Week 3
Attention all tonebuddies! Are you ready to embark on a journey of musical creativity and exploration? Join our Arrangement & Transcription Challenge and discover the joy of reimagining music for the classical guitar!
Over the next four weeks, we’ll celebrate the art of transforming works from other instruments, ensembles, or even genres into stunning guitar performances. From Albéniz and Granados to Piazzolla, Bach, Scarlatti, or even your own favorite songs — everything goes!
🎯 Whether you choose to:
Work on a well-known transcription (Albéniz’s Asturias, Granados’s Danza Española, Piazzolla’s Libertango)
Create your own arrangement from scratch
Compare different versions and share your insights
…this is your chance to dive deep into the creative process and share your journey with the tonebase community.
This challenge is open to all levels — from curious beginners discovering their first transcription to experienced players refining their own arrangements. Let’s celebrate the versatility and expressive power of the guitar together!
📅 Challenge Dates
Start: November 11
End: December 11
👉 Join anytime by introducing your project in the comments below!
💡 How to Participate
Pick your piece – Choose an arrangement or transcription that excites you.
Share your goal – Are you learning, arranging, or refining?
Post your progress – Upload short clips, notes, or reflections as you go.
Engage – Encourage others, ask questions, and exchange arranging tips!
🎥 Watch Party Reminder
The Watch Party on December 11 will feature recorded submissions from this challenge!
So make sure to submit your final performance videos and showcase your creative work!
80 replies
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Yradier - La Paloma
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Finally I finished the major part of arranging rachmaninov´s prelude in c# minor. Unfortunately my own arrangement is way too difficult for me 😄 considering that the challenge will end soon. I upload the video just to give you an idea about the arrangement and for documentation of my progress.
Arranging consumed a lot of time so I had not much time to practice. However the process was already very rewarding. Trying hundreds of different possibilities in the agitato section taught me a lot more than I usually learn from a new piece. -
Here's a complete take of the Dowland Prelude and another piece I've been working on, a sonata by Domenico Scarlatti, K34/L7. I didn't play the repeats, and I'm still trying to figure out ornaments, since I've played very little music that called for them. Any feedback is appreciated.