🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 1

Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!

Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.

This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.

🎯 Whether you choose to:

  • Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
  • Go for something bold — Villa-Lobos, Barrios, or Coste
  • Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
  • Revisit an old friend — Polish a piece you learned before and bring it to a new level

…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.


📅 Challenge Dates

Start: February 23

End: March 20


💡 How to Participate

  1. Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
  2. Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
  3. Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
  4. Engage – Listen to what others are working on, leave encouragement, and trade practice tips!

79 replies

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    • Eric
    • 6 days ago
    • Reported - view

    This is quite a big jump from my last post, but I recorded the entire study. Going more slowly and methodically through the sections would probably be a better idea, so this shows my lack of patience. Now that this is out, however, maybe I can go back and slowly work on each section.

      • Ron.3
      • 5 days ago
      • Reported - view

        Well played Eric - lovely to hear the whole piece  - definitely a big leap from your last post! I tend to work in sections (probably too much!), although I'm trying to make sure I interleave my practice to make sure I focus equally on all the parts where I have problems!

      • Retired
      • Andre_Bernier
      • 5 days ago
      • Reported - view

        Bravo👍

      • Retired
      • Jack_Stewart
      • 4 days ago
      • Reported - view

       Really impressive work in such a short time, Eric. Looking forward to your progress on this piece.

      It always takes me a long time to just be able to play thru a piece because I am too impatient. You would think I could recognize the contradiction in that but I never seem to 'get it'.🙄

    • Ernesto.1
    • 4 days ago
    • Reported - view

    Working on Sor Op 29 No 23. It has been always a month, but the last few bars have been very hard once I reach them. So posting slow practice, lifting carefully the bar when not fully needed and rotating my wrist (hopefully) when stretching the pinky.

    Next video... i will try a bit faster, but still focusing on relaxing my hand.

      • Ernesto.1
      • 4 days ago
      • Reported - view

       A notch faster... I think very close to the speed I can play the whole etude.

    • Ernesto.1
    • 4 days ago
    • Reported - view

    Before the challenge started I wanted to do Sor Op 29 No 24, as a follow up for Op 29 No 23. But then I saw  video and I decided not to do it... but today I said why not! So here what I first prepared, and I will keep going this weekend.

      • Retired
      • Andre_Bernier
      • 4 days ago
      • Reported - view

        Sure it can be very intimidating when we watch the performance of some of the great musicians in our Tonebase guitar community like Eric and many others. However, there are a lot of beginner or intermediate folks like me that understand your concerns and really enjoy listening to your recordings. Great work and keep recording and posting your practices 👍👍

      • Eric
      • 3 days ago
      • Reported - view

       These are both coming along great, Ernesto! Glad to have you back. I still remember your beautiful playing of number 18 from this opus a few years ago (if I remember correctly). I am certain that your methodical approach will give you great results again.

      • Ron.3
      • 2 days ago
      • Reported - view

      Great work on both Ernesto. I find slow practice very useful (I often use Łukasz Kuropaczewski's method which you can find on Tonebase if you've not already seen it). Look forward to hearing your progress

      • BLaflamme
      • 15 hrs ago
      • Reported - view

       Great work on both of them, for sure working slowly is unavoidable for mastering all the details... maybe at this speed you could subdivise the metronome for stricter regulation (that's what I do).

    • Dale_Needles
    • 3 days ago
    • Reported - view

    Here is another old post of a  little study Carlevaro wrote for his students that he included in his Cuaderno No. 3 book. From the Island of Sao Miguel in the Azores.

    https://youtu.be/Tmq6GRR1VhA?si=P7cN9FFCbkGufvmQ

      • BLaflamme
      • 15 hrs ago
      • Reported - view

       One of his best left hand exercise, thanks for sharing this Dale! 💪

      • Retired
      • Jack_Stewart
      • 12 hrs ago
      • Reported - view

       That is great, Dale. Labeling it an 'Exercise' belies its complex musical complexities. Thanks for sharing another great Carlevaro work.

    • Eric
    • 3 days ago
    • Reported - view

    Sor Op 29 No 24 - B section (measures 23-42)

      • michel.2
      • 2 days ago
      • Reported - view

      @Eric Phillips Excellent organizational idea, I'll take inspiration from it.

      • Ron.3
      • 2 days ago
      • Reported - view

       I loved listening to your thought process on the fingering Eric! I've not attempted this etude but what you say makes perfect sense to me and I love the result. Look forward to hearing the whole thing in context

      • Ernesto.1
      • Yesterday
      • Reported - view

       here my score with what it seems my fingers will be able to do. Hopefully it helps!

      • Eric
      • 16 hrs ago
      • Reported - view

       Thank you, Ernesto. It's always interesting to see the different fingering possibilities. I also noticed some other small differences from my score (a few different notes), which is not surprising. The early editions I found of this study on IMSLP are really spotty and hard to read.

      • Retired
      • Jack_Stewart
      • 13 hrs ago
      • Reported - view

       It is great to see your approach to learning a difficult piece, Eric. Your meticulous dedication always pays off.

    • Ernesto.1
    • 3 days ago
    • Reported - view

    Sor Op 29 No 23. Best take so far. The study explains that it is meant for the right hand thumb, but the left hand has been the real problem for me! Stretches and bars are really hard for my hand. I am left with no energy for the bars I attempted on my previous posts.

      • Eric
      • 3 days ago
      • Reported - view

       What improvement, Ernesto! Good work.

      • michel.2
      • 2 days ago
      • Reported - view

      @Ernesto C'est un morceau très musical, très bien exécuté. 

      • Ron.3
      • 2 days ago
      • Reported - view

      Great progress Ernesto - well done!

      • Ernesto.1
      • Yesterday
      • Reported - view

      merci!

      • Retired
      • Jack_Stewart
      • 13 hrs ago
      • Reported - view

       This is sounding really good, Ernesto. Your progress on this very challenging etude. I look forward to your continued progress on this lovely piece.

Content aside

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