WEEK 1: Discovering J.S.Bach!
Welcome to the Main Thread for the first week of the J.S.Bach Challenge! This is the place to post submissions of the first week!
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream for help with the first section!
If you want to describe your process (optional), feel free to use the following template.
- Things you found easy:
- Things you found difficult:
- (Optional): a video of you performing it!
- (Optional:) questions
↓ Reply below with your submissions and questions! ↓
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I have learned BWV 999 Bars 1-20 this week and am following Martin's advice on the live stream on how this song can be lovely and sad. I'll try to make sure the base lines can help bring that sadness along with the arpeggios, but focusing on the base.
I am playing it slow to get the hang of it. I need to get better on the clarity of each note, as I get more comfortable playing this peace. My left hand still has to get used to the fingering. I am also working slowly on memorizing the sequence of chords. As a consequence I will also need to work on the sound. I feel like I am not getting the full potential for a mellow sound that my guitar can reach, so I have to work on my right hand (exact position of fingers) as well as my nails to get a warmer sound.
I am working on reaching that deep F on bar 15, but for now while it is in progress (my guitar has very high strings which make it more difficult), so for now I chose to play that F7M major with the base on the 4th string.- Things you found easy: the fact that the right hand follows a pattern simplifies the song
- Things you found difficult: reaching that mellow sad sound as well as some right hand position changes. It is hard to make those position changes and not sound like a sudden interruption of the previous chord - breaking the open sounds (example Bar 11).
- Uploaded a video o my first performance after learning Bars 1-20
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Sarabande BWV 997 measures 1-16 (and repeat) Mar 11
Here is the entire A section of this Sarabande. Eventually, I would love to be able to do lots of cool ornamentation on my sectional repeats, but here I pretty much just play the entire section twice.
One thing I'm really happy about is the relative ease with which I can now damp bass notes when needed. This is a technical skill I have been working on for a while, and it's finally getting to a point where I can do it without thinking too hard about it. As always with technique, progress is very slow and gradual.