Week 2: Sharing the Journey
WELCOME TO THE "A FRESH START" COMMUNITY CHALLENGE!
Embark on a musical journey with our latest challenge, "A Fresh Start". It’s time to dust off that sheet music you’ve been eyeing and dive into a brand-new piece!
CHALLENGE TIMELINE
- Challenge Start: Kick-Off on April 15th!
- Duration: April 15th to May 13th
- Watch Party: Join us on May 13th at 11 AM PST to watch selected submissions!
WEEK 2 ACTIVITIES
- Progress Sharing: You should have your new piece selected by now. This week, let's start sharing our progress. Post a video or describe what you've been working on. It's fascinating to see how everyone approaches the learning process!
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Video 2, my attempt of Tiento Antiguo by Joaquin Rodrigo, Bars 34 to End, this is such a beautiful piece of music, I only hope I can do it justice in the end. Just a little background, Tiento apparently was dedicated to Siegfried Behrend a german guitarist/composer who in 1953, gave the first German performance of Rodrigo's Concierto de Aranjuez. The piece is written in E phygrian mode or 3rd degree of C major scale.
Much work needed to clean it up, sharpen slurs, eliminate squeaks, clean up the Candenza's and piece it all together into a performance.
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A take of the Lento from Les Cinq Doigts. It's a fairly straight-ahead piece, but Stravinsky is playing with tonal ambiguity. The melody of the A section is played with a major third and the accompaniment is played with a minor third of the same key. Stravinsky lines up the parts so the thirds never play at the same time so it's not jarring, just a little off.
Just as an experiment I played the A section with the thirds either all major or minor to hear what they sounded like on their own.
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Sor – Le Calme Op 50 Sections A, B, C, and part of D
I thought I’d make a recording of the entire piece up to the point I have been practicing. At the time of my last submission, I wasn’t sure if the C section was possible for me to play. I’m a little more hopeful now. It still needs much work, but I don’t think it’s insurmountable.
Sorry for leaving you hanging in the middle of the D section on the dominant chord. That section gets pretty difficult after that point, and I haven’t even worked out fingering. Slow and steady wins the race, right?
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After trying for a few days, I think i’ve settled on the fingerings. It is pretty hard for me to stick to it as I realized i had so much bad habits with my right hand appregio picking. I tend to go i m a i when i play any appregio from g-b-e -e.
This exercise is great, I have somewhat memorized it. For now my aim is to make sure i’m conscious of my right hand and focussing on articulation.