Carulli Larghetto in G minor Op 192
I came across a performance of this piece on YouTube by Nicola Jappelli that I really love, so I thought I'd try to work on it myself. The score is attached.
Here are my goals for the piece:
- Use fingerings that make sense both musically and technically.
- Play with intentional and effective dynamics, articulation, and tone color.
- Write and execute a cadenza to be added between the B section and A' section (measure 25). Jappelli does this and I'd like to try it too.
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Very nice, Eric! I really like the cadenza that you've added - it really brings the piece up a 'level'. I think we forget that flourishes like this were once a normal part of the performance tradition. (I think somewhere (maybe op.1 (?)) Giuliani provides a dozen or more examples that probably warrant study.)