Week 1 - Prepare // Mar 22nd
Welcome to the Main Thread for the first week of the composition challenge! This is the place to discuss the Week 1 livestream and post your Week 1 assignments.
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream for help with the first section!
Week 1 assignment description:
Write one short "imitation" piece modeled off an etude by another composer of your choosing by using key elements found in the "model piece."
(For inspiration and some tricks on how to do this, watch the livestream above!)
If you want to describe your process (optional), feel free to use the following template.
- Etude you are imitating:
- Things you found easy:
- Things you found difficult:
- (Optional): a video of you performing it!
- (Optional:) questions
↓ Reply below with your assignments and questions! ↓
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Original piece: Giuliani study number 13 opus 50
What I found easy: It was a lot of fun so I could spend time at night doing it without noticing, my practice has suffered this week... I used a very easy study with an easy structure that I kept along with the rhythm and the coda. This made things easy.
What I found difficult: This was my first time doing anything like this or using musescore. Once I chose the piece all the melodies I came up with were very gloomy. Then I searched for different styles and changed the sense of the scale and once I had an idea, things were better. Although it is still gloomy :) . Although Musescore is quite intuitive, I spent more time than needed... I wanted to change the coda but could not think of anything...
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Hi there.
I´ve been so busy I haven´t even seen any of other people´s works. Looking forward to seeing what my fellow composers have done!
I´m sending today an etude based on Carcassi´s Op 26 nº3. I analysed it thoroughly and, in the end, took only the form as the basis for my piece. I´ve seen docens of students struggling with 3-4 vertical extension, so I decided to write a little piece to work on this specific subject.
It was dificult to mantain some harmonic interest throughout the piece. Can´t believe Carcassi did it so easily. My choice would have been to change some of the material in some bars, but Carcassi didn´t so I tried to come up with somethig "cool" even if I had to repeat notes all the time. I´ve taken material from Deep Purpple and Robert Johnson (the bluesman, not the lutenist) in order to build something harmonically consitent. I should keep working on the piece when I´m not so busy. I´ve written the tablature because some of my older students love classical guitar, but can´t read music. So, there it goes: analysis, piece and video.
https://drive.google.com/file/d/1EakjzLFXK8UPmaWj0JHSoKtOiVCTv2PU/view?usp=sharing
https://drive.google.com/file/d/15kuc6BJwMkYYiLl0jf4FlUmVjMb3x4xk/view?usp=sharing
https://drive.google.com/file/d/1boybt8-SYaYph-R8VpJmJrNQ4r669fsS/view?usp=sharing
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- Etude I am imitating: I love Brouwer so I decided to try Etude Simples no 5
- Things you found easy: it was really quite fun to try and imitate the piece it was easy to play. It was my first time using Sibelius and I really liked it. I didn’t add any dynamic markings because I am late to the game this week but the notation was pretty easy. Two things I couldn’t figure out with limited time: how to add a stem to the bass voice. Sibelius added the note but not the stem How to show a barre. I added the score in case any Sibelius users have any tips.
- Things you found difficult: what approach to take and how much to imitate. I decided to keep it straightforward. Some intervals between voices I kept the same and some I just improvised what I liked the sound of. I kept the rhythm almost identical to the original.