WEEK 1: Vamos, Compañeros
Welcome to the Main Thread for the first week of our musical Journey to Spain!! This is the place to share submissions of the first week!
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream for help with the first section!
If you want to describe your process (optional), feel free to use the following template.
- Things you found easy:
- Things you found difficult:
- (Optional): a video of you performing it!
- (Optional:) questions
↓ HAPPY PRACTICING, HAPPY SHARING ↓
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What do I love in spanish music:
The mood, the fast Phrygian scales, the rasgueados, the 'odd' harmonies
The challenge
( these 3-4 weeks are not very inclusive for me :-), I am a lucky man with wife , 3 kids, 7 grandkids and a busy job as an interventional cardiologist at a teaching hospital. im usually too tired to practice most days. maybe I just need to pull myself together, but the first 30 min of practice most I usually very frustrating.
I give it a shot And my ambition is to send updates and finals with new strings DAW recording and well rehearsed. but lets see. these videos are best of two
1. M de Falla. Danza del Molinero. his could have been a transcription challenge. Orchestra to solo guitar.
struggles with the run the rhythm in the end and confidence and consistency
2. J Rodrigo. Tiento Antiguo. hot slow spanish village in a dream like state. have to work with tension resolution and as above- and forgot the ending
3. J Turina. Rafaga. That long run is really a killer.
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I've been trying to learn Paseo by Eduardo Sainz de la Maza since the beginning of January so here is a video of one of my attempts.
Things I found Hard: Trying to bring out the melody with a nice legato. There are a couple of tricky shifts of position and trying to get a nice floaty feeling in the middle section.
Things I found easy: ?
This is one I will keep working on as I hope to perform it sometime!
ps - note the glasses! I don't usually wear glasses for near distance (I do for long distance) but over the last couple of years I find that the fretboard is getting more and more blurry. I was hoping the glasses might improve my playing but I'm not so sure! Trouble is - if I wear them I can see the fretboard in great detail but the music on the stand is too blurred to read (I can read it fine without them)! Must be a compromise somewhere
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Santiago de Murcia - La Tia y La Sobrina
I have started looking at a few works by de Murcia, and I am discovering what a treasure trove it is. The pieces are, of course, all written for the baroque guitar, which sounds so unique. I have no memory of ever playing anything by him, but that will now change. I'll start with this fun piece that translates to The Aunt and the Niece. I have no idea why it is called that.