🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 2

Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!

Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.

This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.

🎯 Whether you choose to:

  • Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
  • Go for something bold — Villa-Lobos, Barrios, or Coste
  • Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
  • Revisit an old friend — Polish a piece you learned before and bring it to a new level

…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.


📅 Challenge Dates

Start: February 23

End: March 20


💡 How to Participate

  1. Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
  2. Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
  3. Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
  4. Engage – Listen to what others are working on, leave encouragement, and trade practice tips!

79 replies

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    • Dale_Needles
    • 2 days ago
    • Reported - view

    Still coming to you from Terceira Island in the Azores, here is a former post of mine of Etude No. 6 by Heitor Villa-Lobos to honor his birthday which was on March 5th.  

    https://youtu.be/M_LPQvH-2dU?si=P-fS0nMhcCN02cgw

      • Retired
      • Jack_Stewart
      • 2 days ago
      • Reported - view

       What a wonderful performance, Dale. (and it's not even a Carlevero. 😀)

      I don't recall hearing you play this before. Thanks for sharing this.

      • Dale_Needles
      • Yesterday
      • Reported - view

       Thanks, Jack. I know it is so unusual for me to play something outside my Carlevaro comfort zone. 😆

      • Retired
      • Andre_Bernier
      • Yesterday
      • Reported - view

        So many chord changes executed perfectly. Great performance. Bravo👍

      • BLaflamme
      • Yesterday
      • Reported - view

       I remember last time you shared it, as beautiful as it was then! You should share the Carlevaro chord study (#5 if I recall), a great complement to this one!

      • Dale_Needles
      • Yesterday
      • Reported - view

       Thanks Blaise. Will definitely post Carlevaro's Estudio No. 5 before the end of the Challenge.

      • Dale_Needles
      • Yesterday
      • Reported - view

       Thanks Andre. The challenge with this Etude as you noted is making those chord shifts smoothly and with as little string noise as possible. 

    • Eric
    • Yesterday
    • Reported - view

    Sor Op 29 No 24 (Mar 7)

    Here is a run through of the whole thing.

    A few things I need to work on: consistent tone and smooth dynamic shaping of the melody line, left-hand finger placement to eliminate buzzes, and right hand gaffes (although that is a bigger problem than I can solve during this challenge, if ever).

      • Retired
      • Jack_Stewart
      • Yesterday
      • Reported - view

       Beautiful, Eric. ( Even my wife said so.) You have achieved such a high level of performance of this piece in such a short time. Bravo.

      • Eric
      • Yesterday
      • Reported - view

       That's very kind of you, Jack! I still hear many things to improve.

      Please thank your wife for me. 🙏

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       This is sounding very good, Eric! (As usual, I'm impressed by how cleanly you execute the ornamentation.) And it's such a beautiful study - I'm surprised it isn't performed more often. (It's one I would include in a fantasy publication - 'Twenty Sor studies that didn't make the Segovia 'cut'.)

      • Eric
      • Yesterday
      • Reported - view

      What a cool idea! I can see it now. People will be saying, “This is Sor Study number 12, Krupka edition.”

      • Ron.3
      • Yesterday
      • Reported - view

       Beautifully played Eric. I know you're close to the piece and notice things you might want to do differently but as a listener it's has wonderful flow and shape to it. Bravo!

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       That's a nice thought, Eric, but I don't think it would sell. Maybe 'lovingly selected by the 'Friends of Sor' would work.

      • BLaflamme
      • Yesterday
      • Reported - view

       Fantastic Eric, you have learned so quickly this study, amazing work!

      • BLaflamme
      • Yesterday
      • Reported - view

        I vote +1 for a Krupka Edition!

      • BLaflamme
      • Yesterday
      • Reported - view

       About "Friends of Sor", It reminds me that here in the 90s we had a guitar movement called "La Soribande", which roughly means "Sor's band", but in French, by sound (not by writing), it has a completely different meaning! 😅

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       You've left me wondering just what it sounds like ...

      • Retired
      • Andre_Bernier
      • Yesterday
      • Reported - view

       This is definitely a beautiful piece of music  and you give it a lot of credit with your great playing.  Thanks for sharing ..👍

      • Gunter
      • Yesterday
      • Reported - view

       Thank you Eric for sharing your thoughts on the technical challenges of the piece an how to solve them. I have taken some ideas for my problems with other pieces!

      • Debbie
      • Yesterday
      • Reported - view

       Bravo Eric 👏🏻 this is coming along very nicely. I adore the Sor studies. I’ve been reading through the Orphee edition and am definitely coming across some gems. I haven’t gotten to this one yet so thank you for choosing it. It has a haunting theme which I really love. I like the way the Orphee edition shows the discrepancies in the early facsimiles. I too vote for the Krupa cut.

    • Retired
    • Andre_Bernier
    • Yesterday
    • Reported - view

    Here is my first practice recording for this Challenge. The background is that I started last fall on the Premium + program and am working with Jakob Wagner. He has recommended many times to improve my right hand skills including resting the thumb or other fingers in order to pluck more precisely. I finally decided in January to start working on this with some exercises. However, as you can imagine I have a tendency to fall back on my bad but comfortable habits....

    For this challenge, I decided to revisit two studies (Leo Brouwer Estudio Sencillos no.1  and Sor Op. 60 No.9) using all the great techniques proposed by Lukasz Kuropaczewski, Eduardo Inestal and Scott Tennant in their respective courses on Tonebase.

    Earlier this year I had to change my golf swing (Back issues) and I felt it was difficult but today; I can tell you that this is much easier than adopting these new right hand techniques. Anyway, with today's recording of my practice, the comforting thing is that it can't be worst, it can only improve.

    Don't feel necessary to watch.......⛳

      • Amateur guitarist/lutenist
      • David_Krupka
      • Yesterday
      • Reported - view

       A very solid start with these, Andre! What strikes me in particular is how well disciplined your fingers appear to be now, as compared to, say, a year ago. Your sessions with Jakob are no doubt paying off! As for adopting new habits, whether in music or in sport, I agree with you 100%! It's hard to change a routine we've be rehearsing for years. (As the saying goes: 'practice doesn't make perfect - practice make *permanent*!') Looking forward to hearing more.

      • Dale_Needles
      • Yesterday
      • Reported - view

       Nice start on these two wonderful studies. Good to take them at a slow tempo and little by little increase the tempo as you get more comfortable with the pieces. 

      • Gunter
      • Yesterday
      • Reported - view

       Unlearning old habits is a difficult task and your recording prove that you are on the right track. 

      • BLaflamme
      • 17 hrs ago
      • Reported - view

       I agree with David, you feel far more organized and secure about what you're doing now, it's great to see how much you have evolved since. Great work André!

Content aside

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