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Re: II. The Edit // JAN 18th @joosje This is awesome to see and hear, thank you for that recording! It's wonderful that lived up to the challenge, you will only get better and better the more often you try and repeat!…
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Re: II. The Edit // JAN 18th @Debbie hm, this is very odd, can you send screenshots of the routing matrix (via alt+r) to [email protected]? If you could additionally send me screenshots for each channel of the window that pops…
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Re: II. The Edit // JAN 18th @Barry van de Graaf Awesome! If you reduce the distance to the sound source by half, you will gain approx. 6db of levels!
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Re: II. The Edit // JAN 18th @Debbie Hi Debbie! Can you please check in the Render window (ctrl/command+alt+R) that your channels are set to "stereo" as well? If that's the case then we might need to dig a little bit deeper!
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Re: II. The Edit // JAN 18th @Derek Yes, mixing takes with different noise and input levels is a very tricky task resulting in a lot of post processing which is why I actually never do that (because laziness, haha)!
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Re: II. The Edit // JAN 18th @Barry van de Graaf Thank you for that wonderful version of Landslag! I always played that piece a little bit too fast, so hearing your version is really calming for me Your Zoom has quite…
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Re: II. The Edit // JAN 18th @Igor Recording is always like looking at your performance with a microscope! This is why I always advise my students to record themselves, because suddenly you hear so much more things!…
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Re: II. The Edit // JAN 18th @Rick Ankney Wonderful! Awesome that you like your edit, since we tend to be the biggest critics of our own work, this is definitely a big step! The Bluebird is a very nice mic with a very clean…
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Re: II. The Edit // JAN 18th @Barry Hi Barry! That is a great edit plan! I try to make my edit plan always as clear as possible, so that I could give this plan to another engineer and he or she can start editing right away…
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Re: II. The Edit // JAN 18th @Debbie Thank you for that recording and what a pity about that mic stand! I forgot to mention that there are mostly two different systems depending on the market,…
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Re: II. The Edit // JAN 18th @Emili Hi there, thank you for your submissions! That is a wonderful intimate performance that you've captured there! When working with two VERY different mics it is always hard to achieve a…
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Re: III. All about Dynamics // JAN 25 @Anders Skadborg Hansen As opposed to other cardioid mics, those mics have a very flat frequency response, so they can definitely take a subtle EQ boost with a high shelf filter around 5-6khz!…
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Re: III. All about Dynamics // JAN 25 @Philip This is so awesome of you, so helpful! True Academy Hero here! I'll attach that to my post in the beginning!
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Re: II. The Edit // JAN 18th @Robert Awesome! In next weeks session we will have a big listening session, going in depth into all (or at least a lot) of your recordings!
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Re: II. The Edit // JAN 18th @Andrei Pitu I have been working with DT 880 Pro for a long time (and even changed the left driver because it broke somehow) and am very happy with the quality.…
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Re: II. The Edit // JAN 18th @Derek Awesome, practicing is what makes us better! Since we are only working with digital sound files, you can always come back and redo if you are not satisfied with the recording!…
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Re: II. The Edit // JAN 18th @Thomas Hi Thomas, I would be interested what setup you used, since it's clearly a stereo recording! It is remarkable how well your sound source is placed in the middle of the panaroma stage!…
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Re: II. The Edit // JAN 18th @Olli Excellent Sound! Damn, gotta get those ribbon mics! (btw. I will get probably a pair of those, they seem to be very well priced for their quality ...…
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Re: II. The Edit // JAN 18th Answers to this week's questionnaire: 1. Why do we group tracks? We group tracks for two main reasons: When we record several tracks in mono to achieve a stereo sound (using one mic source per…
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Re: II. The Edit // JAN 18th @Jasmine Thank you for your submission! The sound is very full with a lot of warmth, but pointing directly at the sound hole often creates a certain "boominess" which is masking the silvery quality…
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Re: II. The Edit // JAN 18th @Philip Thank you for that recording! If I remember correctly you used the Behringer C-2 which suffer from quite a high noise output! We will look in the upcoming live stream to tackle different…
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Re: II. The Edit // JAN 18th @Olli Wonderful, love the enthusiasm from all of you, this is so cool to see you develop over the course of this academy lessons! Love it! Now let's dig into your recordings!…
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Re: II. The Edit // JAN 18th @Debbie Yes, of yourese you will be able to continue post submissions and your own recordings, I will create a dedicated forum topic for that, something like "tonebase homerecording corner" …
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Re: II. The Edit // JAN 18th @Mark Edwards Sure! Instead of making your transient in the middle of a fading note like here: shift the crossfade right in front of the next peak: We us a psycho-acoustic trick called "masking"!…
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Re: II. The Edit // JAN 18th @Peter weird, but ultimately very well done!
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Classical Guitarist and Educator
Sound and Recording Engineer