Attention Classical Guitarists: Introducing the "Two Week Intensive" with Eduardo Inestal on "Interpretating Spanish Repertoire"
Hola tonebuddies and fellow guitar aficionados!
We are absolutely thrilled to announce an exclusive opportunity for our community of classical guitarists: a "Two Week Intensive" course on "Interpreting Spanish Repertoire" with the world-renowned guitarist Eduardo Inestal!
This unique course is designed to provide in-depth insights into the heart and soul of Spanish guitar music. Throughout the two weeks, Eduardo will share his immense knowledge of Spanish idioms, techniques, and interpretation, enriching your playing and enabling you to truly understand and convey the passion behind this beautiful musical tradition.
During the course, participants will be immersed in the rich history and cultural context of Spanish guitar music, while receiving personalized guidance from Eduardo himself. This is truly a once-in-a-lifetime opportunity for classical guitarists looking to enhance their repertoire and expertise.
Don't miss out on this incredible opportunity to learn from a true guitar maestro. We can't wait to see you at the Two Week Intensive with Eduardo Inestal!
Happy plucking, amigos!
- Sign-Up: May 11th - May 14th in an extra thread!
- Course Period: May 15th - May 26th
- Optional check-In via Zoom: tba
All Courses by Eduardo on tonebase here!
In the assignment videos, you will:
Discover the rich tapestry of Spanish music and journey through five centuries of its history, from the Spanish vihuela school to today's contemporary compositions.
Immerse yourself in the passionate era of Spanish romanticism and nationalism, exploring the profound changes in music during the late 19th and early 20th centuries.
Understand the profound influence of popular music and folklore on classical music. Dive into the works of great composers like Gaspar Sanz, Scarlatti, Aguado, Llobet, Falla, and more contemporary authors.
Feel the rhythm and power of flamenco as you examine its influence on the classical guitar. Master the "rasgeado" technique through the music of Joaquín Turina, Joaquín Rodrigo, Ángel Barrios, and Regino Sáinz de la Maza.
Identify and interpret the typical elements of Spanish music on the classical guitar, including recurring motives and the "Cadencia Andaluza". Discover how popular song has left its mark on these timeless pieces.
Unleash the Spanish "fire" in your playing, embodying the unique character and spirit of Spanish music. Appreciate the importance of understanding the mentality of the people to truly capture the essence of their music.
This immersive course is designed to not only educate but also to inspire, as you delve deep into the soul of Spanish music and learn to interpret it on the classical guitar with authenticity and passion.
Assignment 1 - Introduction and Rasgueado
- Watch Eduardo's Introduction about Spanish Music!
- Learn about Eduardo's approach to Rasgueado (starts at 6:00)
- Share a video with Eduardo's Rasgueado Exercices with the regular Rasgueado (ami) and with the additional index finger (ami i)
- Find a piece where you can use that Rasgueado (the most famous piece for guitar for example ;). Also feel free to share great examples of Rasgueado!
Hola! Despite being Spanish and in an intermediate level, I don’t know how to do rasgueado (no tengo ninguna gracia ahí) , so if I learn that the objective is accomplished. At the moment I am not practicing any Spanish music and I don’t know how can I prepare one in 2 weeks. Maybe I can take an excerpt of a piece? Or something that is not too complicated. Last year I learned Adelita with your tutorial but no rasgueado there… Alguna idea? Muchas gracias :)
Hola a todos! I have found very interesting the assignments of this Course , the inmersión in the spirit of the Spanish guitar music !!! Although this first week I am not at home I will send my first video the next Sunday. I have already 2 ideas for rasgueados in famous guitar music that are not flamenco music ! See you next Sunday and looking forward to all what is coming to us in these 2 weeks ! gracias Eduardo.
Hola a Todos , Bonjour à tous, Hi all
My name is André and I am from Québec city Canada
Despite the fact that I have been playing acoustic guitar for a few years now; I am fairly new in the world of Classical music and I can tell you from fresh experience that they are very different techniques
I also enjoy this first video from Eduardo and I am ready to start working on the required Rasgueado exercise . However, for the task of finding a piece where we can use the Rasgueado, I am the same as you and can't find anything that could be considered material for beginners like me.
martin Mircea or Edouardo
Could you suggest a beginner piece for us and where to buy or download the score?
Thanks in advance for the help
I found last night a flamenco course by Kai Narezo on TB.
The third lesson is on Rasgueados and provides a lot of useful hints on the technique. He is also using a short piece (Solea Compas) for practicing. Here is a link to the score
I am relatively new to classical guitar. (I started during the pandemic years.) But, I have a background in fingerstyle guitar. I've really enjoy all that the Tonebase community has to offer to explore classical guitar music. I've just started trying to learn "Testament d'Amelie," which is the closest thing I have to Spanish music. I also have learned "Gracias a la Vida," "Sons de Carillhoes," and "Pobre Cega" (Cavalho), which, I realize aren't Spanish... I'm grateful for this opportunity to learn from you all!
Well this was the first day this looks so easy when we watch Edouardo.
My process was to make only 5 min practice, doing something else for about 30 minutes and repeat. The second step was to use the metronome on 4/4 - 50 bpm with an increase of 5 bpm every 5 loops for a total of 20 loops (final bpm at 150 bpm). I was in fairly good control until 100 bpm and experienced some struggle until I could barely follow up at 145 bpm.
Not that impressive this is why I consider myself as a beginner
I can see now that I am too stressed (see the pressure of the thumb on the 6th string). I have to find a way to relax more during the exercise.
I will keep this practice pattern a few more times today and tomorrow morning. I will then make another recording.
Have a good practice.