🎯 The Etude Challenge: Study Pieces, Serious Progress - Week 5
Attention tonebuddies! It's time to embrace the music that was literally designed to make you a better guitarist. Welcome to The Etude Challenge — four weeks dedicated to the art of the etude!
Etudes occupy a unique place in the classical guitar repertoire. They're technical workouts disguised as beautiful music — pieces that sharpen your skills while rewarding you with something genuinely worth performing. From the elegant simplicity of Carcassi and Sor to the rhythmic brilliance of Brouwer's Etudes Simples, the virtuosic fire of Villa-Lobos's 12 Études, and everything in between — there's an etude out there for every player at every level.
This challenge is your chance to pick one (or more!), commit to it, and share your journey with the community.
🎯 Whether you choose to:
- Tackle a classic — Sor Op. 35, Carcassi Op. 60, Giuliani Op. 48
- Go for something bold — Villa-Lobos, Barrios, or Coste
- Explore the modern side — Brouwer, Carlevaro, or Bogdanovic
- Revisit an old friend — Polish a piece you learned before and bring it to a new level
…this is your moment to dig in and grow. This challenge is open to all levels — whether you're working through your very first Sor etude or preparing a Villa-Lobos for the stage, you belong here.
📅 Challenge Dates
Start: February 23
End: April 17
💡 How to Participate
- Pick your etude – Choose one that excites you and challenges you. Not sure where to start? Ask the community for suggestions!
- Share your goal – Tell us what you're working on and what you want to achieve (clean run-through, memorization, performance tempo, etc.)
- Post your progress – Upload short clips, practice notes, or reflections as you go. We want to see the process, not just the polish.
- Engage – Listen to what others are working on, leave encouragement, and trade practice tips!
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Here is a fun little sketch/study that I wrote and recorded with Mario Negreiros at his winery in the upper Douro Valley of Portugal last week. It is for guitar and voices.
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Shand - Study from Op 2
This is from Shand's Improved Method from 1896. The tempo marking is allegro, so it should go much faster, but this is about as fast as I can keep all the shifting under control.