Interactive Masterclass with Tengyue Zhang aka TY!
FINALLY we are welcoming our friend Tengyue Zhang aka TY for his first Interactive Masterclass with you! It is so wonderful to invite guests on tonebase LIVE and see them interact with fellow tonebase members!
TY Zhang, a Chinese born guitarist, Graduated from Juilliard for his Bachelors and Masters with Ms. Sharon Isbin, and now finishing his Doctor degree at the USC under Mr. William Kanengiser of the LAGQ. TY is the winner of the GFA International Concert Artist Competition and many others. He loves watches, road cycling, film making and photography.
We have 4 spots á 15min, sign up now and don't forget to attach scores prior to the class
Participants
Bill Young
Marieta by Tárrega
Peter
Emma
Cadiz by Albeniz
Jack Stewart
Mendelsohnn's op. 19b.6 Venetian Gondola Song - Tarrega's transcription
This will be an interactive Livestream, so let me attach all the info needed for this exciting new tonebase LIVE format!
What do I need?
We are going to use ZOOM for the interactive part of Livestream (the same piece of software that we have been using for the Virtual Hangouts). While it is not necessary to download the software, I would recommend it as it runs more stable as the browser version. In order to have the best audio quality, you can activate the option
Preserve Original Sound, here you find the documentation on how to activate that.
It's best to prepare for that lesson to get the most out of it in the interactive part! So listen to some of our fantastic release on
How does this take place?
- Simply watch the Livestream at the time indicated in the Live Calender!
- At the end of the approx. 25-35min Livestream, I will share a ZOOM Link in the Chat. Click on that link, it will take you to our ZOOM Cohort Based Course
- In the Zoom Call, we will get into greater depth about challenging passages of that piece, we can discuss certain fingering possibilities TOGETHER and YOU can get a full masterclass experience if you decide to take part with audio and video (not necessarily needed, more on that below)!
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If nobody else wants I would love to participate! I would like to improve some aspects of Cadiz . Especially tips on improving a couple of passages: the legato in the bars 10 and 11 and the chord progression in bar 34. If someone who has not had one of these wonderful opportunities wants I would give my place as I have had 3 already