Week 3: Fingers on Fire
Welcome to the Main Thread for the third week of "The Transcriptions" practice challenge!
- Make sure you've read the guidelines before replying!
- Watch the kickoff livestream!
Pick a transcription that was originally composed for another instrument, like piano or violin. Don't be afraid to choose a challenging piece or explore works from composers you haven't played before.
Commit to practicing daily and share your progress with the community. Aim to practice every day and post at least two videos per week showcasing your progress. This will help you stay motivated and accountable, and also allow you to share your transcription journey with others. Whether you're tackling a complex piece, refining your skills with a piece you already play, or experimenting with new playing techniques, the community is here to support you and celebrate your achievements.
Share your favorite piece that you would like to see transcribed or your favorite recording of a transcription. This will not only inspire others in the community but also provide a rich resource of ideas for everyone to explore. Plus, it's a great way to celebrate the creativity and artistry involved in adapting music from one instrument to another.
↓ Happy Sharing! ↓
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Alexander Scriabin (1872 - 1915) wrote approximately 90 preludes for piano. The following Prelude Opus 16, No. 4 was written 1895 when he was twenty-three years old. Chopin's influence is very clear in Scriabin's early preludes. The following is a transcription by Andrés Segovia with a couple of edits by Abel Carlevaro.
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Hi, friends! I'm a bit late in this challenge. I would like to bring you a piece called Paulistana, from the Brazilian composer Claudio Santoro. The piece is originally for piano, and I did a transcription last year, in April. For this challenge, I have decided to review the transcription with better documentation, step by step. The result is in the PDF I upload.
Page 1 is the original score for piano, page 2 is the version I did in 2022. To start the review I wrote down the F clef transposed an augmented second up to put in a better region for our instrument.
The result is on page 3. After that, I wrote de G clef with the same transposition. The result is on page 4. As you can see there were some problems to solve, and I did a revision that results in the score on page 5. A fresh new version, with some changes, done with MuseScore, is on page 6.
My first attempt to record this piece in 2023 is below. I'll try a duo version, I guess, and another recording of this solo version too. Thank you, Tonebudies!