Week 2 - Arpeggios, Slurs, and the Theme Returns

Week 2 of the Capricho árabe Challenge. Suggested focus this week: Sections 3 and 4 (bars 19–34), the big arpeggio, the slur chain, and the theme coming back around. Still on Section 1? Perfect, that's what these threads are for.

Share whatever your practice threw up this week: a clip, a rough take, a question, a fingering you changed. And leave a kind word or a tip on someone else's take while you're here.

Reminder: we're going live on Monday September 14, 5pm CEST to check in on the challenge and answer your questions. Bring them. Details here

One question for the week: which step of the Track did you replay the most, and why?

17 replies

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    • Eric
    • 9 days ago
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    Sections 3 and 4 (measures 19-34) Sept 11

    I cannot say that I watched any steps of the Track more than any others. I watched the track to check out Martin's fingering choices to see if I want to change any of the ones I have been using.

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      • Jack_Stewart
      • 7 days ago
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       This is coming along really well, Eric. Wow! that extended slur passage really sails. Very impressive. Your romantic sensibilities really shine in this piece.

      • Ron.3
      • 7 days ago
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       I agree with everything Jack says! Beautiful playing!

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      • mgshirk
      • 6 days ago
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       Very nice, Eric, I have to say, I envy your reading skills.

      • Eric
      • 6 days ago
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       Thank you, Michael, but I actually have no score here in front of me. This is a piece I’ve played from memory for a few years now.

      • joosje
      • 6 days ago
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       so beautiful Eric. Very singing and sosecure in phrasing.. looking forward to the continuation.

    • JUAN_ALONSO
    • 7 days ago
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    Good take Eric, It sounds really nice¡¡¡

    I´m joining this challenge with some delay , but I take it as a oportunity to work on this piece I tried to learn some years ago ( then it was farm from my reach) and polish it. 

    Tarrega, as well as other Romantic composers are my favourites, so I hope to complete it on time. 

    I paste my take on the firs 20 measures. Comments are wellcomed.

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      • Jack_Stewart
      • 7 days ago
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      This is a great start Juan. Your playing is very crisp and clean. I would suggest that you allow the phrasing a bit more 'room'.  At least that is what I feel for the piece.

      Looking forward to your progress.

      • Ron.3
      • 7 days ago
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       Great work Juan. I agree with Jack about the phrasing but that's only my personal preference. Look forward to hearing more.

      • joosje
      • 6 days ago
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      very beautiful juan. I fully follow your timing . Great phrasing.

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    • mgshirk
    • 7 days ago
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    Hello all, 

    Joining a week late as usual, this is such a cool piece. I learned it many years ago and really have not touched it for quite some time. Its a funny thing, when I learned it, I obviously learned it incorrectly, with many mistakes and now after not playing it for years the exact same mistakes I had then I still exist today. There is a lot to be said about all the research being done on how the brain & (neurons) process repetitive tasks. I guess in a nutshell, don't practice mistakes, the brain is to stupid to know the difference between what is right and wrong while your imprinting finger movements. I've learned a lot from this research. I only wish I knew it 40 years ago. 

    I also think my eyes are much worse. I'm finding it hard to find the targets when doing the slur sections.  I'll work on these sections more, and look at suggestions Martin gives on handling these slurs. Look forward to the D minor section   

      • Ron.3
      • 7 days ago
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      @Michael Shirk  It's sounding great Michael -  I can tell it's been under your fingers for a long time! So true what you said about mistakes - I have the same problem with pieces I thought I'd learned correctly years ago! Overwriting the ingrained patterns stored in the brain can certainly be challenging!

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      • mgshirk
      • 7 days ago
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       it’s so hard, almost like tearing the piece apart and relearning it, at least sections of it. It also applies with tension. If you learn it with tension 10 years ago the brain also learns the tension and it remains. I kind of quit playing classical guitar for a while because of tension. It was exhausting . Most likely because I learned pieces out of my reach never had a teacher to guide me.  

      • Ron.3
      • 7 days ago
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       Yes I remember you saying this before. I also have problems with tension and have been trying to be aware and release tension when practicing. For me it was not so much that the pieces were out of reach but rather that I was striving (=tension) for what I saw as perfection - which used to mean not making mistakes!

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      • Jack_Stewart
      • 7 days ago
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       Great start (restart) Michael. TYou have a good sense of phrasing and command of the technical aspects. You actually have good accuracy with the slurs - you just need to give them a little more oomph. 

      You seem to have retained much of what you learned - I am so envious. If I don't play a piece for a couple of days I begin to wonder if I had ever played it.

      • joosje
      • 6 days ago
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       very nice Michael. You master all the technical obstacles and make it sound great. Let’s hear more of you in this. 

    • LIVE
    • martin.3
    • 6 days ago
    • Reported - view

    We're live today at 5pm CEST with Capricho Árabe. Bring your questions.

    The plan: walk through the piece section by section, shape the opening cadenza, hide the shifts in the chromatic runs, make the harmonics ring, and take a guided tour of the Capricho Árabe Track, step by step.

    Post your questions below before 5pm and we'll answer as many as we can, live. The more specific the better: a bar number, a fingering, a passage that keeps fighting back.

    Event page and reminder: Capricho Árabe: Inside Tárrega's Timeless Serenade 🎸

Content aside

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