Week 2 - Into the Dojo 🥋

Hello tonebuddies! 🎶

A long time ago, in a practice room far, far away... you picked up a piece. You were excited. You cracked it open, worked through the first page, maybe the second — and then something happened. Life struck back. A new piece caught your eye. The fingering felt impossible. The score quietly migrated to the bottom of a stack where it's been sitting ever since. 🎸

This May, we're bringing back the Unfinished Business Challenge — and we're kicking things off on May the 4th, because what better day to summon the Force and finally finish what you started? Every guitarist has an abandoned piece (or three). This is your chance to rescue one from the Sarlacc pit of your music folder and bring it home.

This challenge is open to all levels. Whether you left off at bar 8 or bar 80, whether it's a Bach fugue or a beginner study that got away — if there's a piece waiting for its return, it belongs here.


🌟 The Challenge

Revisit a composition you started but never finished — and this time, see it through. It might be:

  • 🎯 A piece you abandoned because it felt too hard
  • 🎯 Something you got halfway through before a new obsession took over
  • 🎯 A passage or section you never quite nailed
  • 🎯 A piece you learned years ago but never polished or performed

Share the story of why it got left behind and what it means to finally complete it. That's half the magic of this challenge.


📅 Challenge Dates

Start: May 4
End: June 12
Watch Party: June 12


🎥 How to Participate

  1. Pick your piece – Choose the piece (or section) that's been haunting you. The one you've been avoiding. That's the one.
  2. Share your goal – Post in the forum thread and tell us what you're finishing and why it got abandoned in the first place.
  3. Post your progress – Share updates along the way — rough takes, slow-tempo run-throughs, the gnarly passage you finally cracked.
  4. Engage with your fellow rebels – Cheer each other on, leave constructive feedback, and celebrate every piece that makes it across the finish line.

Bonus points: Share a recording of your favorite performance of the piece you're revisiting — the version that first made you fall in love with it.


🎬 Watch Party — June 12

The Watch Party on June 12 will feature recorded submissions from everyone who completed their Unfinished Business. Make sure to submit your final performance videos so we can celebrate your finished piece together! 🎉


💡 Need a Little Help from a Jedi Master?

If the reason you left the piece unfinished is still giving you trouble, tonebase is full of lessons, masterclasses, and courses from world-class guitarists ready to help you through the tricky parts. Search for the piece, the composer, or the technique — chances are, there's a Master ready to help.


May the 4th be with you, tonebuddies. Let's finish what we started. 🎸⚔️

124 replies

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    • Eric
    • 4 days ago
    • Reported - view

    Schubert - Standchen (arr. Mertz) May 13

    I have always loved Mertz' arrangements of six songs by Schubert. But, when I try to actually play them, they seem to turn to mud in my hands. I am going to give another shot at Standchen, though, for this challenge.

    I am more than a little embarrassed by this recording - it's slow, plodding, and very full of buzzes and fumbles. I'm hoping that it can just be like the "before" pictures we see of people who lose lots of weight or get extreme makeovers. We'll see.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 4 days ago
      • Reported - view

       It's partly expectations, but I think also that it's quite natural in performance to notice more what goes wrong than what goes right. We tend to be too critical of ourselves. I remember hearing some well-known guitarist say that you should always wait a day or two before trying to evaluate a recording of your own playing. 

      • Amateur with too little time and bingeplayer with sore arms and fingers
      • Lars_KjollerHansen
      • 3 days ago
      • Reported - view

       Why shouldn’t you get this 🙂- with your record.

      BTW apropos movies. You often hear this piece in the background in movies

      • Dale_Needles
      • 3 days ago
      • Reported - view

       Another beautiful selection. Looking forward to following your progress.

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Similar to what  said, I'd be proud with that play through I was in your place. You've already got it to a very good level and I can't wait to hear what you do next with this piece.

      It's a piece I really love and would love to play someday. Btw, there's an amazing duet recording of this piece on YouTube by this French duo called Duo Canopee, comprising guitarist Laura Rouy and cellist Paulin Ngolo.

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Couldn't agree more with you and also with  about how expectations and sometimes our tendencies to notice mistakes can affect our performance. These ring true at least for myself, especially when there are all these amazing recordings on YouTube.

