Week 2 - Into the Dojo 🥋

Hello tonebuddies! 🎶

A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸

This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.

This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.


🌟 The Challenge

Revisit a composition you started but never finished — and this time, see it through. It might be:

  • 🎯 A piece you abandoned because it felt too hard
  • 🎯 Something you got halfway through before a new obsession took over
  • 🎯 A passage or section you never quite nailed
  • 🎯 A piece you learned years ago but never polished or performed

Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.


📅 Challenge Dates

Start: May 4
End: June 12
Watch Party: June 12


🎥 How to Participate

  1. Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
  2. Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
  3. Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
  4. Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.

Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.


🎬 Watch Party — June 12

The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉


💡 Need a Little Help from a Jedi Master?

If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.


May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️

124 replies

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    • Retired
    • Jack_Stewart
    • 2 days ago
    • Reported - view

    Gubaidulina May Day #5 of Musical Toys

    I made this transcription of May Day, #5 from Sofia Gubaidulina's Musical toys. for the Women Composers Challenge last year. I am reviving, and hopefully, improving my previous posting of this short piano piece. Aside from the stumbles and rather clunky opening section, I think this take shows promise.  Hopefully by next week or so I can have a cleaner version.

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Great start, Jack. I wasn't familiar with this piece. Hope to hear more in the coming weeks.

      • Dale_Needles
      • 2 days ago
      • Reported - view

       I remember this from the Women's Composer Challenge. I like piece and your arrangement and look forward to hearing it again. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       A very effective arrangement, Jack. (Sure doesn't look easy, though!) Your performance is already very solid - looking forward to further updates.

      • Steve_Price
      • 2 days ago
      • Reported - view

       This is very cool, Jack, and coming together nicely. I listened to the whole set a couple of times after you posted this before and really liked it. Tough to transcribe, though, so excellent work. 

      • Eric
      • 2 days ago
      • Reported - view

      Well done, Jack! It's pretty intense, but then the ending strikes me as a bit humorous.

      • Steve_Price
      • 2 days ago
      • Reported - view

       Well, to be fair, it would sound a little silly to have all that intensity and then close it with a V-I or an "amen" cadence (or would it?).

      • Eric
      • 2 days ago
      • Reported - view

       I’m so campy that I would actually get a kick out of an ending like that!

      • BLaflamme
      • Yesterday
      • Reported - view

       Great Jack! Following your transcription I went to listen to the whole work on YT, that's a very interesting composition!! Where or how did you find this, I would probably never knew about this without you!

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

       Thanks Nijwm. I think I should be making a follow up posting soon.

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

      Thanks Dale. 

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

       Thanks David. This did turn out to be pretty difficult for me. I think I am beginning to get better grasp of it.

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

       Thanks Steve. It is a pretty neat collection. Based on its titles, I think this was composed for children. That's some pretty crunchy stuff for kids. 

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

       Thanks Eric. I have to admit, working on this I have failed to see the humor. "@$@#%^#**(^)%!!!!!! stupid fingers!! @!$#%^#E&!!!"

      • Retired
      • Jack_Stewart
      • 21 hrs ago
      • Reported - view

       Thanks Blaise. She has composed a couple of pieces for solo guitar (both interesting but beyond me) which is probably how I first heard of her. I then explored her piano output looking for something for the Women Composer Challenge.

      • Ron.3
      • 7 hrs ago
      • Reported - view

       Great start Jack - does not look easy! Look forward to following your progress

      • Retired
      • Jack_Stewart
      • 7 hrs ago
      • Reported - view

      Thanks Ron.

      • joosje
      • 4 hrs ago
      • Reported - view

       interesting piece. I play her Serenata, a great piece to go for colour and timing. But this May Day is such cool piece. Do you know when or why she composed it? There is always some anecdote. She is (was) a fascinating personality. Great adaptation for guitar. 

      • Retired
      • Jack_Stewart
      • 3 hrs ago
      • Reported - view

       Thanks Joosje. I really like this piece and hope I can get it to a level that does it justice. This is from a very diverse collection of pieces, Musical Toys, which, I assume, were intended for children. There are many interested pieces in this collection. She has also written a Toccata for guitar which sounds really difficult but is very interesting.

      • Retired
      • Andre_Bernier
      • 2 hrs ago
      • Reported - view

       Very interesting piece Jack. It sound a bit weird at the beginning but after a couple of watch, the piece grows on you like a good Guinness 🍺😉

    • Robert_Love
    • 2 days ago
    • Reported - view

    My unfinished business is Evocacion by Merlin. I let this one go earlier this year while I was working on a Level 5 exam. Also, the second  (B) part has a difficult passage with barre in 7th position. I am working to relax with the barre. Any suggestions about the Bm barre will be appreciated.  

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       You've chosen a gorgeous piece! (As I imagine you know, the whole suite is great.) The main thing I would point out about the section you are referring to is that the barre only needs to extend as far as the third string until the final measure of the passage, when the fifth string 'E' needs to be played. Furthermore, it is possible to finger the G major chord of the second measure of the passage in the fifth position, without any barre at all (Edson Lopes does this). Hope this helps.

      • Robert_Love
      • 2 days ago
      • Reported - view

      Thanks, David.

      • Eric
      • 2 days ago
      • Reported - view

      Great choice! You may have already watched it, but I found this video tutorial quite helpful: https://www.youtube.com/watch?v=6gxWw36hUpw.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       I know your comment is for Robert, but having just watched the video myself, all I can say is 'Wow!". What a great lesson! This channel was completely unknown to me, which is strange, since Ema is one of the instructors here at ToneBase. (The whole tonebuddy 'crew' should be subscribed to 'The Art of Classical Guitar'.) Thanks for pointing it out!

Content aside

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