Week 4

Attention all tonebuddies! Are you ready to embark on a journey of musical creativity and exploration? Join our Arrangement & Transcription Challenge and discover the joy of reimagining music for the classical guitar!

Over the next four weeks, we’ll celebrate the art of transforming works from other instruments, ensembles, or even genres into stunning guitar performances. From Albéniz and Granados to Piazzolla, Bach, Scarlatti, or even your own favorite songs — everything goes!

🎯 Whether you choose to:

  • Work on a well-known transcription (Albéniz’s Asturias, Granados’s Danza Española, Piazzolla’s Libertango)

  • Create your own arrangement from scratch

  • Compare different versions and share your insights

…this is your chance to dive deep into the creative process and share your journey with the tonebase community.

This challenge is open to all levels — from curious beginners discovering their first transcription to experienced players refining their own arrangements. Let’s celebrate the versatility and expressive power of the guitar together!


📅 Challenge Dates

Start: November 11
End: December 11
👉 Join anytime by introducing your project in the comments below!


💡 How to Participate

  1. Pick your piece – Choose an arrangement or transcription that excites you.

  2. Share your goal – Are you learning, arranging, or refining?

  3. Post your progress – Upload short clips, notes, or reflections as you go.

  4. Engage – Encourage others, ask questions, and exchange arranging tips!


🎥 Watch Party Reminder

The Watch Party on December 11 will feature recorded submissions from this challenge!
So make sure to submit your final performance videos and showcase your creative work!

34 replies

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    • Amateur with too little time and bingeplayer with sore arms and fingers
    • Lars_KjollerHansen
    • 3 days ago
    • Reported - view

    Christmas time is coming. Time for a short visit on the forum-
    Tomorrow  going with my son and grandchildren on X-mas visit at my old mother on the island in the Baltic Sea and then no guitar

    Silent night . I bought the sheet music from Michael Chapdelaine years ago. But never played it before the last couple of weeks. (Previous Time issues and you don’t play it in the summer do you.   At 65+ I have started to learn tremolo.. Maybe next X-mas goal ..or  wish!. 😀The stretches in the G major section I may be too old for.

    Danza Andaluza. Martin called for it. STill needs significant polish but I am getting there. My first goals was to do the first line acceptableOk every time first time . I have decided that this should be  piece I always should have ready… when ready

    I wish you all  a merry Christmas .. or happy holidays and not least a good guitar new year

    Lars

      • BLaflamme
      • 3 days ago
      • Reported - view

       That's a beautiful arrangement from Michael Chapdelaine, never heard it before and the Danza is already sounding good, great performance! Merry Christmas time!

      • Barney
      • 3 days ago
      • Reported - view

       Beautiful performance on Granados Spanish Dance No. 5!  That's the Llobet version, right?  You know I like this composer, so thanks for posting it!

      I did not know that Michael did an arrangement of Silent night.  It reminds us to work tremolo and it's a nice version. Enjoy the holiday season with your family!!

      • joosje
      • 2 days ago
      • Reported - view

       very beautiful playing, Lars. All these nice transpositions and then your tremolo , a truly exiting version of Silent night! And a great Granados. (Llobet version as  correctly ? noticed). Well done, Lars. Enjoy the Holiday season. 🎄🎼🎁

      • Amateur with too little time and bingeplayer with sore arms and fingers
      • Lars_KjollerHansen
      • 2 days ago
      • Reported - view

      . Thank you so much for listening and your kind words. Danza Andaluza It is no 5 , there are 12 I think. but I only know this.

      Yes. It is mostly based on the Llobet version, but some from Jan Depreter TB lesson (Julian Bream version) and one little trick from Pepe Romero Bar 11 second beat. That harmonic on 6 string do not work for me and in my opinion not for anyone else I have heard. I do think I haste and skip half a beat there  among some other mistakes in the recording stress though. My favorite performance of the piece is with Stefano Grondona. Is was the first version I heard but still my favorite. He plays the Llobet version straight BTW Lukasz  Kuropaczewski in his lesson on Llobet Spanish folk songs emphasizes Grondona as a master on these Llobet transcriptions

      • Steve_Price
      • Yesterday
      • Reported - view

       Excellent, Lars. I especially enjoyed the Granados, which is probably my favorite piece of his. I loved your take on this. Playing harmonics with other notes is really tough for me, so that passage was impressive. Congrats and hope you have a happy Christmas. 

      • Amateur with too little time and bingeplayer with sore arms and fingers
      • Lars_KjollerHansen
      • 12 hrs ago
      • Reported - view

       Thank you for listening. I enjoyed your Scarlatti. You have quite a versatile repertoire! Congrats. Maybe one day I will try some Baroque and renaissance, but recently I embarked on a flamenco journey

    • Eric
    • 2 days ago
    • Reported - view

    Scarlatti K77 B section 12/4

    Naturally, the B section is trickier than the A section. In particular, I struggle with the ornaments. When I hear this on the harpsichord or the piano, the ornaments are very dramatic and a real highlight of the music. On the guitar, with my very limited right hand technique, they just sound flat and boring.

