Week 1 - Prepare // Mar 22nd
Welcome to the Main Thread for the first week of the composition challenge! This is the place to discuss the Week 1 livestream and post your Week 1 assignments.
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream for help with the first section!
Week 1 assignment description:
Write one short "imitation" piece modeled off an etude by another composer of your choosing by using key elements found in the "model piece."
(For inspiration and some tricks on how to do this, watch the livestream above!)
If you want to describe your process (optional), feel free to use the following template.
- Etude you are imitating:
- Things you found easy:
- Things you found difficult:
- (Optional): a video of you performing it!
- (Optional:) questions
↓ Reply below with your assignments and questions! ↓
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Hello everybody
Here's my small contribution. I'm fascinated by Bach's chorals and 4-part harmony in general. So I've crafted my own choral according to Bach. Using Musescore I first made a piano version and then arranged it for guitar. I include both scores and a MIDI version of piano and guitar.
Unfortunately the recording will come later - simply haven't had the time.
Using a MIDI keyboard, the melody and final guitar arrangement came fairly quickly. But adding the harmony of the other 3 voices, was a real challenge. I hope I avoided consecutive 5ths and 8ves.
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I am trying to compose something with a Stravinsky influence. For this exercise I tried to confine myself to his simpler piano pieces (5 finger etudes, 5 easy pieces, etc). What I have is more complicated than I had intended. (I can't help myself)
I decided to use an octotonic scale as the basis - though I use it very naively. The structure is more motivic rather than harmonic, with an occasional ostinato lower voice. I intend to have a short fugal section (ie; Sor's op.29 #17). before returning to the original material. I have not been able to perform this very convincingly yet - so no video.
I am enjoying this challenge. It is forcing me to do something I have wanted to do for a long time. Thank you.
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Thanks very much for your kind words. It is very encouraging. I am posting my (first) Final draft in Musescore and PDF. Though I am sure I will make alterations to it (hence the 'first'). I will try to work it up as a performance over the next week or 2 (or 3, or 4....). Thanks very much for having this very supportive composition class.
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Hi Ash,
I'm inspired by the workshop! This submission is a little late and I'm holding off watching part 2 "Develop" instruction until posting. I hope to get in sync with the schedule for next assignment.
- Etude you are imitating: Brouwer - Estudios sencillos III
- Things you found easy: Making a decision about time change, following original form
- Things you found difficult: Resisting the urge to edit before putting something down
- (Optional): a video of you performing it! https://youtu.be/x5kUyfD7qs4
I wanted to keep the form, dynamics and the shape of line. My analysis started with looking at the intervals between the low notes and then the intervals between the low note and the subsequent higher pitch in each beat. I've changed the time signature and added a note that is half step below the repeated high notes in the original study. After playing a couple of times, I noticed that I lose the whole note low each by putting some notes on the 6th string. This will probably change some way in the development phase.
I wrote it on guitar and started thinking about it as a guitar study (imagine that) and changed some of the original pitches to deal with a left hand situation that could be a study idea.
On to Develop video!
Randy