Week 2: Sleeps a Song in all things!
Welcome to the Main Thread for the second week of "The Romantic Era" challenge!
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream! (<- click)
Who is your favorite romantic lyricist?
↓ Happy Sharing! ↓
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J.K. Mertz - Minka & Romanze Adagio
Hi everyone, I was practicing these 2 little pieces last week (thank you, Eric, for your suggestions) and would like to share the result with you guys.
I didn't print the music out, so I have to keep looking at the monitor when recording. If my unblinking eyes and the "angry guitarist face" scared you, please forgive me and just focus on the pineapple behind me instead. I swear I was peaceful and happy inside when recording. (we need another Martin's home recording course to learn how to avoid "angry guitarist face")
1. Minka
This one is a Ukrainian folk song, so strictly speaking, this was not from the Romantic period. However, this version was arranged by Mertz, so it's still counted as romantic period music, I think? Please forgive my ignorance about classical music if I was wrong. (The music was busier than I think, that's why I could hardly blink when recording it)
2. Romanze - Adagio
I found this beautiful little piece in the Tonebase lessons archive. Simple but still beautiful.
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Coste – Les Soirées D’Auteuil, Sérénade (May 10 update)
Well, I've been practicing this piece like crazy, and I feel like I'm making some good progress. I'm actually pretty happy with this take, and, as God is my witness, it truly was a first take (typically I do 30-60 takes, filled with lots of yelling and swearing in between). My dog, of course, had to get into the video midway.
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Mendelsohnn Op. 19.6 Venetian Gondola Song
This has proved to be much more difficult for me than I had anticipated. I started on this at the very beginning of the challenge. I almost gave up, but it seemed to go better this morning so I tried another recording attempt.
I have found the harmonics to be very difficult. My strings need to be changed which would certainly make a big difference. There are several passages that were difficult to navigate and some were hard to interpret.
This is a pretty rough performance but the best I have done so far. I will probably take a break before returning to it.
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Mertz - Op. 13 Abendlied (May 11)
Listening to Wai play some Mertz so beautifully yesterday inspired me to start poking around some of his pieces. Once I started playing them, however, I just did not want to stop.
So, I'm starting with this piece from his famous Bardenklänge, Op. 13.
The first take was not quite as successful today. There were a number of mistakes, but my biggest issue was executing the little arpeggiated texture in the accompaniment during measures 19-33. It needs to be quiet, but quick and consistent.