Week 2 - Into the Dojo 🥋

Hello tonebuddies! 🎶

A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸

This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.

This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.


🌟 The Challenge

Revisit a composition you started but never finished — and this time, see it through. It might be:

  • 🎯 A piece you abandoned because it felt too hard
  • 🎯 Something you got halfway through before a new obsession took over
  • 🎯 A passage or section you never quite nailed
  • 🎯 A piece you learned years ago but never polished or performed

Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.


📅 Challenge Dates

Start: May 4
End: June 12
Watch Party: June 12


🎥 How to Participate

  1. Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
  2. Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
  3. Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
  4. Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.

Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.


🎬 Watch Party — June 12

The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉


💡 Need a Little Help from a Jedi Master?

If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.


May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️

124 replies

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    • Dale_Needles
    • 3 days ago
    • Reported - view

    Microestudio No. 17 by Abel Carlevaro.  This is one of my favorites with its beautiful melody and classic Carlevaro bass line.  I have three more to go, numbers 18, 19, & 20, but unfortunately for me, they are the most difficult of the set.  Hopefully, I will be able to complete them before the Challenge is up.  

      • Retired
      • Andre_Bernier
      • 3 hrs ago
      • Reported - view

       Such interesting music to listen. Thanks Dale for sharing and for your great performance.

    • Nijwm_Bwiswmuthiary
    • 2 days ago
    • Reported - view

    La Catedral (Preludio Saudade)- Agustin Barrios

    Hi everyone, my second take on this piece. I'm fairly satisfied with this, although there's still lots of room for improvement. I'd like a bit more rubato in the phrasing, especially towards the middle sections and be more comfortable with some awkward shifts. 

    Apologies for the poor video quality. My external camera failed to record for some reason. Fortunately, the laptop webcam did and hence, the grainy video.

      • Retired
      • Jack_Stewart
      • 2 days ago
      • Reported - view

       Beautiful, Nijwm. Your phrasing and tone are really nice. 

      This has really come along wonderfully. Great work!

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Thank you, Jack. After battling with this piece on and off for months, it's pleasing to finally be able to play it and hear kind compliments.

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Very nice!  You can really hear that all your hard work is having excellent results. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       This is very good, Nijwm! As Jack also notes, your phrasing and tone really stand out. The two issues you mention (use of rubato and ease in shifting) may well be related: the less we have to focus on purely technical matters (like shifting) the more we can focus on musical matters.

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Thank you, David. Yeah, definitely I agree with you and the relationship between technique and musicality. When I first started learning guitar, my LH was really poor. I did a bit of coaching with Martin for some weeks and his advice and guidance really helped me with my LH and strengthened it significantly.

      As of now, between my LH and RH, I'm guessing it's still 40/60 in terms of technical development. But I'm working on it, especially with shifts and difficult chord shapes.

      • Steve_Price
      • 2 days ago
      • Reported - view

       This is really good, Nijwm. The different voices sound excellent to me, and the melody rings out so clearly. Very nice. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       It's great to hear that your sessions with Martin were so useful! I don't think you need to worry unduly about your left hand. Barrios is generally quite demanding for the fretting hand, and this prelude in particular has some very awkward chord shapes. You're handling it beautifully!

      • Steve_Price
      • 2 days ago
      • Reported - view

       I agree about Barrios and the left hand. To me, Barrios is in a group of composers along with the likes of Tarrega, Lauro, Assad, and Goss who have written a ton of music for guitar, so to my mind based on the law of averages, there should be a lot of it that I can play as an intermediate guitarist. However, it turns out that the vast majority of it, including their etudes and miniatures, is over my head. It took decades to figure that out. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       The 'problem' I suppose is that most of these composers were writing for themselves, and they were all very fine players. (Perhaps this is not true of Stephen Goss - I've never heard him play - but that hardly matters because he is often writing for virtuoso performers like David Russell and Xuefei Yang!) I doubt any of them thought of their music as 'difficult'. (Having said that, I suspect that there is quite a bit of Barrios that you could play, if you wanted to.)

      • Eric
      • 2 days ago
      • Reported - view

      That was excellent, Nijwm! Your musicality made it a very moving performance.

      • Steve_Price
      • 2 days ago
      • Reported - view

       That makes sense. Learning how to actually approach more challenging music has helped, so I think you might be right about Barrios. 

      • Debbie
      • Yesterday
      • Reported - view

      Wonderful progress Nijwm. It’s sounding very pretty.

       

      • Nijwm_Bwiswmuthiary
      • 20 hrs ago
      • Reported - view

      Thank you, Debbie.

      • Nijwm_Bwiswmuthiary
      • 20 hrs ago
      • Reported - view

      Thank you, Eric. I'm glad you liked it.

      • Ron.3
      • 7 hrs ago
      • Reported - view

       This is sooo good Nijwm - I love the tempo, phrasing and the beautiful tone colours. Your patience and hard work has really paid off!

      • Nijwm_Bwiswmuthiary
      • 7 hrs ago
      • Reported - view

       Thank you, Ron. I really appreciate it. Btw, are you going to submit a piece? you're very gracious and encouraging everyone, and forgive me if my memory isn't right, but have I heard you play in the forums before? Obviously it's upto you, but I'd love to hear you play as well🙂

      • Nijwm_Bwiswmuthiary
      • 6 hrs ago
      • Reported - view

       oh he is! I once played his Prelude in C minor, a beautiful piece and it's a left hand killer with all these extended barres.

      Zoran Dukic has this wonderful video on YouTube where he plays this piece and remarks how his hands become fatigued after playing this piece.

      Here's the link if you'd like to watch:

      https://youtu.be/eUzsEkUoIN8?si=k0_K-lDRBw5t6KRg

      • Amateur guitarist/lutenist
      • David_Krupka
      • 6 hrs ago
      • Reported - view

       Thanks for linking that video, Nijwm. Zoran plays beautifully, and his commentary is insightful. But the man is in serious need of a haircut!!

      • joosje
      • 4 hrs ago
      • Reported - view

       this is sounding so beautiful, Nijwm! I can only repeat others about your tone and phrasing. 

      • Ron.3
      • 3 hrs ago
      • Reported - view

       Thank you Nijwm - yes I posted in the etude challenge (Sicilian Etude by Tatiana Stachak). I was hoping to finish the prelude from Pasaje Abierto for this challenge but I'm going to be away for the next week with no guitar 😬 and then I have an op scheduled - - nothing major, but long recovery time unfortunately! I did record the first few bars of the prelude for my coach a few weeks back just to give you a taster!

      • Retired
      • Andre_Bernier
      • 2 hrs ago
      • Reported - view

      Great progress and smooth performnce. Bravo

      • BLaflamme
      • 2 hrs ago
      • Reported - view

       This is very good Nijwm! 💪 If you permit me a suggestion, there is one thing that feel a bit strange to me in the articulation, I don't know if it's intentional but I really feel that the melody changes on the upbeat and that the bass is played on the beat 🤔

      • BLaflamme
      • 2 hrs ago
      • Reported - view

       Great start on this Prelude Ron, this is not an easy piece!

Content aside

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