🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 4

Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!

Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.

This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.

🎯 Whether you choose to:

  • Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
  • Go for something bold — Villa-Lobos, Barrios, or Coste
  • Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
  • Revisit an old friend — Polish a piece you learned before and bring it to a new level

…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.


📅 Challenge Dates

Start: February 23

End: March 20


💡 How to Participate

  1. Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
  2. Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
  3. Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
  4. Engage – Listen to what others are working on, leave encouragement, and trade practice tips!

103 replies

null
    • Retired
    • Jack_Stewart
    • 4 wk ago
    • Reported - view

    Gilardino Study #31 Theme and Variations (Theme and 1st variations w/o repeats)

    This the first posting of this study by Gilardino. So far I only have the theme and 1st variation under some control. I hope I can get the 2nd variation by the end of this week.

    I find this study interesting and beautiful. Gilardino states it is an homage to Fernando Sor, however, it is a theme and variations on Robert Schumann's Theme and Variations op.118 2nd mov. It is much tamer than much of his other pieces in his set of 60 studies, both technically and harmonically. This piece will be with me for quite a while as the next 3 variations up the ante technically speaking.

      • Retired
      • Andre_Bernier
      • 2 wk ago
      • Reported - view

       Bravo Jack. Great start 👍

      • Debbie
      • 7 days ago
      • Reported - view

       I look forward to hearing the progress on this piece. I’m unfamiliar with it and I like it a lot. Thank you for sharing it with us, Jack. Well played so far.

    • Reinhard
    • 4 wk ago
    • Reported - view

    Hi everyone. This study by Sergio Assad (Sketch No 7) is a fun one for me. And a hard one. It has so many changes in the meter and rhythm that i get dizzy.😄 It took me a lot of practise time without the guitar (just drumming with my hands on my legs) to get the 4 over 3 polyrhythm and 5/8 to 3/8 changes in my head. Next goal is working on precision. 

    https://youtu.be/VW-L6UvUm5o?is=Xgvdmy6DztoZj4J_

      • Barney
      • 4 wk ago
      • Reported - view

       Interesting rhythm changes that you certainly have a good handle on.  That is tricky and would assume it required analysis and practice by section, not only to secure muscle memory, but also for solid mental recall of the way it sounds within the piece as a whole.  I look forward to hearing your progress on this piece.  Nice work!!

      • Ron.3
      • 3 wk ago
      • Reported - view

       Fascinating study Reinhard - great work!

      • Retired
      • Jack_Stewart
      • 3 wk ago
      • Reported - view

       Impressive work, Reinhard. The rhythm complexities sound very tricky indeed - this coming from someone who is challenged by 4/4 in all quarter notes 🤔)

      • Retired
      • Andre_Bernier
      • 2 wk ago
      • Reported - view

        Very nice Reinhard. Notes and chords are much clear and clean. The rhythm changes are very fluid. Bravo. 👍 

      • Debbie
      • 7 days ago
      • Reported - view

       it’s great to hear some Assad. This one’s off to a great start. It’s fun and challenging to work on changing meter and rhythms like this. I kept thinking the painting behind you matches the music!

    • Eric
    • 4 wk ago
    • Reported - view

    Sor Op 44 No 21

    I thought I'd take a break today from the study I have been working on this whole challenge. This is one of my favorites by Sor, and it comes from his Op 44, which does not get nearly the attention his other collections of studies get. In fact, I would like  to consider this one for his collection of Sor studies that did not make Segovia's cut. (There has to be some snappier, more concise title for this collection of yours, don't you think so, David?)

    Sor's didactic intention in his studies is not always very clear, but it strikes me that this study requires a good number of anticipatory left hand fingerings, so maybe that's what he had in mind. Who knows?

