🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 3

Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!

Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.

This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.

🎯 Whether you choose to:

  • Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
  • Go for something bold — Villa-Lobos, Barrios, or Coste
  • Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
  • Revisit an old friend — Polish a piece you learned before and bring it to a new level

…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.


📅 Challenge Dates

Start: February 23

End: March 20


💡 How to Participate

  1. Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
  2. Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
  3. Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
  4. Engage – Listen to what others are working on, leave encouragement, and trade practice tips!

58 replies

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    • Dale_Needles
    • 9 days ago
    • Reported - view

    Here are two short Carlevaro Microestudios No. 11 & 12 which I recorded a few months ago. Coming to you from beautiful Oporto, Portugal.

    https://youtu.be/eNhaasGzHIw?si=-2yy7WT6QUohBetq

    https://youtu.be/tUqE0oBIZtg?si=68m6aVpPKfa8jaKo

      • Retired
      • Jack_Stewart
      • 7 days ago
      • Reported - view

       More great performances, Dale. I especially like the 2nd one, (#12). It has Carlevaro Jazz feel with a a walking bas (of sorts) and some harmonies that are jazz tinged. I don't recall hearing these before. 

      • Dale_Needles
      • 7 days ago
      • Reported - view

       Thanks, Jack. I agree No. 12 does have a bit of a jazzy feel to it while No. 11 has more of Bartok's Mikrokosmos influence.  

      • Ron.3
      • 6 days ago
      • Reported - view

       Excellent performances, Dale. Like Jack I don't think I've heard these before. Very cool little pieces!

      • BLaflamme
      • 4 days ago
      • Reported - view

       That was excellent Dale! I like how imitation is done in #11, Carlevaro knows what he's doing!

    • Retired
    • Jack_Stewart
    • 7 days ago
    • Reported - view

    Gilardino Sudi #24.1 Prelude.  2nd attempt

    This is an improvement over the first attempt. I was able to minimize the blunders and lapses of memory (excepting the very end!!!) and my tone is better, though much still needs to be done on that count. I think I'll have a completed version by the end of the challenge. 

    I am also beginning another Gilardino (completely different in character) and hope to post a couple of Sor etude revivals. We'll see.

      • Dale_Needles
      • 7 days ago
      • Reported - view

       Great progress, Jack.  I read that they compare these Studis to Litz Transcendental Etudes, however it reminds me more of Anton Webern's piano variations. In any case, a very interesting and beautiful piece. Looking forward to more...

      • Ron.3
      • 6 days ago
      • Reported - view

       Definitely great progress Jack! Look forward to your other posts

      • Eric
      • 5 days ago
      • Reported - view

      Really big strides forward here, Jack! The musical sense of the piece comes through much better on this recording.

      • Retired
      • Jack_Stewart
      • 5 days ago
      • Reported - view

       Thanks Dale. Perhaps they are compared to Liszt's Transcendental Etudes because Gilardino called them Studi di Virtuosita e Di Trascendenza. Also many are all but impossible to play (certainly by my standards!). Per your suggestion I just listened to Webern's Variations. It was a great refresher - it's been a long time since I listened to any Webern.

      • Retired
      • Jack_Stewart
      • 5 days ago
      • Reported - view

      Thanks Ron. Hopefully progress will continue.

      • Retired
      • Jack_Stewart
      • 5 days ago
      • Reported - view

       Thanks Eric. Sometimes I just need to get a recording out there which then embarrasses me enough to make me focus.😄

    • Gunter
    • 6 days ago
    • Reported - view

    Sor op 35 No 22 second version and Alexander Vinitsky Jazz Etude No 3

    After uploading my first attempt on Sors study op 35, 22 and discussing some fingerings with my tonebase mentor, I have worked on the study again and now I present my second version.

    I also upload a recording of a jazz etude by Alexander Vinitsky, published in the booklet "Jazz etudes and exercises for classical guitar" in 2004 by Melbay. The etudes are quite challenging because of the rhythms and the "unusual" chords. Etude No 3 is one of the easier ones.
    I hope you enjoy...

      • Retired
      • Jack_Stewart
      • 6 days ago
      • Reported - view

       These are wonderful, Gunter. Your tone and phrasing of op. 35.22 is beautiful. The Vinitsky Jazz Etude is a lot fun which you capture in your performance. I'll have to check out his other etudes.

      • Ron.3
      • 6 days ago
      • Reported - view

       Great work Gunter! I learnt one of the Vinitsky studies a few years back but had totally forgotten about them. Time to revist!

      • Eric
      • 5 days ago
      • Reported - view

       These are great, Gunter! The Vinistzky was so fun. I had never heard of him.

      • BLaflamme
      • 4 days ago
      • Reported - view

       Both are well done Gunter, Vinitsky was unknown to me, thanks for sharing!

    • Reinhard
    • 6 days ago
    • Reported - view

    Hi, i am a bit late for this Challenge. I try to get Brouwers study No 6 a bit  smoother. Suggestions are welcome. I also work on a study by sergio assad but did not have time yet to record it. 

    https://youtu.be/frXQniAc460?is=oSqQPNr3kJ4YaPRM

      • Eric
      • 5 days ago
      • Reported - view

       Nicely done, very tranquil. Maybe I would suggest exploring a wider dynamic range, and perhaps some rubato to give it a sense of phrasing.

      • Ron.3
      • 5 days ago
      • Reported - view

       Great work Reinhard!

      • Reinhard
      • Yesterday
      • Reported - view

       thank you. Great advise.  i will try to incorporate more dynamics. 

    • BLaflamme
    • 6 days ago
    • Reported - view

    Hello Tonebuddies, while this is not really a «study» I think there's a lot in it that could be used for! As we were talking a lot about this prelude in previous streams and discussions, I wanted to share my version, a slower one with emphasis on the articulation of the bass line in contrast to the arpeggiated pattern. I also told  I would share it at some point, let me know what you think!

      • Nijwm_Bwiswmuthiary
      • 6 days ago
      • Reported - view

       That's just fabulous, Blaise. I can really feel the pulse of the bass line clearly. Excellent playing.

      • BLaflamme
      • 6 days ago
      • Reported - view

      Thank you Nijwm, in the end that was a good technical exercise and I like the way it shapes the movement.

      • Retired
      • Jack_Stewart
      • 6 days ago
      • Reported - view

       That was one of the best versions of that prelude I have heard, Blaise. Your articulations were masterful with a definite contour and phrasing. I also play this piece with articulated basses but yours are so much more expressive. I'll have to revisit mine to see if I can bring as much life and character as you have. Bravo!

      I agree that BWV 999 has a very 'study-esque quality to it.

Content aside

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