Week 4 - Return of the Finisher 🏆
Hello tonebuddies! 🎶
A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸
This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.
This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.
🌟 The Challenge
Revisit a composition you started but never finished — and this time, see it through. It might be:
- 🎯 A piece you abandoned because it felt too hard
- 🎯 Something you got halfway through before a new obsession took over
- 🎯 A passage or section you never quite nailed
- 🎯 A piece you learned years ago but never polished or performed
Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.
📅 Challenge Dates
Start: May 4
End: June 12
Watch Party: June 12
🎥 How to Participate
- Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
- Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
- Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
- Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.
Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.
🎬 Watch Party — June 12
The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉
💡 Need a Little Help from a Jedi Master?
If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.
May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️
56 replies
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Here is Abel Carlevaro's Microestudio No. 18. In addition to being a beautiful study, this study is great for working on slurs. I realized going through the study, that I need to focus more on my slur technique and will definitely incorporate this study into my practice routine going forward. Now onto Microestudio No. 19.
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Barrios - Sueño de la Muñequita
I took a little break from Standchen with this nice piece by Barrios. I have played the A section before, but the B section (with the harmonics) has always kept me from bringing it to completion. It's not that it is too difficult, but the extensive use of artificial harmonics makes it unplayable without committing it to memory, so I never took the time.
Interestingly, I found several different scores to this piece, each with rather significant differences. Performances of it on YT likewise are very different. I ended up just picking one score and changing it, adding elements from other versions according to my liking. I bet it's a piece that Barrios himself never played the same way twice.
Now back to Standchen ...
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Still working on Lauro Vals numbers 2 and 3. The B section of 3 has a lot of full barres, which have caused me some grief in the past, so I'm being careful not to overdo it. Jack and Dale made me want to work on something modern, so I pulled out Annette Kruisbrink's Oda la Pablo Neruda, which I started working on during the Women Composer challenge. It's a set of short pieces based on Neruda's "Ode" poems. This is Ode to the Guitar.