember really having difficulty getting to work, ie; some of the octave leaps such as at the end of the contrapuntal variation and at the end, and some of the rhythmic complexity. But you nailed those.

      Bravo.

      • Ron.3
      • Yesterday
      • Reported - view

       This is excellent Eric I really enjoyed your performance. Well done!

      • Retired
      • Andre_Bernier
      • Yesterday
      • Reported - view

       Everything has been said. Bravo, well done. A real pleasure to listen 👍

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       It sounds like you've 'inched' your way right up to the finish line! Very enjoyable listening!

      • Retired
      • Jim_king
      • Yesterday
      • Reported - view

       Great performance Eric.  That was so enjoyable.

      • Eric
      • 8 hrs ago
      • Reported - view

             Thanks to all. I’d like to continue to work on it, making it just slightly faster, and hopefully memorizing it. I may take a break from it for a couple days first, however, and then come back to it.

    • Retired
    • Jack_Stewart
    • 18 hrs ago
    • Reported - view

    Bogdanovic Monk-A-Ning initial rough draft

    This is another revival that has been dormant for about a year.Istarted work on this about the same time I started on the Gubidulina, which had priority until this week. I am surprised that this has come back to this level so soon. It still needs a lot of work but I have it memorized and mostly under my fingers. The ascending chromatic phrase is very much a challenge as is most of the middle section.

    This is from a collection called Unknown Standards v. 1 by Dusan Bogdanovic. It is a collection of quasi jazz pieces in the styles (or at least referencing) of various jazz composers. This piece is very loosely modeled (or at least named) after Thelonious Monk's Rhythm-A-Ning.

    It is challenging but a lot of fun to play, (when I can).

      • Eric
      • 8 hrs ago
      • Reported - view

       This is so great, Jack! I can’t tell where the “improvised” section is, but did you just come up with something to play there and are now just playing it the same each time?

      • Retired
      • Jack_Stewart
      • 7 hrs ago
      • Reported - view

       Thanks Eric.

      I'm sorry for the confusion,, everything in this piece was composed by Bogdanovic.I did not improvise anything here. I used that phrase in quotes to refer to the character of the middle section. I think I will remove that term because I certainly don't mean to imply I did any improvisation. (I am basically incapable of improvising.)

      • Amateur guitarist/lutenist
      • David_Krupka
      • 7 hrs ago
      • Reported - view

       To quote Austin Powers ... 'swing, baby!' Great 'revival' of a really cool piece, Jack. Looking forward to the next 'take'!

      • Retired
      • Jack_Stewart
      • 7 hrs ago
      • Reported - view

       Thanks David.

      "Austin Powers" - that's a pretty heady compliment.😄 

Content aside

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