WEEK 1: Dóbroje útro (Good Morning)!
Welcome to the Main Thread for the first week of the Nikita Koshkin challenge! This is the place for the Week 1 Submissions!
- Make sure you've read the guidelines before replying (<- click)
- Watch the kickoff livestream for help with the first section!
- Get the Scores Here
If you want to describe your process (optional), feel free to use the following template.
- Things you found easy:
- Things you found difficult:
- (Optional): a video of you performing it!
- (Optional:) questions
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Study 6 measures 5-11
I'm really struggling and I need some help. I've "finished" working on #1-5, but when I tried sight reading #6-10, they all seem completely beyond me, which makes me wonder if I really should try working on them at all. Maybe just going back into #1-5 deeper would be more productive. Not sure.
That said, I thought, "Maybe I could work on a very small section of #6 that is causing me problems, not even worrying if I ever get to the entire piece." So, I'm giving a shot at measures 5-11, which involves something I have never done before. It has a staccato bass line with a legato melody line.
My problem is, I really don't know how it should be done. I'm happy to put in the slow practice and work on the skill, but I want to make sure I'm doing the skill correctly. So, if someone (Martin or anyone else who knows the skill) could watch the video and give me some input, I would be very appreciative.
(Sorry for the pained look on my face below!)
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Study 6
Well, after about an hour of practice, I can at least play through the piece now, albeit VERY slowly and with MANY mistakes.
What was easy: Does not apply
What was difficult: Everything, but especially ...
- The right hand articulation in measures 5-11 and 21-22.
- The opening four measures (which also repeat at the end) just don't sound very good to me, and I think it's more than just the slow speed. Again, it's that right hand articulation which is so new to me.
I do at least feel like I'm making some progress. Many thanks to Blaise and Joosje for their encouragement!
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Here is my current status on Study #6. These studies, with their modern tonality, are more difficult for me to commit to muscle memory, and therefore require more time to perform without errors at suggested tempo. They are really cool, so wanted to try a few from the second half of the set. So out of time to work more on this one. On to the next...?