      • Amateur guitarist/lutenist
      • David_Krupka
      • 4 wk ago
      • Reported - view

       Very nice, Eric! I see no reason to exclude it from ... er, 'Sor Studies 2.0' (or maybe '20 more Sor Studies' or how about '20 Studies by Sor I can actually manage to play'). I guess I have to work on the title ... As for the didactic intention here, note that Sor reserved the term 'etude' for the pieces in opus 6 and 29 only. For his other pedagogical works, he used such terms as 'leçons' (opus 31 & 60) 'exercises' (opus 35) and 'petites Pièces progressives' (opus 44). So for opus 44 in particular, he may not have been aiming to compose 'studies' of the kind we are used to today.

      • Eric
      • 3 wk ago
      • Reported - view

       How about "Sixteen Sor Studies: Segovia's Snubs"? I changed the number to sixteen for the alliteration. Seventeen works too (as does six or seven; sixty or seventy would just be ridiculous). 😊

      • Ron.3
      • 3 wk ago
      • Reported - view

       Beautiful performance Eric - not one I've heard before!

      • BLaflamme
      • 3 wk ago
      • Reported - view

       Great Eric! I would suspect that Sor's etudes are not all with a specific technical idea in mind to study but rather musical or also named to target a specific market, as opposed to concert pieces or with a more elaborated form and material (from a composer and player point of view).

      • Amateur guitarist/lutenist
      • David_Krupka
      • 3 wk ago
      • Reported - view

       I love it! (I think there's a bright future for you on Madison Avenue, Eric!)

      • Eric
      • 3 wk ago
      • Reported - view

       So here's the plan. You write the books, I give them catchy titles, and we split the royalties 50/50.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 3 wk ago
      • Reported - view

       Sounds like a plan! The only problem I see is that half of zero is still zero ...

      • Eric
      • 3 wk ago
      • Reported - view

       So, in addition to your voluminous knowledge of music and the guitar, I see you are also a wizard of math.

      • Retired
      • Jack_Stewart
      • 3 wk ago
      • Reported - view

       A very elegant performance of this Sor Etude, Eric. (opps ... this petite Pieces progressives, my apologies, David 😀 or perhaps in current political parlance, 'woke work' 🙄)

      • Eric
      • 3 wk ago
      • Reported - view

      Thanks, Jack. I’ll avoid playing this opus in Florida, since that’s where woke went to die. (Maybe I could play Julia Florida there instead. Maybe in July.)

      • Eric
      • 3 wk ago
      • Reported - view

        Did you see that Patrik Kleemola just released a video of the entire Op 44 on his 1839 Lacote? This piece starts at 24:12..

      • Barney
      • 3 wk ago
      • Reported - view

        Another beautiful performance of one of Sor's little gems.  Thanks for sharing it, Eric!

      • Performer, Teacher @Conservatory M. de Falla and member of Nuntempe Ensamble GQ
      • Ariel.1
      • 3 wk ago
      • Reported - view

       this is what I mean, take the first study, for example... thers's no doubt that Patrik is a superb player but he is taking Sor's score literally. And we know that classical guitar composer many times skipped articulation markings and musical expression marks because they implicated additional cost in the publishing price. And as the publishing was the own composer's enterprise, articulation and other markings were many times obliviated. I doubt a profesional pianist, violinist or a chellist sightreading this score would play the music with such a lack of articulation.   

      • Amateur guitarist/lutenist
      • David_Krupka
      • 3 wk ago
      • Reported - view

       I did notice this but I haven't had time to listen to it yet. I am looking forward to it, though! Thanks for sharing the link!

      • Retired
      • Andre_Bernier
      • 2 wk ago
      • Reported - view

       Very nice Eric and I would certainly be the first one to buy your book 😂

    • mgshirk
    • 3 wk ago
    • Reported - view

    video take 2 of Giuliani's Op. 98 No. 4

    Still needs a little work in the C section. Sounds a little muddled to me. Tried to memorize as much as I could. I'll try to post one more by end-of-week. 

Content aside

  • 1 Likes
  • 7 days agoLast active
  • 103Replies
  • 183Views
  • 15 Following