      • Debbie
      • Yesterday
      • Reported - view

       the BEFORE is quite good Eric as we can see through the stumbles. I’m sure the AFTER is going to be stunning 😉 

      • Retired
      • Andre_Bernier
      • 3 hrs ago
      • Reported - view

       As usual, Eric. a very nice choice of repertoire and great rendition in such a short period of time. Bravo

    • Dale_Needles
    • 3 days ago
    • Reported - view

    Microestudio No. 17 by Abel Carlevaro.  This is one of my favorites with its beautiful melody and classic Carlevaro bass line.  I have three more to go, numbers 18, 19, & 20, but unfortunately for me, they are the most difficult of the set.  Hopefully, I will be able to complete them before the Challenge is up.  

      • Nijwm_Bwiswmuthiary
      • 2 days ago
      • Reported - view

       Very well played, Dale. The start of the piece is indeed beautiful. You're truly on your way to completing the set. Looking forward to the next three!

      • Retired
      • Jack_Stewart
      • 2 days ago
      • Reported - view

       Another great performance, Dale. I like this one alot. Your grasp of Carlevaro's style is really evident here.

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       Nice performance of this study, Dale! While watching, it occurred to me that this is the type of 'modernistic' music that Bream often played. As far as I know, however, he never recorded anything by Maestro Carlevaro. Do you think Bream's idiosyncratic and often highly dramatic approach to modern music would have suited Carlevaro's works?

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Thanks, Jack. I hope you will like the final three Microestudios,  No. 19 is particularly intriguing and has some similarities to No. 17. 

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Thanks, David. I definitely think that Carlevaro's music would have suited Bream, particularly following Bream's masterful recording of Villa-Lobos music. I think that Carlevaro's compositional style and language, especially his Preludios Americanos and Estudios Homenaje a HVL were very much influenced by Villa-Lobos with whom he studied.  I also think Carlevaro's sonata, Cronomias would have fit well with Bream's taste in the more contemporary repertoire. 

      • Amateur guitarist/lutenist
      • David_Krupka
      • 2 days ago
      • Reported - view

       It's a pity our great performers aren't given greater opportunity to record whatever they'd like. (There are always commercial constraints, I gather.) It would be great to have had Bream's interpretations of Carlevaro.

      • Dale_Needles
      • 2 days ago
      • Reported - view

      Totally agree! Fortunately, Carlevaro recorded much of his compositions in his CD "Carlevaro plays Carlevaro."

      • Steve_Price
      • 2 days ago
      • Reported - view

       Excellent as always, Dale. 20 is the only one I've messed with from this high up in the set, and I really enjoy that one. Maybe I missed it, but I don't see a corrected copy of the set of the last five Microestudios on his scores website. 

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Thanks, Steve. You can find all the scores of the set of 20 published Microestudios on the online Carlevaro Biblioteca.  The last five are under Volume IV. Additionally, there are five finished unpublished Microestudios and three unfinished ones that are also in the Library. I have never worked on the unpublished ones, but will as part of my personal project to study all of Carlevaro's complete solo works.

      • Steve_Price
      • 2 days ago
      • Reported - view

       I'm using the copy from the Carlevaro Biblioteca, but I just thought it was interesting that for the first three sets of five, there are corrected copies with hand-written changes he made (labeled "corr AC"), but there isn't a corrected copy for the last five. Maybe the last set was published later, so he didn't have any tweaks to add to them. 

      • Dale_Needles
      • 2 days ago
      • Reported - view

       It does look like there are only corrected versions for Vol I, II & III.  My assumption is that VOL IV was published in 2000, not too long before Carlevaro passed in 2001, and he may not of made any corrections.  

      • Eric
      • 2 days ago
      • Reported - view

      I like that one a lot! Very introspective.

      • Steve_Price
      • 2 days ago
      • Reported - view

      That makes sense with the timeline. Thanks for the info. 

      • Dale_Needles
      • 2 days ago
      • Reported - view

       Thanks, Eric. I agree this one is very introspective. 

      • Debbie
      • Yesterday
      • Reported - view

      really cool piece! Well played Dale. I look forward to hearing the others.

      • joosje
      • 4 hrs ago
      • Reported - view

       what great control and refined playing! Thank you for sharing this set of etudes. Inspiring. As said in this thread, the modernistic style is obvious. Very refined and pure. As  noted it’s more refinement and not the dramatic, lyrical movement. The way you handle the subtle tone colours and clean rhythm is admirable.

      • Dale_Needles
      • 3 hrs ago
      • Reported - view

       Thanks, Joosje. I really appreciate your comments. I agree that CARLEVARO'S music is very refined with how he integrates modern dissonance, innovative rhythms and polyphonic melodies.  

Content aside

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