Week 1: Improve your Recording Skills

Join me for an exciting two-week intensive designed to enhance your recording skills, regardless of your starting point or the equipment you have at hand. Whether you're using a smartphone or a professional studio setup, this series will empower you with practical techniques and insider knowledge to achieve the best possible recordings.
What to Expect:
- Hands-On Experiments: Each assignment includes interactive experiments that focus on different aspects of recording— from mic placement to lighting. Learn by doing, and discover how slight adjustments can make a big difference in your final result.
- Expert Guidance: Led by Martin Zimny, the nerd behind all European tonebase productions, seasoned musician and audio-video professional, these sessions offer personalized tips and tricks tailored to the varied equipment setups of our participants.
- Community Interaction: Share your experiences, receive feedback from peers and your instructor, and engage in a supportive community of fellow music enthusiasts and aspiring producers.
No special equipment is needed to get started; just bring your enthusiasm and whatever recording tools you have—your journey to better recording begins here!
Timeline:
- Sign-Up : April 26th
- Course Period: April 29th - May 10th
- Optional check-In via Zoom: May 7th
Assignment Week 1
Understanding your room, understanding your Instrument, understanding the ambiance and reverberance!
Conduct these three experiment with your recording system:
- The Position of the Instrument within the Room
Record yourself in three different positions in the room, move the recording device with you and keep it stable relative to yourself - The relative position of the Microphone
Stay in one position in the room, but change the position relativ to your instrument. Keep the distance between the instrument and the microphone/smartphone the same. Choose three different mic positions. - The Distance of the Microphone to the instrument
Stay in one position in the room, keep the relative recording angle, but change the distance of the microphone three times.
199 replies
-
Exercise with three microphone distances; approx 20° off to player's RHS in each case. An X-Y stereo pair configuration was used.
- 65 cm from instrument; 125 cm from floor
- 120 cm from instrument; 125 cm from floor
- 160 cm from instrument; 125 cm from floor
GarageBand Screen captures show EQ and compression settings. A small amount of reverb was used.
-
😕 Now I have to start all over again
I am currently recording from two places in my condo. The bedroom and the dining room.
Today, I will report on the test made in the bedroom. I will do the same exercise in the dining room later this week.
Here are 2 pictures of the bedroom that incorporate an office/studio area. A very crowded place but comfortable to work and practice. For today's test, I will concentrate on changing the microphone position.
The third picture depicts the standard recording set-up I am using:
- The pixel 7 is on a desk tripod and connected directly into the ZOOM AMS-22 Audio interface
- The audio interface is powered from the computer USB Hub
- The guitar Fishman preamp is connected in the audio interface using a standard guitar cable.
- The Fishman split between the micro and the pick-up was 50-50
I will use the same set-up with the microphone that will connect into the audio interface.
For this test, I decided to buy a microphone on Amazon. The Tonor TD510
For this test, I made the following recordings:
- Fishman 100% microphone
- Fishman 100% pick-up
- Microphone pointing guitar - 4 to 5 feet away
- Microphone pointing bridge - 4 to 5 feet away
-Microphone pointing bridge - 2 to 3 feet away.
Well, what are the findings of that exercise:
- The sound from the Fishman 100% microphone is very bad (mostly vibration- buzzing). I felt this was my playing and made a second recording and this was the same. I feel there is probably something with the guitar or the microphone attachment that vibrates and generates the noise. I will soon bring the guitar to the luthier and check that.
- The sound from the 100% pick-up is much better and I now feel better about my playing. 😅
- The recordings with the microphone are good but I will need to increase the microphone volume in future testing.
- For me I feel that the microphone pointing the bridge and 2 to 3 feet away from the guitar was the best recording (your comments are more than welcome).
The big surprise was that during the recordings there was a lot of noise outside the building. I kept the last recording for a few more seconds to see if we could hear the truck backing intensive Beep and nothing.
I will keep doing more testing this week and post my results.
-
Here are the results of my experiments. I use a pair of Rode pencil mikes.
Experiment 1: In terms of where I sit in the room I have a preference based on the recording but interested to hear what others think. Position 1 might seem a bit strange but I included it as I have been doing some guitar/flute recording in this position. Might need to change.
Experiment 2: I am not sure what to make of the different microphone placements, again interested in Martin's and other comments.
Experiment 3: I only did 2 distances.
-
@martin I've posted mp3 files as I don't know how to edit/sync audio files with video. Apologies if you have to download them to listen to them.
I used AT2020 condenser mic and Reaper for this. My workspace is a small room with a few pieces of furniture (sofa sets and book racks). so, the following are the three positions I experimented with:
Position A (Next to wall, with my back to the wall)- This is where I practice daily
Position B- Middle of the room
Position C- Corner of the room
Placement of Mic- about 30 cm from the bridge for all the positions.
I recorded with the interface's gain at about 50% and that of Reaper at about -6dB. I haven't done any processing or added FX.
To be honest, I don't know what to make of these recordings or how to judge/differentiate them. I tried to follow the guidelines provided by Martin for Experiment no.1. Curious to know your thoughts.
-
Hi Guys, I managed to get a video uploaded of me playing in all different scenarios. I used one Shure SM-81 normally I run 2 stereo but for this project I used just one mic. Demonstrated in my home recording space. It ws fun playing in the different areas of the space. I really liked the natural reverb created with the further mic placements.
-
Here is my Intro vid. Playing a Carcassi Etude #15. This is a recording I made for the Carcassi Challenge which ended already. It should be available now in case you missed this. I love playing through the Carcassi Etudes! Feedback or comments welcomed!
-
I have recorded the first nine measure of ARIOSO by Muriel Anderson. She recorded this as a duet in 1992 on her Arioso from Paris CD and published it as a solo in 2003 as part of her Parisian Suite.
I need to continue to experiment for best placement of both me and the microphone. Using the photography tripod rather than the table top tripod for the microphone gives me a lot more options. At this point I am more interested in the methodology than making a final decision.
I recorded using the native camera app as part of Windows 11 on my Lenovo laptop. I am using a SHURE MV88+ microphone with default settings. I made a separate recording for each of the three options for the exercises, and then edited them together for a single video per exercise using the free version of SHOTCUT.
I had to use the links on my google drive because YOUTUBE got stuck for hours processing the first video.
Exercise 1 - Sitting in the corner; Sitting with back to wall; Sitting facing wall
https://drive.google.com/file/d/1NzA-EdYBIVV12YK9zUhCBV1S-1wnA1-n/view?usp=sharing
Exercise 2 - Microphone is on a photography tripod. Microphone is first in front to the left, then in front to the right, and then behind me.
https://drive.google.com/file/d/1AsTNHxdl-tx7yfI3kGAFeSN8EziAXinP/view?usp=sharing
Exercise 3 - My back is to the wall. Microphone is at music stand, then 24 inches away from music stand, and then 55 inches away from music stand.
https://drive.google.com/file/d/1DVXaaHdxgPWyQ8ZwvgLwknBDcUPuNotL/view?usp=sharing
Martha Kreipke