Group 1
Improve your Left-Hand-Fitness with Slurs!
The Fitness of the left hand is responsible for how comfortable you feel on the guitar. Regular slur practice will improve your stability and agility and opens your hand for more fingering possibilities! Two Weeks, Fingers 1234, a gazillion different possibilites! Let me show you my workout tips for the left hand and let us improve together!
Fellow Participants in Group 1:
joosje
Alex Polonski
Robert
Vilio Celli
Eric Phillips
Bill Young
Kirkestopinal
Carlos Augusto Costa Silva
Marilyn Blodget
Barney
Valdir Ferreira
GALAIS
Jason Park
Helen Walker
Some tonebase productions to get you started
Martin Zimny - Left Hand Workout with Villa-Lobos Etude #3
Martin Zimny - Getting Slurs Right from the beginning
Artyom Dervoed - Slurs from Nothing
Bill Kanengiser - Padre e Hija by Garcia de Leon
How to get the most out of this course
- Start by watching the introduction video and practice the exercises given in the video.
- Write a post with your experiences with Slurs.
- At the same time, start practicing the first bars of Etude #3 by Villa-Lobos. If you are new to the piece, start with my livestream on this piece!
- Share two videos per week and help your course partners through feedback on their submissions!
Zoom Check-In: Friday, June 24th at 6 pm CET (9 am PT)
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I do like working more intensively on a technique. But not skipping other techniques, like arpeggios , tremolo etc. so 20 minutes slurs is a bit much for me. I shortened the exercises, skipping some positions. I go V, VII, IX and back, then III, I and back. Or V, VI, VII and back, then IV, III, II and back. I concentrate on assignment 3.
in assignment 4 you seem to suggest first position. Is there a reason for that choice?
I think it’s best to work on this 4th assignment until you feel safe, before attacking VL etude 3. Slurs with fixed fingers are there all the time.
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As for the hammer-ons, I tried it like walking up and down the strings (sort of relieving the first finger). But after a while I realised I might be "hammering" too much. So after the actual hit I continued putting much pressure onto the string for it to sound. It looked however, that if after the hit I immediately make like 1/2 the tension on the hammering finger, the sound is more clear.
Also started thinking where my finger tip is :) If trying to hit the finger with 90-digree angle, my nail hits the fretboard earlier. So it produces no sound, just pain. The nails are cut short though.
Struggling with 3-4 as well. 2-4 is easier though. -
Fixed finger slurs. Although it works easier with the 1st finger being fixed, when I do it with the 3rd or 4th, I can't figure out the proper position to relax the hand. To make it with the finger the arm instinctively tries to move forward with the elbow, so it looks and feels strange, and makes much tension in the hand and fingers.