WEEK 4: Homenaje a la Guitarra 🎶
Welcome to the Main Thread for the fourth week of our musical Journey to Spain!! This is the place to share submissions of the fourth week! 🔥
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↓ HAPPY PRACTICING, HAPPY SHARING ↓
336 replies
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I'm running out of time, so today I'm going to post two pieces. They are rather similar, coming from the same book.
Rafael Marin – Peteneras
With this, I’m venturing out into a new arena (a bit). Marin was a flamenco guitarist from Sevilla. He taught in Madrid and published a flamenco method in 1902, that has apparently been very influential in the world of flamenco guitar. I am not a flamenco guitarist at all, but this Peteneras seems to sound okay with classical technique.
Peteneras is a song and dance style that alternates 6/8 and 3/4 time. The rhythm goes 1-2-3 1-2-3 1-2 1-2 1-2. It is very slow and sad, and according to superstition, brings bad luck to anyone who interprets it (but I think you are safe if you just listen to it).
Julián Arcas – Solea y ¡Ole!
Arcas (1832-1882) is perhaps the most important Spanish guitarist of the nineteenth century prior to Francisco Tárrega. Arcas collaborated with Antonio Torres in the design of his groundbreaking guitars, and was also a major influence on the young Tárrega.
Much of Arcas’ music has a strong Spanish character to it, and is often based on popular Spanish dances. This particular one is a flamenco dance called the Solea. It is a very expressive and emotional dance in 3/4. I found this piece in the flamenco method book of Rafael Marin mentioned above. The short "¡Ole!" that follows it is in double-time.
Tomorrow, I'll post another piece by Arcas.
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Here is a work in process of Leyenda. Again, audio only since video file too large to post. This piece (along with Recuerdos de la Alhambra) were the pieces that convinced me to learned the Classical guitar.
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Martin just reminded me about "manually" uploading the video, so here is the video of Spanish Dance# 5. Thanks Martin!
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Here is the video of Leyenda I uploaded "manually (Davinci seems to be a bit buggy in this process). This piece is clearly a work in process that requires more serious attention in certain areas, and needs more overall practice as well.