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Re: BYWEEKLY UPDATES (Section Three, Main Thread) - Submissions, Questions & Discussion Here's the score for the last two variations, triplet madness and campanella craziness!
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion @Olli Awesome! Great! So cool!!! Have you considered to re-string your 4th and 5th string with higher octaves? I always wanted to do that with a spare guitar of mine,…
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion @joosje I'm happy that you enjoy working with the manuscript, this opens up a whole new world of repertoire to discover!
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion @Emma Awesome, glad you like the concept of contrasts in this piece! Pi Pi took me quite a while as well to internalize and balance, but the effort is worth the result
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Re: GENERAL DISCUSSION on the Variation Challenge "Marizápalos" @Norman Oh, then you'll be in for a treat tomorrow! The background to this kind of fingering is the campanella effect, but I too think that there might better solutions to what is written in the…
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Re: READ ME FIRST: Rules & FAQ for the Variation Challenge "Marizápalos" by Santiago de Murcia @David Chidsey Wow, that's pretty cool!
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion @Derek Awesome, we're all looking forward to that! You are right, this part is quite tricky and quite long, the next section will be shorter ... though it has probably more notes in it
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion @Gokce Turkmendag Wooow, so awesome! I love the additional ornaments (especially that cross trill) and you really worked your way through that confusing arpeggio style variation!…
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Re: READ ME FIRST: Rules & FAQ for the Variation Challenge "Marizápalos" by Santiago de Murcia @David Chidsey I think this would be a super interesting question for a musicologist to write his bachelor thesis about La Folia is one of the oldest harmonic patterns in Western Music Culture,…
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Re: READ ME FIRST: Rules & FAQ for the Variation Challenge "Marizápalos" by Santiago de Murcia @Mervi Tirkkonen Here you go!
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Mervi Tirkkonen yes, you can find them in the thread for the second section! There you have the fingerings for the second part AND updated fingerings for the first set of variations!
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion So it seems I will be the first one to post an update! Stay strong and keep motivated, I look forward to all of your submissions Section you worked on: 2nd set of variations,…
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Re: GENERAL DISCUSSION on the Variation Challenge "Marizápalos" @Norman very important, yes! It always depends on which function the G has in every chord! We modify the G into a G# it's usually in order to create a subsemitonium modi towards a minor (or F major…
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Re: GENERAL DISCUSSION on the Variation Challenge "Marizápalos" @joosje Cool, thanks for your insight! And thanks @Peter for the research, I would really like to see the whole article but unfortunately I don't have access! However,…
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion All of you are very welcome, I look forward to your submissions!
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Mervi Tirkkonen Thank you so much for the insight into your process! I think the way perform the rasgueados is totally fitting, there is no need to go full flamenco mode on this piece.…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Derek "no es la guitarra, es la mano" as my professor used to say
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Re: BYWEEKLY UPDATES (Section Two, Main Thread) - Submissions, Questions & Discussion Here's the updated score with all the markings from the workshop, the ornament markings indicate the frets that are supposed to be trilled!
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Derek beautiful! I really enjoyed that you decided to go with the manuscript in bar 43 and played the bass line an octave higher!! Your dedication to work through that piece section by section is…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @David Chidsey Wow, this is super impressive, congratulations! This passage always freaks me out, because usually we are able to play more virtuoso than a baroque guitar,…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Debbie yeah, Cross Trill Time! Awesome job, Debbie, I loved the intimacy of the falling sequence from bar 44 onward!
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Re: Recording Discussion Club @Barney I'd recommend to re-watch Live Stream where I talk about "All about Dynamics" (or reading the associated workbook), especially the part about Limiting or Normalizing where we are aiming to…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Gokce Turkmendag Awesome, we can really see how much effort you put into that piece, that's wonderful! It's especially great to see that you really went into the manuscript to play after the…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @Gokce Turkmendag Awesome, that's the spirit! Actually, I just ditch the 4th string and not play the lower e, among all these trills and ornaments it's okay to adapt certain passage to improve the…
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Re: BYWEEKLY UPDATES (Section One, Main Thread) - Submissions, Questions & Discussion @David Chidsey I should take a look at that one very soon, too, I have a feeling that this will challenge me as well!
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