
Who is the composer you feel is underrated in the guitar world?

Every guitarist has that one composer—the one who writes beautifully for the instrument but doesn’t get nearly enough recognition. Maybe their works are hidden gems that rarely make it onto concert programs, or maybe they wrote just one brilliant piece that deserves more time in the spotlight.
Which composer do YOU believe is criminally underrated in the classical guitar community?
What makes their music special to you?
Is there a particular piece you'd recommend others to try?
Why do you think they’ve been overlooked?
Whether it’s a forgotten Romantic, an overlooked contemporary voice, or a regional treasure, we’d love to hear your pick and why they deserve more love! Let’s build a list of hidden gems together
Bonus: Share a short recording or video if you’ve played something by them!
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I want to share not one, but TWO composers that I admire and who's pieces I have recorded. They might not be per se underrated, but I don't hear their pieces played that often!
Simona Ianarelli - Alma
https://www.youtube.com/watch?v=JCAgfiukPzc
I just love the otherworldy sound of the dissonances and harmonics! I imagine this to be the soundtrack of me looking at the night sky in awe!
Carlos Fariñas - Canción triste
https://www.youtube.com/watch?v=m4Vvjra9Iig
This piece has that deep melancholy that is so unique to Cuban composers!
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If Martin can share two composers, I will do the same!
I am going to go with Catharina Josepha Pratten (aka Madame Sidney Pratten) and her student Ernest Shand.
Pratten, to me, just exemplifies the era of the Romantic guitar. Her writing is simple, but I find it very expressive. Below is one of her lesser-known works, Sehnsucht ("Longing").
Shand is such an underplayed guitar composer. I think his compositions are on a par with his much more celebrated contemporary from Spain, Francisco Tarrega. I particularly love his rich harmonies that always seem very modern to me. Below is his Andante Religioso, one of my favorites.
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I've always been surprised to hear so little by Alfredo Franco. He writes in a modern language, but it's still very accessible. The only player I know who plays his music regularly is Cristiano Porqueddu, who released a CD of over three hours of his music for guitar. Here are two of his pieces played by Porqueddu, "A Short Elegy" and "Memories from the Black Lodge: Homage to David Lynch."
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I would like to share a composer who has written extensively for guitar you may not know about. He is my old teacher Brian Wright. He was born in 1941, is a Savarez Artist https://www.savarez.com/brian-wright and has many scores for guitar available to purchase online. He told me once, he has an unreleased guitar concerto on his shelf!
Here is a of a recent recording of a composition of his in tribute to the late Julian Bream. Enjoy!
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I believe Dr. José Antonio López is such a composer. Presently he is a music and art appreciation professor at the University of Puerto Rico, Mayagüez campus . He is not only an accomplished composer, but also a gifted classical guitarist. His last composition Nocturno is just amazing. He has a website aunasolaguitarra.com check it out. By the way, he plays popular music as well, and transcribed to score all of the Juan Neri and the "Tres Ases" music. This year he organized a guitar festival in Mayagüez with competitions, conferences, luthiers, etc. I believe the Orfeo magazine is going to publish something. José Vélez
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Brahms (intermezi) .... https://www.youtube.com/watch?v=C11RO05OdgY ... say no more
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Dear Martin,
I hope this message finds you well.
My name is Sekhar Screenevasan, writing from Singapore. I would like to submit a guitar music recording featuring Mr. Harry Martinez, which includes several of his original compositions. This recording was originally made on a cassette tape, with approximately 30 minutes of music on each side. It was personally gifted to me by Mr. Martinez in 1982, during the time I was his student (from 1981 to 1984).
Although the sound quality of the original cassette has naturally deteriorated over time, I had it digitised several years ago into two separate audio files. I would be pleased to share these recordings with you for consideration in your work highlighting underrated composers in the guitar world.
Additional information on Mr. Martinez can be found via the National Archives of Singapore, under the following reference:
MARTINEZ, Harry Joseph. Performing Arts in Singapore (Music), Accession Number 001130
https://www.nas.gov.sg/archivesonline/oral_history_interviews/interview/001130Other references:
Attached are the audio files. I look forward to your thoughts and I hope Mr. Martinez’s work will be of interest to your project.
Warm regards,
Sekhar Screenevasan