Week 1: Our Unfinished Pieces!
Welcome to the Main Thread for the first week of "Unfinished Business" practice challenge!
- Choose an piece that you have started to practice but never fully commited to finish. It could be a an iconic masterpiece, a technical challenge, a sweet little miniature or a piece that you played a long time ago and always wanted to refresh! You're encouraged to experiment with pieces from composers you're not accustomed to or push your boundaries with a technically demanding work.
- Commit to regular practice and share your journey with the community. Aim to practice daily and upload at least two videos per week to showcase your progress. This will not only aid in keeping you dedicated and motivated but also enables you to share your musical journey with our tonebase family.
- Share your favorite piece or recording that you always wanted to learnm but is still "unfinished business". Your submission will serve as inspiration for others and construct a vibrant repertoire of potential pieces for fellow members to explore.
↓ Happy Sharing! ↓
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Etude #1 Stravinsky Hommage
If you can bear a bit of self indulgence. Some of you may remember I composed an Etude in Ashley's Etude Composition workshop (those were the days!). I never was able to ever work it up satisfactorily, so I thought I would try for this Challenge. This is the first section which is mostly under my fingers. Unfortunately, the second section is much harder. We'll see how well I do.
This is inspired by some of Stravinsky's elements but in no way does it actually resemble Stravinsky, despite having a quote from the Rite of Spring (of all pieces!) in the 2nd part.
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Barrios – País de Abanico (July 7 update)
Here are a couple videos showing my work on this piece today:
- The first video is me talking through some of the more difficult measures in the B section. The pictures below are those trouble sections, with the last one being an alternate fingering that I am now using in measures 49-55.
- The second video is a first take, warts and all, of the whole piece, but it starts at the B section (page 2, measure 33). After the B section, I do the repeat of the A section and then the ending coda, so this is essentially the entire piece.