      • joosje
      • 2 days ago
      • Reported - view

       great. You play it very expressively. Ornamenting this kind of music is complicated for us, guitarists.  Of course, harpsichord ornaments are best as cross string trills, whereas more melodic passages could be slurred. It’s always our choice and depending on fingerings, or better, adapting fingerings to musical choice.  Never a random action. 

      • Steve_Price
      • Yesterday
      • Reported - view

       Nice, Eric. I really like the mood on this. I've been really enjoying learning more of his work. And I actually thought your ornaments worked well. They seemed appropriate and didn't stand out too much or mess with the flow of time. Well done. 

    • Randy_Wimer
    • Yesterday
    • Reported - view

    Here's my arrangement of Chick Corea's Spain. If anyone is interested in the music let me know and I'll post a link to it on my website. I have a ways to go in the performance but things are getting so busy I thought I better get it posted before the time got away from me. 
    https://www.youtube.com/watch?v=MbxlDHyr26U

      • Barney
      • Yesterday
      • Reported - view

       I really like your Jazzy arrangement and its licks.  
      Those arpeggios sound great.  Thanks for posting it here, Randy!

      • Randy_Wimer
      • Yesterday
      • Reported - view

       Here's a link to the Free Stuff page - the music to Spain is at the bottom of the list. https://wimerguitar.com/free-stuff

      • Randy_Wimer
      • Yesterday
      • Reported - view

       Thanks Barney.

      • Steve_Price
      • Yesterday
      • Reported - view

       That's a great arrangement and a stellar performance. Really enjoyed this. Congratulations and thanks for sharing your performance and arrangement.

      • Eric
      • Yesterday
      • Reported - view

      Amazing stuff, Randy!

      • Randy_Wimer
      • Yesterday
      • Reported - view

      thanks, Eric.

      • Randy_Wimer
      • Yesterday
      • Reported - view

       Thanks, Steve. I've learned that, for me, when I'm arranging a complex piece like this one that taking the time to get it written down helps me settle it in my mind. I took a lesson from Gene Bertoncini long ago where we discussed arranging and solo performance and he told me he always writes his arrangements. When I started doing that I realized that I saw different approaches to the material as I wrote. I play so many casuals and I keep so many tunes in my head that I don't take the time all that often but when I do it pays off.  So it only makes sense that if I have it written down for myself, why not share it with others?

      • Steve_Price
      • 23 hrs ago
      • Reported - view

       That makes sense, and thanks again. And what a great opportunity to study with Gene Bertocini. Back in the day, I bought his solo CD Quiet Now on a whim right when it was released, and was blown away. I'd never heard anyone play arrangements like that. I think the closest was Takemitsu's songs. Very cool. 

    • Steve_Price
    • Yesterday
    • Reported - view

    Domenico Scarlatti - K32

    Another piece by Scarlatti, who's becoming one of my favorites. I have a similar take on ornaments as Eric. I love hearing them executed well, especially some flashy cross-string trills, but in my hands, they come out clunky, so this is sans embellishments for now.  
     

      • Eric
      • Yesterday
      • Reported - view

       I love it, Steve! This is another great piece of music that translates very well to our instrument. It is beautiful with or without fancy ornaments.

      Yes, well-executed cross-string trills sound great, but I just don't have the fingers for them. I can do a slow one, alternating p-m or p-a, but they don't sound the same. My i finger just won't cooperate for a while now, so I have to use it only sparingly, when it is needed to play a chord. Fast arpeggios, which is essentially what a cross-string trill is technique-wise, are unplayable for me.

      You probably already saw it, but a few days ago I watched a Tonebase Piano video about Scarlatti's sonatas that I found very interesting and informative. It was public in YT.

      • Barney
      • Yesterday
      • Reported - view

       Beautiful Steve!  This is one of my favorite Scarlatti pieces. (btw, Segovia often played this one...). The melody is so  wonderful that even without embellishments, it sounds great. I really enjoyed it!

      • Steve_Price
      • Yesterday
      • Reported - view

       Thanks, Eric. I'll check out the piano video.

      For cross-string ornaments, the speed is the issue for me, too. One thing I might practice is how Annette Krusibrink notates them in some pieces. She does a rake across both strings with i playing the upper and lower notes and then m playing them. Here's a video where she does it.  

      • Steve_Price
      • Yesterday
      • Reported - view

       Thanks a lot, Barney. I think I've heard Segovia play this, since it sounded familiar from way back, but I couldn't place it. Back in the day, I listened to everything by Segovia and probably came across it. 

      • Eric
      • Yesterday
      • Reported - view

      Hmm ... that is really a different way of doing it. I'll have to give it a try.

Content aside

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