🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 6

Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!

Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.

This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.

🎯 Whether you choose to:

  • Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
  • Go for something bold — Villa-Lobos, Barrios, or Coste
  • Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
  • Revisit an old friend — Polish a piece you learned before and bring it to a new level

…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.


📅 Challenge Dates

Start: February 23

End: April 17


💡 How to Participate

  1. Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
  2. Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
  3. Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
  4. Engage – Listen to what others are working on, leave encouragement, and trade practice tips!

57 replies

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    • Eric
    • 5 days ago
    • Reported - view

    Aguado - Estudio 24 (Apr 3)

    I don't know if any of you have been following the Guitar Composers Series put out by Fabio Zanon on the GuitarCoop YT channel. A couple days ago, they released one on Dionisio Aguado. Listening to it, one piece really stood out for me as particularly beautiful, and I had never heard it before. When I saw that it was a study, I figured I just had to play it.

    It's from Aguado's Nuevo Método para Guitarra. Don't confuse it with the "lessons" and "exercises" in the method. It's in the studies (estudios) at the end. Despite its adagio tempo, I found it to be a real challenge for the left hand. I did end up going with a few different fingerings than the ones indicated in Aguado's score.

    In case you want to hear it played really exquisitely by Sachito Miyashita, here is a link: https://www.youtube.com/watch?v=oFjzeLVuVnk&list=PLSwBD3vKFbqbLS5YG1daDZ6HKWOLzvnmy&index=7

      • Ron.3
      • 5 days ago
      • Reported - view

       Very nice Eric - not one I've heard before either. Thank you for the link also - I hadn't come across Sachito Miyashita.

      • Retired
      • Jack_Stewart
      • 14 hrs ago
      • Reported - view

       This is really nice, Eric, and well played. I only knew Aguado thru his lessons and exercises (I think), I never found his music very interesting. I may have to look into more of his works. Thanks for sharing this.

      • BLaflamme
      • 1 hr ago
      • Reported - view

       Thanks for sharing this, I was not aware of the GuitarCoop YT channel, looks interesting!

      • Eric
      • 1 hr ago
      • Reported - view

       It's a spectacular channel. The composer's series has been very educational for me.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 54 min ago
      • Reported - view

       Thanks also from me for highlighting the Guitar Coop channel. I was aware of it, but hadn't watched any of their videos for quite a long time. I've listened since you posted the link to the videos about Aguado and Carulli - both very good! I like that they highlight the broader musical culture of the era instead of only addressing the guitar music. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 43 min ago
      • Reported - view

       Well played, Eric! I also find with Aguado's music that one has to adapt the fingering. He seems to have had an incredibly flexible left hand. I seem to recall Noad remarking upon it in the 'Classical' volume of his famous anthology. He included two studies from (I think) this same series  - both very difficult, or at least so I thought at the time. 

      • Eric
      • 37 min ago
      • Reported - view

       Yes, the studies at the end of the book are not easy, at least for us mere mortals. I quickly looked through all of them with a guitar in hand, and this one is about the easiest. I do think it is a particularly beautiful melody that sounds a bit like Schubert.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 24 min ago
      • Reported - view

       I agree - it's a beautiful little study, the sort of piece that all too often gets overlooked. I also read through a number of the studies after your post. The third one (also featured in the guitar coop video) is another that is not too difficult (although I found it tricky to clearly articulate the double-note slurs/slides).

    • Debbie
    • 2 days ago
    • Reported - view

    Hello tonebase buddies. I've been away for a bit with some unavoidable life things. Here is my latest rendition of Sor's Opus 6 #11. There are still some things I'm not quite happy with but all in due time. If it's allowed to add another video I might try it on my normal sized (for me 630 scale) guitar. My hand therapy has been very helpful but I also don't want to overdo it. One huge improvement though is in the 3rd section (major) of the piece I can play the stretch in measures 60 and 68 as they are typically played. That makes me very happy. I look forward to getting caught up and listening to everyone's work in this challenge. 

      • Eric
      • 2 days ago
      • Reported - view

       That was such a joy to listen to, Debbie! The improvement from your previous posts is remarkable. This is absolutely one of the most beautiful melodies written for the guitar, and it really came through in your performance. I actually like the sound of that small guitar. It may not have the volume or resonance of a larger, modern instrument, but it just sounds so fitting for this music. And if its size can help you to play music you otherwise could not, all the better. Brava!

