Week 6: Rise of the Maestro

Hello tonebuddies! 🎶

A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸

This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.

This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.


🌟 The Challenge

Revisit a composition you started but never finished — and this time, see it through. It might be:

  • 🎯 A piece you abandoned because it felt too hard
  • 🎯 Something you got halfway through before a new obsession took over
  • 🎯 A passage or section you never quite nailed
  • 🎯 A piece you learned years ago but never polished or performed

Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.


📅 Challenge Dates

Start: May 4
End: June 12
Watch Party: June 12


🎥 How to Participate

  1. Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
  2. Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
  3. Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
  4. Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.

Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.


🎬 Watch Party — June 12

The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉


💡 Need a Little Help from a Jedi Master?

If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.


May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️

138 replies

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    • Debbie
    • 2 days ago
    • Reported - view

    Hi everyone, I've been rather absent from the challenge and for that I apologize. Life had other plans, one of which was my broken iPhone which I use for recording. I had to find another and chose a refurbished 14 pro which seems good enough and it arrived yesterday! Anyway, the challenge piece. I definitely don't live up to the name of this week's heading of a rising maestro. Some wins: I can play through the piece from start to finish memorized, although with small doubts here and there. Some of the phrasing in the main parts I'm happy with. Still under repair: I'm working on speeding up scales so that I can play the accelerated bits more convincingly. Not quite being able to do so affects the phrasing on those parts. Otherwise, the current state of the piece is pretty representative. If I play it five times there will be different mistakes each time I play it. I think that's a lack of focus  and needing to play it more. I'm looking forward to everyone's amazing work in the watch party! 

      • Steve_Price
      • Yesterday
      • Reported - view

       This is lovely, Debbie. It's such a great piece, and this was an excellent take. You mentioned focus, and that is one of the things I struggle with most. I'm not even sure how to approach fixing that. 

      • Barney
      • Yesterday
      • Reported - view

       I never did online lessons. Wondering if she also still teaches live in New York at Guitar Salon.

      Where does Virginia live?

      • Retired
      • Jack_Stewart
      • Yesterday
      • Reported - view

       Hey Debbie, I have just (re-)entered the world of nailless playing - well quasi nailless, I still have a nail on my index. I still have callous on m and I fingers from  before. This time it seems to be going better than last. I am also trying up my scale tech. Your mention of V. Gorbach reminded me of his scale lessons so I just reviewed them. It is time to go back and start again.

      Btw, I am going to the GFA in Denver in 2weeks and Gorbach will be there and be giving a workshop which I am very much looking forward to. Tilman Hoppstock and Meng Su will also be there which are both amazing players.

      Anyway, thanks for reminding me of the excellent Gorbachev lessons.

      • Debbie
      • Yesterday
      • Reported - view

       Thanks Steve! I think it’s a common challenge to deal with. Have you ever heard of Noa Kageyama? He’s a Juliard violin graduate with a Master’s degree in Performance anxiety. Who knew there was such a thing. He has a YouTube channel with great advice and  website called bulletproof musician. He has a host of courses but also gives away a lot of for free. You might find it interesting. My teacher tells me to focus completely on what im playing. Each note. And honestly, the mind can really only think of one thing at a time. So we need to direct it very deliberately because it’s like a wild puppy!

      • Debbie
      • Yesterday
      • Reported - view

       Hi Jack. I’m pleased to have a no nails tone buddy 😉 Some people choose it for the feel and tone and others out of necessity because they have bad nails. Which of the two are you? Or is there another reason. I prefer the tone and it’s taken me three years to start to be happy with mine. Enjoy the GFA! 

      • Debbie
      • Yesterday
      • Reported - view

       She doesn’t live there anymore, Barney. She bought a house out in the country. She only teaches online now except for when she travels to Germany for her yearly Guitar Festival, hosted by Hauser. I’d love to go but I can’t manage it this year. Some day, I hope!

      • Barney
      • Yesterday
      • Reported - view

      Okay thanks!

      • Retired
      • Lars_KjollerHansen
      • Yesterday
      • Reported - view

         Other lessons/methods for developing speed also with free strokes are Lukasz Kuropaszewskis arpeggios with immediate return to string of the plucking finger- and extensor training - like in rasqueados -lesson by Raphael Aguille

      • Debbie
      • Yesterday
      • Reported - view

      thank you Lars. Great tip! I’ll check those out.

      • Barney
      • 23 hrs ago
      • Reported - view

         Yes I  agree Lars , there are so many good strategies for playing fast scales by various teachers.  I would assume that Virginia gained her great skill during her early days of Flamenco training with serious picado study and Rasqueado playing.

      I'm curious about what steps she suggested for your scale speed development, Debbie?

      • Steve_Price
      • 23 hrs ago
      • Reported - view

       Thanks for the lead on Kageyama. I'll definitely check it out. It's an interesting topic because when I play, I have to focus on every note or I'll get lost. Even pieces I've played for decades and go entirely on muscle memory, I'll sometimes lapse, especially if I'm recording or playing for friends. But then I hear people talk about not even thinking about the music while they play or getting lost in it, and I'm wondering if I'm different, if I'm missing something, or if I'm misunderstanding what those people are saying. Thanks again. 

      • Debbie
      • 23 hrs ago
      • Reported - view

       Barney, you’re absolutely right about her flamenco skills giving her incredible speed. That’s what she initially grew up with and those ingrained skills one develops as a child cannot be underestimated. Her advice so far has been to practice short strokes and relaxing the finger back into place. She also strongly emphasizes the mental focus approach. I’m taking this advice as well as practicing speed bursts, rasgueados and the good old fashioned metronome. 

      • Barney
      • 22 hrs ago
      • Reported - view

       Yes!  and the "relaxing" the finger to bring it back after each stroke,  has been the go to message by The Romeros.  (Pepe speaks about that in his masterclasses with private students...).  this stuff is not easy to implement;  needs time and patience...

Content aside

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