WEEK THREE Updates: Main Thread - Where the magic triumphs!
Hellooo, everyone, and welcome to WEEK THREE - the final Main Thread for this challenge!
Why is this thread necessary?
Because the Week 1 and Week 2 threads are now both officially monstrously long And navigating them can get tricky with the lack of multiple page display.
But Mircea - I hear you say - can we still post in the old thread?
Yes, of course! Feel free to reply to others in the old thread to your heart's content. Just make sure you post any new updates (whether text or video) in this thread instead.
"Oh no, I didn't see this thread, so I posted a new update in the old thread!"
No problem at all! Just tag me (@Mircea) and I'll move your post These admin powers I got here are actually pretty cool! It turns out I can move individual replies between threads.
Where are the Week 1 and Week 2 threads?
Find the Week 1 thread here! And Week 2 here!
Make sure you've read the rules before replying (<- click)
Download the music:
- Exercises 1 - 12 (← click)
- Exercises 13 - 24 (← click)
Please use the following format when commenting (feel free to copy & paste!):
- Etude you worked on:
- One thing you found easy:
- One thing you found difficult:
- (Optional): a video of you performing it!
Sample daily update:
- Etude you worked on: No. 1
- One thing you found easy: The polyphony between bass and treble flowed very naturally, I had an easy time playing each line like it belonged to its own voice.
- One thing you found difficult: I had a hard time creating enough variety throughout the repeated measures.
Feel free to make these updates as short or long as you wish!
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I am working 24 alternated with 14. 1I was quite advanced in number 14 when I started metronome drilling the 24, which is doing well in a tempo that does not make justice to the piece, yet...
Easy for 24, possibly the arpeggio but at the start of the 3rd part is inverted, so it is easy to fail. I suppose the reading is easy too
Difficult: it is long, so difficult to make a recording with no mistakes. A especially difficult measure for me is number 28, the end of the second part. It a good exercise for arpeggios and very beautiful
number 14, it is quite straight forward, very rhythmical like a military march. Something that was easy the postures, difficult as I strived to mute the notes respecting the silences.