READ and FAQ - The Villa-Lobos-Voyage!
Greetings, esteemed tonebuddies!
Are you ready to embark on a musical journey through the enchanting realm of Villa-Lobos and his South-American roots? We are thrilled to present the "Villa-Lobos-Voyage Challenge," an extraordinary experience that celebrates the works of Villa-Lobos and composers related to his heritage. Over the next four weeks, we invite you to dive into the captivating compositions of Villa-Lobos and other South-American-influenced pieces, exploring the rich tapestry of sounds and rhythms.
WHEN
- Challenge start: Official Kick-Off on August 4th!
- Challenge days: August 4th - September 1st
- Watch Party of selected submissions: September 15th!
HOW TO BEGIN
Eager to partake in the "Villa-Lobos-Voyage Challenge"? Here's how:
- Select a mesmerizing piece from Villa-Lobos or a composer connected to his South-American heritage. Whether it's a soulful Villa-Lobos composition, a rhythmic Brazilian-inspired work, or a piece by another artist inspired by the South-American musical tradition, the choice is yours!
- Commit to regular practice and share your progress with the community. Strive to practice daily and upload at least two videos per week to showcase your musical voyage. This not only keeps you motivated but also allows you to share your artistic journey with our tonebase family.
- Share your favorite performance or recording that captures the spirit of the "Villa-Lobos-Voyage Challenge." Your submission will inspire others and create a vibrant collection of potential pieces for fellow members to explore.
The heart of this challenge lies in exploring the rich cultural heritage of Villa-Lobos and his musical influences. So, pick a piece that intrigues you and embrace this journey with enthusiasm and curiosity. Together, let's celebrate the captivating sounds of Villa-Lobos and his Brazilian roots. Get ready to practice, learn, and immerse yourself in the Villa-Lobos-Voyage Challenge!
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Well, I have played all of of the HVL preludes except one. I always avoided number two, because of the fast scale passages in the A section, but mostly because of the arpeggios in the B section. The right hand has always been my weakness, and so this piece just seems beyond me.
So that said, I’m going to give it a shot. We’ll see how it goes!
My favorite version of it has to be Marcin Dylla’s. It starts at 4:26 in this video.