
The Women Composers Challenge Week One

Welcome to our latest community-driven challenge! In this challenge, you are invited to work on music by women composers. Whether it be a historical composer like Catharina Josepha Pratten, or a contemporary composer like our very own Ashley Lucero, let's take a dive into this music which certainly deserves more attention in the guitar community.
So, the goal is to choose a piece (or several pieces), and to work on it throughout the course of the challenge, posting videos or audio files of your progress along the way.
Or maybe you are a woman composer, and you would like to take this opportunity to share some of your work with the community.
We have never discussed how long these community-driven challenges should last, but it seems to me that our usual four weeks is fitting. That would mean the challenge will end on Saturday, May 3rd. I will post a new discussion for each week of the challenge.
If you are looking for a place to start your search and pique your interest, Candice Mowbray has an excellent website on the subject. Here is a link.
If any beginners would like some suggestions for your playing level, feel free to ask the community by posting a message here. If you prefer to ask me personally, just use the TB messaging system.
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Pratten - Forgotten
I will get things started with this increasingly well-known piece. It is one of the few works by a woman composer for which we have a lesson here at TB. (It is a highly recommended lesson, in fact, by Alexandra Whittingham.)
I have played this many times before, so I thought it would be an easy way to kick start the challenge. I have played many works by Pratten, and I would like to use this challenge to bring some of them up to a performance level, and perhaps learn a few new ones as well.
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I was researching the topic online and was really drawn to Annette Kruisbrink. My favorite type of music is in a modern language but still accessible, and I think she certainly fits the bill. I was really happy to find that she wrote a set of 15 short etudes. They remind me of Brouwer and Carlevaro's studies.
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We cannot have a challenge on this topic without Maria Linnemann.
so I will polish her beautiful song Souvenir from the Suite for Lovers. Here is an iPhone-shot version when I tried a guitar (No capo though):https://youtube.com/shorts/lBAXEDH19b8?si=28Vt7FJPDUj1jL9K