Steve Goss: Interpretation and Analysis | Rhythm and Rubato in Bach, Sor, and Falla (Mar 20) Questions / Suggestions

Alright everybody: here we go with rhythm and rubato! 🤩 As promised, Steve and I will continue to dive into the topic of analysis and how to apply it to your interpretation - this time from a whole new angle!


This is going to be the second of three livestreams looking at the same set of three pieces from very different analytical perspectives:

  • This session will focus on rhythm, rubato, and feel
  • The previous livestream focused on harmony and structure (<- click)
  • And the final one will look at musical style and using improvisation as a tool for learning repertoire

Given how different this topic is from all others, there is absolutely no need to have watched the previous livestream to attend this session. None at all!

 

Like last time, I am personally going to be performing in all of these, and I am still really excited about that 😀


Find the start time in your time zone by clicking the photo or following this event link:

https://app.tonebase.co/guitar/live/player/steve-goss-style-interpretation-analysis-rhythm

 

 

We are going to be using this thread to gather suggestions and questions!

  • What questions do you have on this topic?
  • Any particular area you would like us to focus on?

In this session, Steve Goss will discuss intricacies of musical interpretation with a focus on rhythm, rubato, and feel. Three works will be used to demonstrate: Bach's Prelude from the 1st Cello Suite (BWV 1007), Sor’s Study in C Op 6 No 8 (Segovia Study No 1), and Falla’s ‘Homenaje pour le tombeau de Claude Debussy’. 

 

These pieces were already analyzed from a harmonic and structural perspective in Steve's last tonebase livestream. However, due to the highly unique point of view applied in today's example-rich lecture, no participation in any previous session is a prerequisite for today's show.

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    • Marek Tabisznull
    • retired guitar teacher
    • Marek_Tabisz
    • 3 yrs ago
    • Reported - view

    Very interesting topic today! Very inspiring. Mircea mentioned S. L. Weiss and I must boast right away: Weiss was my countryman. He was born where I was: in Grodków in Silesia, Poland. But unfortunately, I'm far from his talent! 😉 Thank you for the session!

    Like 1
      • MirceaTeam
      • Head of Guitar
      • Mircea
      • 3 yrs ago
      • Reported - view

      Marek Tabisz Oooh nice!! I actually didn't know that! But hey, we are all far from his talent 😉

      Like
  • Really good, this topic, and the information that Steve gave, with the examples. All of great value for us, who seek to improve our playing. To play a 3voice piece like Sor’s (regarded simple) study and be as effective as a string trio, is not an easy task. Also, (I played the cello for a while ) just the gesture of bowing the bass notes  in the Bach prelude gives this special ‘agogic’ feel , which we could try to imitate with the thumb stroke, taking the time , but not accentuating in loudness ... 

    Like 2
      • MirceaTeam
      • Head of Guitar
      • Mircea
      • 3 yrs ago
      • Reported - view

      joosje this is great! So happy you enjoyed the stream, and super interesting insights! I didn't know you used to play the cello, that's great!

      Like
    • Emmanull
    • Emma
    • 3 yrs ago
    • Reported - view

    I just watched this session in stream. Thank you so much Mircea and STEVEN GOSS! So many useful and interesting insights on interpretation . Pity I was not there for the life session . Next time !

    Like 2
      • MirceaTeam
      • Head of Guitar
      • Mircea
      • 3 yrs ago
      • Reported - view

      Emma Wonderful, Emma! So happy you enjoyed it!! I'm very excited for Steve's next livestream, which will be about incorporating improvisation into practice. I'll post about it as soon as we have a date!

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    • Roni Glasernull
    • Classical guitarist and composer
    • roniglaser
    • 3 yrs ago
    • Reported - view

    Hey Mircea and maybe anyone else! I need to find that string trio recording we heard of that Sor Study! Any ideas? Or any other non-guitar recordings? I have a student who's learning it.

    Like 1
      • MirceaTeam
      • Head of Guitar
      • Mircea
      • 3 yrs ago
      • Reported - view

      Roni Glaser Good question! Will ask Steve 😎

      Like 1
      • Roni Glasernull
      • Classical guitarist and composer
      • roniglaser
      • 3 yrs ago
      • Reported - view

      Mircea Thanks!

      Like 1
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