      • Debbie
      • 2 days ago
      • Reported - view

       thank you so much for the encouragement Eric. My other guitar offers more sustain but I agree this small one has something special. I agree with you about the beauty in this melody. It’s really exquisite and I’ll keep working on it to try and do it justice. Thanks again. Your comment is uplifting ☺️

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Brava, this was so beautifully played. I really enjoyed listening to this performance. 

      • Debbie
      • 2 days ago
      • Reported - view

      thank you Dale!

      • Ron.3
      • Yesterday
      • Reported - view

       Well played indeed Debbie. You've certainly put a lot of work into this beautiful study  and it works well on the small scale guitar - well done!

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       Beautiful playing, Debbie! Just for the record, the relative 'lack' of sustain of your guitar is something I particularly like here! I think the modern guitar doesn't really permit us to hear how the music of this era was meant to be heard. There's just too much sustain! And the wrong balance, too, with a 'booming' bass that tends to overwhelm the higher voices. I like that I can hear the inner voice (which is often providing the harmonic movement) so clearly in your performance. If you don't mind my asking, is your guitar an 'off the shelf' model, or is it something specially ordered from a luthier? I'd love to have one myself!

      • Debbie
      • 21 hrs ago
      • Reported - view

      Thank you, David. I appreciate that. I’m glad you like the guitar. I really recommend it if you can get your hands on one. It’s delightful to play. It’s a Wolfgang Jellinghaus Torres 77. You can sometimes find them from The Guitar Salon in the U.S. or Siccas in Europe. The price is typically 2500€. Having said that, I couldn’t find one so I tracked down the luthier workshop in China. They had one almost finished so I snagged it for 1500€ including taxes and shipping. If you want to do the same you can email [email protected]

      I’d love to know if you end up getting one!

      • Barney
      • 21 hrs ago
      • Reported - view

       Beautiful performance Debbie!  I'm very happy the hand therapy along with this great smaller scale guitar is helping you.  Your balance of legato melody and accompaniment is spot on.

      I enjoyed this very much.  Keep up the great work!

        I use a special glove for my left hand for my LH thumb injury, which has helped..  Has the therapist suggested anything like that for when you are practicing? ( it depends on your particular problem).

      • Debbie
      • 21 hrs ago
      • Reported - view

       thank you Barney. I appreciate that. It wasn’t too bad I guess apart from the obvious mess ups 😂 But now it’s at a level where I can keep working on the details. I didn’t know you had a LH thumb injury. I’m sorry to hear that because I know how frustrating it can be.  I’m glad you have a workable solution. I sometimes use K-tape to support the LH ring finger but I haven’t needed to use it since starting therapy. I have muscle atrophy from ulnar nerve damage so some stretches are impossible. I can pretty much tell if a piece is going to work or not by running through it once. For example, I recently wanted to start Barrios Estudio 6 but I couldn’t manage the barre chord section because of the extensions. So some repertoire I just have to wave at and say, “maybe next life!” 

      • Retired
      • Jack_Stewart
      • 14 hrs ago
      • Reported - view

       This is beautiful, Debbie. I always found this piece to be a wolf in sheep's clothing. It has such a gentle flow but is much more difficult to play than it sounds. You have done a wonderful job on it. The guitar sounds really nice as well. 

      • Debbie
      • 8 hrs ago
      • Reported - view

      thanks Jack. It is indeed a Wolf! Haha love the metaphor.

      • BLaflamme
      • 1 hr ago
      • Reported - view

       Beautiful Debbie, your sound and playing on this instrument is just perfect, I like it very much! This is indeed one of my favorite Sor study, bravo! 👌💪

      • BLaflamme
      • 1 hr ago
      • Reported - view

       Since you're in Canada, I went to the Grand Salon de Guitare in Montreal a few months ago with a friend he tried a few of them. If you're interested in such guitar I suggest you to contact Paul, the store owner, he's a nice guy, and it'd be easy to ship between provinces and you won't have any hidden fees. As an example, click here!

      • Amateur guitarist/lutenist
      • David_Krupka
      • 38 min ago
      • Reported - view

       Thanks, Debbie! Great idea to go directly to the manufacturer! For the moment, I'll an eye open for one in the used guitar market here in Toronto - over the years I've come across some amazing finds.

    • Robert_Love
    • Yesterday
    • Reported - view

    I joined here last week. I hope to be able to post Brouwer Study 6 by deadline. I want to achieve more legato and tone. I am working on my right hand which has always been a challenge. I worked on the Brouwer over a few months and have recognized the chord structure and blocked the chords. That pattern is simple but requires planting right hand and relazation. Two things I am working on. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       Looking forward to it, Robert! It's always great to 'see' new faces here in the community forum.

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